the t.bone SCT 800 B-Stock

B-Stock, the t.bone SCT 800 large diaphragm studio tube microphone - cardioid, frequency response: 20Hz-15KHz, max.-SPL: (k=0,5%): 125dB, Impedance: <200 ohms, Incl. case, shockmount and external power supply, Cable length between Power supply and Mic: 5m., B-Stock with full warranty, may have slight traces of use

Further information

Tube Yes
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut No
Pad No
shockmount included Yes
USB Microphone No
65 customer ratings:
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4.6 / 5.0
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Micro with potential

Steven569, 17.06.2013
After reading numerous reviews, I wanted to get a picture of myself and now give my feedback. The SCT 800 really comes in an attractive case, everything is well packaged and makes a valuable impression. When I looked at the micro itself a little more closely, I noticed minimal "scratches" which did not bother me any more. So built up and tried. I ran it first half an hour and then made first sample shots. It sounds pleasantly warm however to my taste with a clear deficit in the range of the heights. I am also of the opinion that I perceive slight harmonic distortions. Since I did not like this, of course, the tube change came. First, an ECC83 from GT (12AX7). The sound was clearly better, however, for my taste with too little height presence. Convinced me now the combination SCT 800 with an ECC81 (12AT7) tube of JJ. In this combination I am now very satisfied and would recommend the micro also exactly as. It should be mentioned that the price for the offered performance (or better basis) is certainly more than fair. Some have reported that this micro has an unpleasant high noise. I can not understand this with any of the tested tubes. I would call it a very low noise.

From the combination offer with pop filter I would however advise. The quality did not convince me. I would prefer a higher quality pop filter.
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Very good ring microphone for singing

Mr. Freeze, 22.10.2009
I was looking for a large diaphragm microphone, which worked well with my singing.

I had the following microphones against each other:

Behringer B1
T.Bone SCT2000 (tube)
T.Bone SCT800 (tube)
Superlux R102 (Ribbon)

As mentioned above, I have only tested these microphones with my vocals:

The Behringer B1 has a slight elevation, but with my voice does not work well. My voice sounded somehow gruff.
Likewise missing a little "body", the signal seemed thin.

The SCT2000 has a similar elevation as the Behringer, but not quite so strong and the signal seemed a lot more full.

With SCT800 I liked the result from the beginning. The heights were not so exaggerated, and the signal balanced well with enough "body", without certain frequencies exaggerated.

The Superlux R102 ribbon microphone worked with my voice muted and little brilliant, which is of course the design (with built-in pop protection). The mic is probably more suitable for guitars.

I finally decided on the T.Bone SCT800, because it sounded best with my voice.
Finally, I am satisfied with my vocal recordings.
The test result can of course be different with another voice or instrument ...

The processing of the microphone makes a good impression, a stable case for storage is included.
The holder or spider is robust and well-processed, even spare rubber is included.

A little hint:
Purchases the bundle of the SCT800 with the popp protection MS180, which costs z.Zt. As much as the mic alone. ;-)

Overall, the SCT800 has an excellent price / performance ratio.
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171 €
Incl. VAT; plus 20 € shipping
Free shipping from 298 €
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Only a small number of pieces available

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Phone: +49-9546-9223-30
FAX: +49-9546-922328
Offers include 24% Greek VAT and are valid as long as stocks last. Shipping costs to Greece are 20 EUR, free shipping on orders above 298 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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