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Source Audio Soundblox Multiwave Pro Bass

Source Audio Soundblox Multiwave Pro Bass
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  • Metal
  • Rock
  • Slap

Effects Pedal

  • For electric bass
  • 23 Variations of the source audio distortion algorithm
  • Multiband processing
  • DSP source audio 56-bit digital signal processor 24-bit converter
  • Active analog bypass
  • 6 User presets
  • 7-band EQ
  • MIDI input
  • Motion Control - all Soundblox ™ pedals are Hot Hand® compatible and can be used with any Hot Hand® sensor to expand resources
  • Dimensions (LxWxH): 17.8 x 15.25 x 5 cm
  • Incl. Power supply

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17 customer ratings:

Overall rating
4.2 out of 5 stars
handling
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5 Stars
8 Customers

8 customers have given this product a 5-star rating.

Of these, 8 customers have written no texts or given their feedback in another language.

4 Stars
5 Customers

5 customers have given this product a 4-star rating.

Of these, 5 customers have written no texts or given their feedback in another language.

3 Stars
4 Customers

4 customers have given this product a 3-star rating.

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Total
handling
features
sound
quality

Very special pedal with frustration and spa potential

Flughorn, 22.06.2013
First: the videos which are offered in the Internet by SourceAudio show quite exactly what you get. If you can not re-play, you can also assume similar sounding, as demonstrated there.

I bought the pedal because I wanted besides a Zerre still other sounds in order not to need as many single effects. Both of these conditions are met by the pedal.

Processing etc .:
I am disappointed. Apart from the base plate and various small parts, plastic is predominant. I had scratches on the surface after the first attempts. Apart from that, it is quite solid.

Production errors I have not noticed and all controls and buttons work flawlessly. The power supply is supplied and is usable.

Service:
A brief look into the tutorial and the last non-intuitive 2-3 things are explained. Likewise, there are small tips to the individual settings - very helpful.
Roughly explained: center wheel is the mode. EQ mixes selected 7 band equalizer settings into the signal. Drive regulates cutting intensity. And 2 controls allow you to control the output volume, with the possibility to mix the fundamental sound and the crisp sound.

Now to the stage all day. Who plays with shoes and rarely has hands free or does not bend often can get problems. As mentioned it is all plastic and a rough kick to the regulator I would not recommend. In addition, the tiny knob for switching the effect bank - no idea why this important button has to be able to be operated only with a high level of craftsmanship with shoe foot. The 3 foot buttons are for solid with a well noticeable detent and the distance is just enough for normal feet.

At the beginning you fumble at the pedal with your fingers and 6 presets are enough to store the most usable sounds of the pedal. Ie it is not necessarily necessary during the game. In addition the possibility of influencing by hot hand or expression pedal.
Unfortunately, this restriction also affects not individual parameters but morphects the effect of bank 1 with bank 2. This can provide particularly cool results, but restricts the arrangement of the presets. If, for example, you want to use the Exp pedal of Clean to distort distorted signal you have to use 2 presets or operate the drive controller by hand.

Sound:
Target group are probably progressive bassists, soloists or joy of handmade electronic music. I use it for post rock.
The normal tugs are tasteless and color the sound, especially in high-gain settings. The sound is more like fuzz, which makes me quite happy.
With Foldback are synonymous to SynthieBass similar sounds and crazy. The weakest I find the octaversettings, which gives partial mud and tangle partly with strongly alternating output levels in these settings. As a substitute for a full-value Okaver, the part is therefore not to be used.,

For all settings, the best feature for me is the miscible cleansing signal.
Sounds banal but makes up for some. If depths are lacking or you are looking for distorted but powerful sounds, you can guarantee the necessary locability in the band structure.

What annoys me the most is the eternal fiddling around the effect parameters (eg output levels) to adjust. It is a patience because you have no way to see which preset is stored in the controller. You always start from the value the controller has just. That is, if you want to adjust a channel, the controls are still on the setting of what you have done before.

This is followed by a blind flight after hearing with much to and fro so that one the adjustment hinbekommt. If you want to compare the result with a different preset, you have to save it - you only notice that it has already sounded better before this setting is already overwritten.

-> Not suitable for adapting all presets to new equipment. Desirable would be illuminated markings, motorized potentiometers or simply endless controllers, which process the stored value unaffected by the regulator stand. Whether the whole with MIDI control (better) works, I do not know unfortunately.

I wondered if I would send it back, but if you put it all in a reasonable way it really is a lot of fun. The sounds have character and are suitable for me, which is decisive for me. Try a lot and bring time and patience!
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Total
handling
features
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Innovative and versatile

EddyP, 27.08.2013
Having discovered the videos of the pedals audio source, I was surprised by the hothand and its use ... besides I still do not have a side "show off" which put me off a bit in the end.

On the other hand, it was years since I was trying to buy a bass drive and the lack of versatility and often the absence of separate outputs (or simply here with a drive level and a signal level of the Bass) could not convince me. So I bought the big model with the 6 sound banks and the EQ.

It is of great versatility even if one is rather in the field of never heard to date than vintage drive. In group, it comes out of the mix. Alone, it is not always very beautiful or flattering. Still, the bass is more often with a band than it is played alone. Let's not forget that the narcissistic side is reserved for the guitarist (I am guitarist too, and I joke ... hardly).

The little less is that even if there are 6 sounds that can be memorized, one has access to these sounds only 3 by three. In fact, you have to press a tiny button to switch banks 1-2-3 to 4-5-6. Because the sounds are arranged to go from 1 to 3, from 2 to 4 and from 5 to 6 with the expression pedal (sold separately).

It remains that we can really arrive at sounds very modern, unusual with drives, certainly, modulations, octavers and especially with a high efficiency.
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149 €
Incl. VAT plus 20 € shipping
Free shipping from 298 €
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
item number 243554
sales unit 1 piece
available since March 2010
Total rating
handling
features
sound
quality
sales rank
in this category Rank 106
at thomann.de Rank 33993
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Phone: +49-9546-9223-20
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Offers include 24% Greek VAT and are valid as long as stocks last. Shipping costs to Greece are 20 EUR, free shipping on orders above 298 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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