Fishman Triple Play Connect

MIDI Pickup Set

  • Consists of a controller and a hexaphonic pickup
  • Connection between guitar and iPad
  • With free iOS app for new sounds, instruments and songs
  • Also works as a MIDI controller for Mac and PC applications and sound libraries
  • Easy and gentle installation on every 6-string electric and acoustic guitar (not suitable for nylon strings)
  • Low-latency pitch tracking technology
  • Connection with the supplied USB and Lightning cables
  • Magnetic mounting hardware makes it easy to attach and remove the controller
  • Controller dimensions: (W x D x H): 6.6 x 3.6 x 1.5 cm
  • Pickup dimensions: (W x D): 10.4 x 0.9 cm
  • Pickup height adjustable from 8.6 to 14.7 mm
  • Includes mounting bracket and hardware

Note: not suitable for guitars with nylon strings

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Fishman Triple Play Connect
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Our most popular Guitar/Bass Synthesizers
9 Customer Ratings
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3.6 /5
  • handling
  • features
  • sound
  • quality
Total
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acdemiralp, 10.04.2020
Lag is somewhat noticable (~2ms) but nevertheless one of the few options for recording string instruments today. Works great with Ableton Live, without any additional configuration. As long as you are recording short verses without playback and adjusting them manually its all fine. Playing and recording along the metronome is tough due to the lag.
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de Original review (Show translation)
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Ein Schlag in die Fresse für Roland
Cippel, 19.01.2021
Jahrzehntelange Erfahrung im Bau von Gitarrensynths - und dann kommt ein Hersteller von Tonabnehmern und macht es besser! Fishman ist mit dem Triple-Play ein großartiger Wurf gelungen. Ein Guitar-to-Midi-Interface, dass eine Standard-USB-Keyboard emuliert. Dadurch kann man es mit allem verwenden, dass ein USB-Midi-Interface hat - auch einen ganz billigem Synthesizer-Modul (wie Piano-Box Mini). Und Latenz sind definitiv auf selben Niveau wenn nicht besser als Roland-Synths. Besser ist auf jeden Fall, dass es weniger Fehlnoten gibt (durch Bundanschläge oder ähnliches). Insgesamt kann man etwas grobschlächtiger Spielen bei gutem Midiconvert.
Rolands Gitarrensynths sind leider viel zu überladen, unübersichtlich, schwer zu bedienen. Hier hat man nur den Midi-Wandler - Gitarrensound und Synth-Sound kann man sich selbst basteln- so wie es die meisten wohl auch wollen.
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fr Original review (Show translation)
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Comment jouer du synthé avec une guitare
silver127, 15.11.2020
Je l'ai acheté au départ pour commander des vst avec ma guitare, et au final je me suis bien amusé, même si maintenant j'envisage de jouer du vrai synthé (minilogue XD) avec ma gratte car à cet appareil. Bon par contre, c'est que de l'usb, donc il va me falloir un petit Kenton entre les deux, mais jusque là je suis très satisfait et la latence et vraiment impressionnante (dans le sens pas beaucoup hein).
Par contre un peu déçu de Fishman que le logiciel ne soit que si on achète le modèle Wireless (ou 50€ pour une licence) mais bon vu le prix...

Bref, je suis hyper content, et vu comment un certain youtubeur "qui précise à sa maman qu'il joue sans ordinateur" s'est amusé avec un synthé vintage, je suis très impatient de me prendre le Kenton en complément !
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fr Original review (Show translation)
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Génial
fjmusique, 07.09.2020
Utilisé pour jouer vst midi et faire des tablature.
J'ai tester beaucoup de solution pour rendre ma guitare midi, et celle-ci est de loin la meilleure. Rapide à installer, latence imperceptible, pas de décrochage, tracking des notes impeccable.
Fonctionne aussi bien sur l'Ipad que sur PC.
Ça reste un peu cher, mais c'est un investissement que je ne regrette pas.
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189 €
Including VAT; Excluding 20 € shipping
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times

Delivery approx. between Monday, 15.03. and Tuesday, 16.03.

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* The prices shown include VAT. and are valid as long as stocks last. Please click here for international shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. All invoices will be issued in EUR.
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