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Blackmagic Design ATEM Television Studio HD

18

Production Mixer

  • Easy control via the front panel or remotely via a software control panel
  • Integrated LCD for monitoring programme and audio levels and for changing menu settings
  • Resize and scale live video in real time
  • Create professional picture-in-picture effects with customisable frames, shadows and lighting
  • 17 DVE transitions selectable when switching sources
  • Four SDI and four HDMI inputs with resynchronisation
  • One upstream keyer and two downstream keyers
  • One chroma keyer and one transmission keyer (DVE)
  • Six levels
  • Two pattern generators and two colour generators
  • DVE with 3D outlines and shadows
  • Storage for up to 20 of your own graphics and logos in the Media Pool for retrieval via the Media Player
  • Compatible with all HD formats up to 1080p/60
  • Storable macros
  • SDI talkback outputs support n-1
  • Powerful integrated audio mixers
  • SDI rates: 270 Mbps, 1.5 G, 3G
  • RS-422 connection and network port for remote control

Inputs:

  • 4x SDI (10 bit SD/HD switchable, 2 embedded audio channels).
  • 4x HDMI type A (10 bit SD/HD switchable, 2 embedded audio channels)
  • Reference input (Tri-Sync or Black Burst)
  • 2x XLR audio input

Outputs:

  • 5x SDI programme outputs (10 bit SD/HD switchable)
  • 1x SDI and 1x HDMI multiview output

Note: IEC power connection cable not included.

Streaming via USB No
In catalogo dal Febbraio 2020
Numero di articolo 485828
€ 953
Spedizione gratuita, incl. IVA
Disponibile entro 3-4 settimane
Disponibile entro 3-4 settimane

Questo articolo tornerà disponibile a breve e verrà poi spedito immediatamente.

Informazioni sulla spedizione
1
9 Classifica vendite

15 recensioni del cliente

d
dialogos 28.04.2021
per chi fa live streaming è un prodotto molto valido. Rispetto ai nuovi atem mini questo apparato ha anche le porte sdi e una aux sdi che è indispensabile in molte occasioni di lavoro. unica pecca come tutti i mixer della blackmagic ha le ventole di raffreddamento un pochino rumorose.
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
B
It's classic Blackmagic
Brane 26.12.2020
In short: works fine, loud fans, there are a few classic Blackmagic gotchas.

Coming from ATEM TV Studio (the previous, 19" fanless version) the first thing you notice when you turn it on, is the fans. You get used to them over time, but they're definitely louder than laptop fans for example, and that's on their lowest RPM. They only get louder as the unit gets hotter. In a loud-ish venue, outside, etc. - it's perfectly fine. Not good if you're planning on using it in a quiet studio, especially not near a mic. There are guides out there on replacing the fans with quieter Noctua ones. We're planning on doing that, but this will probably void the warranty.

I haven't found a way to dim the lights on buttons 1-8. In very dark environments, the green lights especially are definitely annoyingly bright. The buttons can be useful in a pinch, solidly built, but for any more complex production, expect to use ATEM software control, or some other means of controlling the switcher.

Multiview output resolution & refresh rate is tied to the global resolution & framerate. In some cases you get an option to choose interlaced or progressive output (only for multivew!), in other cases you don't. Keep this in mind, if you're planning on using a PC monitor. 1080p59.94 will work fine, but 1080p29.97 (29.97Hz) will likely not work with a PC monitor. You will have an option to use 1080i59.94 (59.94Hz) multiview output in that case, which will likely work with your PC monitor, but the image on the monitor will likely appear soft and jittery, as PC monitors usually don't really know what to do with interlaced signals. No problems with camera / broadcast style monitors.

Unfortunately the AES/EBU input is gone, but, there are XLR inputs, which have a low enough noise floor, seems lower than on most prosumer level camcorders. If you're planning on using those, you will likely need a delay box. We're using DEQ2496 for that (and some light sound processing).

Other than that, it works as expected, no problems so far.
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
SP
Great device, big flaw
Stage Production Services 29.01.2021
fantastic device, well built hardware and does what you need.
BUT.
only accepts one input, so all video inputs need to be 1080p30 or all 720p30. you cant mix and match input types, which easily causes problems.
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google translate de
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
EB
Kein Spielzeug
Equippers Berlin 15.07.2020
Wenn man den Preis bedenkt, bekommt man hier wirklich sehr viel. Wir verwenden den Mixer für professionelle Livestreams von Veranstaltungen inklusive Live-Musik mit 4 bis 5 Kameras und 2 Computern (für Lyrics, Grafiken und Videos) als Inputs. Den Sound mischen wir separat über ein Mischpult und speisen ihn über die XLR-Eingänge ein.

In Kombination mit einem weiteren ATEM Mini haben wir sogar Vereinssitzungen als Livestream per Zoom-Meeting umgesetzt, sodass die Mitglieder entweder lokal oder online anwesend sein konnten. Dabei haben wir den Aux-Ausgang verwendet, um einen separaten Mix für eine Leinwandprojektion zu machen. Das Zeigen von Präsentationen mit Bild-in-Bild des Sprechers für die Zoom-Teilnehmer war kein Problem.

Die Steuerung des ATEMs haben wir per Netzwerk über einen Mac und mit einem Elgato Stream Deck XL umgesetzt. Die Knöpfe an der Frontblende für das Mischen zu verwenden stelle ich mir als mühsam vor, aber für den Notfall ist es wahrscheinlich hilfreich (wir hatten allerdings noch keine Probleme mit dem Netzwerk).

Das größte Manko ist wohl, dass die Inputs keine Framerate/Format-Converter haben und man daher alle Inputs auf das selbe Format und Framerate einstellen muss, was manchmal nicht trivial ist, wenn man Kameras mehrerer Hersteller verwendet. Aber bei dem Preis ist das nichts, was die Bewertung negativ beeinflussen würde.
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