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Best Brass e- Sax Mute Alto Sax

E-Sax damper system

  • Type II
  • For alto saxophone
  • Three different levels of reverb effects
  • 3.5 mm Aux in jack socket for external CD- or MP3 player
  • 3.5 mm Jack headphone output
  • 3.5 mm Jack line out socket
  • Weight approx. 2310 g
  • Audible volume level, approx. 69 - 89 dB
  • Very free playing feel, very good intonation
  • Without power supply

Altri clienti interessati a questo articolo Best Brass e- Sax Mute Alto Sax, hanno acquistato questi prodotti

Best Brass e- Sax Mute Alto Sax 84% comprato questo prodotto
Best Brass e- Sax Mute Alto Sax
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Best Brass e- Sax Mute Tenor Sax 14% comprato Best Brass e- Sax Mute Tenor Sax € 566
I più popolari Sistemi Silent Brass
36 Recensioni dei clienti:
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end of battle for practice

Michael N. 109, 23.11.2013
i live in a house with my wife who teaches in the home most days and nights of the week. This has meant that in the past while the music room is blasting out fultes at a good volume there is nowhere in the house that I can play my sax as it can be heard in the music room. Best Brass mute has changed that now for ever. Unbelievably if i play upstairs there is only a whisper to be heard downstairs and they have to make an effort to listen. So no more grumbling about not having practise time. The built in metronome is brilliant as is the three reverb settings. Having the sound isolated through headphones is a great tool for working on intonation. And the fact that you can feed playalongs straight through any source is amasing. you are not bothering anyone with the sound of sax or the rythm section on a backing track. Great investment in my developement.
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A very practical solution!

Kornflakes, 16.02.2014
I've been looking for some time for an effective way of practicing my saxophone but with the advantage normally only associated with brass players using 'practice mutes'. Lets face it even guitarists and keyboard players have the facility to play with head phones but the saxophone presents an engineers nightmare when it comes to finding a way of silencing the beast!

I must confess when I first saw this device I was very skeptical, i've seen the alternative mutes available and lets be honest they are a joke but this e-sax mute appears to be the first real genuine contender for doing what sax players want. My saxophone is a Yamaha YAS62 and it slotted into the e-sax case with little difficulty. There are 3 rubber inserts inside the case which you have to slot 'Lego' style to your saxes optimum position...once in position you close the case and then insert your hands into the two gel padded openings and off you go.

Observations, you will over blow to begin with BUT then when you add the headphones you start to pull back on the volume because you hear yourself very clearly. I own a professional noise meter, I noticed I could play around 65db, normal conversation is about 70-75db. A quiet office about 55db. At these volumes the likelihood of someone hearing you practice in another room is extremely unlikely unless they have a glass and ear to the wall! The e-sax also has some really cool features, a built in metronome and a various echo button. Just be careful with the e-sax mute, its quite robust but its built with plastic so if you dropped it, it would crack quite easily I think. I use mine sitting down, I think its easier to play that way due to the extra weight. I use my regular saxophone neck strap but perhaps a sax harness would work if you preferred to stand when practicing.

Conclusion, its a win! It actually works. Its pricey but if you have the need to play and difficult circumstances to practice this will be your best port of call. I note Thomann sell this unit quite a lot cheaper than other companies in the UK.....hence I bought it from Thomann.


Update May 2014

So now I've had this saxophone mute for a few months I wanted to add an update. I'm still pleased with the mute. I've nicknamed it 'the storm trooper' for obvious reasons :-) In terms of playability. Its good for about short 30-40 sessions but then needs to breath. It builds up condensation. Playable range tends to be fine for altissmo, high range, mid range but notes below bottom C don't really happen and I suspect this is because their is not enough space for the air to move on the lower notes. I still find it a very practical solution particularly when you need to play with backing tracks.
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Sordine per ottoni
Sordine per ottoni
Esistono molte tipologie di sordina per ottoni che influiscono sul volume e sul timbro dello strumento.
 
 
 
 
 
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