Vox Mini 3 G2 IV

Electric Guitar Amplifier

  • 11 Amplifier models
  • Clean mode for acoustic guitars and keyboards
  • Effects: Compressor, chorus, flanger, tremolo, reverb & delay
  • Bassilator switch
  • Built-in tuner
  • Separate microphone input with separate controls for volume and reverb/delay
  • AUX in
  • Headphone socket
  • Powered by 6 x AA batteries or mains (connector included)
  • Includes strap for carrying
  • Colour: Ivory
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Sound samples

 
0:00
  • Blues
  • Blues DI
  • Funk
  • Funk DI
  • Metal
  • Metal DI
  • Progressive
  • Progressive DI
  • Rock
  • Rock DI
  • Show more

Further information

Power 3 W
Speaker size 1x 5"
Channels Modeling
Reverb Yes
Effects Unit Yes
External FX Loop No
Line input Yes
Headphone connection Yes
Battery Operation in hours 10 h
Weight in kg 3,5 kg

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If you order this product together with others as part of a bundle, you can save up to 5 % additionally!
Harley Benton TE-20 BK Standard Series + Vox Mini 3 G2 IV +
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starting from 179 €
7 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.6 / 5.0
  • handling
  • features
  • sound
  • quality
6 written ratings Read all reviews
Total
handling
features
sound
quality

Very versatile portable amp

Jack Ermans, 02.12.2017
This amp can pretty much handle anything you throw at it. For it's small size, it blasts out quite a decent volume and when you connect pedals they react differently to each channel and setting. This amp is ideal as a practice amp at lower volumes and can be used as a portable amp for street performing. The only downside when you use it as a practice amp (and thus connect it with the adapter) is that you get hum because the electrical signal from your pedals and the amp collide. However, this can be solved by either putting batteries in your pedals or in the amp. Overall a very good amp which can do everything quite decent, but excels at nothing in particuar.
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Total
handling
features
sound
quality

Lightweight with a rich sound

Körrie, 13.12.2013
So that's clear: I'm not a guitarist. I'm also not a supporter of the - almost esoteric - reading that tubes could do anything better anyway than anything else that sound engineers would ever have bothered about. - Permission, I'm the Körrie, I'm considered a gifted blues harp player and search - no, such - for a small portable amp, which, if it goes, may also like to sound. So far so good.
I've been riding Modeling Amps for some time now, but I still have an old Ampeg Jet (solid tube) here - and whatever you have to say about the religious war between tube amp and shemale (to which, dear guitar specialists, you never had a soldering iron in hand, modeling amps should not count): The Ampeg is a reference, without a doubt, a delicious device. So I can "still hear".
But if I put a hundred and ten flakes on the table to get a portable version for the quick session in between, the - Attention! - In addition, even battery-rechargeable, then I have no high expectations.

Donnerwetter, they were dwarfed.

The little Vox makes first of all a tremendous tonal pressure. Even with the guitar, which goes much deeper than the harp and ergo actually could use more Menbranfläche, comes in all settings impressively rich over there sounds nothing digital or incomplete. On the contrary, the small amp pushes me to the wall sound-wise - very British, so Vox remains completely faithful. The autonomy of a Vox over a Line6 remains so, and the small but fine effect section - even a tapable delay is included! - round it off. Only the tuner at this point we ignore verbally - who can only vote an "E", is no longer a tuner by today's standards.

The operation is self-explanatory and actually very typical. Great feature: Besides the guitar channel you can use another channel for vocal microphones. However, the input is only possible via 6.3 mm jack; XLR stripping will therefore have to be adapted.

The processing of the Miniamp is also top-class: A velcro-locked rear compartment allows the roadworthy, skilful stowage of the supplied 12V power supply - because you just realize that you are basically a computer and not an amp plays.

Downside: Of course you can not expect a miracle on stage from a 3W amp, but the Vox is not designed for that either. Nevertheless, he has a headphone output, which of course you can redirect to the vocal system, and it's also really loud - but the VOX here only offers a very hurtetzilchen 3.5 '' stereo jack output. WQer - as indicated above - soldering is powerful, is on the freely accessible motherboard a tap of the headphone signal on a (install) DI box flipping and attach appropriate outputs - and already transformed the little one into a real alternative to the POD of Line6, with real amp qualities and - unlike its competitors - a true Vox sound experience.

Unconditional tip!
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