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PAS 2002PCA

Power Amplifier

  • 19" / 2 RU
  • 2x 260 W at 4 ohms
  • 2x 170 W at 8 ohms
  • 1x 520 W at 8 ohms bridged
  • Conventional power cable
  • Balanced XLR in/out
  • Class AB
  • Speaker Twist outputs
  • Gnd-lift
  • Protective circuits
  • Convection cooling
  • Weight: 12 kg
  • Depth in rack: 35 cm
  • 5 Year warranty

Further information

Speakon Outputs Yes
Binding-Posts Output No
Limiter No
Convection Cooled Yes
2 Ohms Stable No
Rack Units 2 U
Switching Power Supply No
RMS Power per Cannel (4 Ohms) 260 W
Max. Power, Mono 520 W
power amplifier class Class AB

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If you order this product together with others as part of a bundle, you can save up to 8 % additionally!
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Our most popular Power Amplifiers Up To 300 W (4 ohm)
33 customer ratings:
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5 / 5.0
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WOW!

Thomas W. 452, 17.06.2014
I run a professional mastering studio. As the main monitor I use the PSI A21, which I can only recommend to all. As a second monitor I bought the passive Avantone Mix Cubes and connected to a Behringer A500 (the only one with convection cooling in this price class). The sound was "cheap", just as I wanted it, since many consumers also have no better listening capability.
Now, however, the difference between the two pairs of speakers was too great for me. While the one is "Hi-End", the others are "Superbillig". That's why I was looking for something in the middle and decided to put a mid-range hi-fi loudspeaker to reproduce the sound in a living room. For this I needed again an Enstufe and decided to grab a bit deeper into the pocket. So I ordered the PAS power amplifier. Since the ordered Hi-Fi loudspeakers had delivery problems, I closed the mix cubes from the Jube to the PAS power amp.
When I heard the music, I was amazed by the little boobs and could not believe what sound was there. This output stage is so precise, one does not believe it. I now know why the passive mix cubes are so praised. You only need the right amplifier. The Hi-Fi boxes I now operate with the Behringer, but this will soon be exchanged with you know already which ...
It is not that I have no experience with power amplifiers. Be it in the PA area, in the Hi-Fi or in the studio area. But this power amplifier puts many large, expensive power amplifiers in the shade.
The only drawback is the size, respectively the depth of the plant. Since my rack is very full, I had to banish them for reasons of space under the Studiotisch. I would have gladly screwed it into the rack instead of the Behringer power amplifier. However, the PAS power amplifier is too low and already laid cables prevented installation. I like the blue of the power amp very much. Anyway better than the many gray competitors.
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de Automatically translated (Show original)
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Total
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Very good studio stage

09.03.2017
Since a few years ago I was able to test by accident a fairly representative selection of new active monitors up to about EUR 2,500 / piece in direct comparison with old and quite worn Urei 809, I have two pairs of carefully repaired 809 as home studio stands and for the stereo system. This choice can be safely discussed, but it is clear that the 809 is a good power amplifier is necessary. I have tried Phonic, Alesis, Yamaha as well as JBL / Urei in the class ca 150W continuous power / channel / 8 ohms - and even the PAS 2002. First: Phonic and Alesis mE not studiaturglich, Yamaha condition, my 809 hang on a PAS 2002 and at a Urei 6260th Phonic: Very robust and reliable, sound not neutral, detail resolution and stereortization for studio not enough. Alesis: Constantly defective, sound more neutral than Phonic, detail resolution better, stereorting for studio not usable. Yamaha: The 809 have a very well-recorded concert wing also in (approximately) original volume distortion-free, which none of the active monitors in the mentioned price range, the well-known names did not. Stereoortung and detail resolution ok, like the somewhat larger Genelec, but audibly less well than about Klein + Hummel. With the PAS I have (so far) the reliability of the Phonic and the positive characteristics of the Yamaha with much better detail resolution and stereorting than with the Yamaha. Would not know a new power amp, which at this price is synonymous only as good quality. The JBL / Urei 6260, which is much heavier and, in some cases even more elaborate, provides even better detail resolution and stereoisation, and of all the most precise bass (attenuation) - provided you get a perfect copy. However, this is exactly the problem: decades of professional operations have left a lot of visible and audible traces; Before you get an old 6260 reasonably repaired, you are easier to buy a new PAS and look forward to their excellent sound quality. All of course, subjectively, altogether for me however already interesting that on the same monitors the choice of the power amp can lead to as different results as, say, the choice of a good mp3 listener at the lower and a top AKG Flachdrahthörers or the upper end.
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611 €
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