Fender Tre-Verb

Effect Pedal

  • Reverb/Tremolo
  • Reverb versions of classic Fender amplifiers from 1963 and 1965
  • Tap Tempo for Tremolo Rate
  • Controls: Wave, Rate, Depth, Blend, Dwell, Tone
  • Switch: 2 Mini Toggles for Reverbvarianten (63', 65', Plate) and Tremolovarianten (Opto, Bias, Harmonic)
  • Footswitch: Tremolo / Reverb
  • 2x 6.3 mm Jack input
  • 2x 6.3 mm Jack output
  • True bypass
  • Mains adapter connection: Hollow plug socket 5.5 x 2.1 mm, negative polarity
  • Power supply with a 9 V DC mains adapter (not included - suitable optional mains adapter: Article number 409939)
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Audio Examples

 
0:00
  • Fuzzline Off/On
  • Indie Off/On
  • Blues Off/On
  • Crossover Off/On
  • Progressive Off/On
  • Resonator Off/On
  • Rhodes Off/On

Further Information

Analog No
Battery Operation No
PSU included No
Ki- / bemeneti konfiguráció Stereo be / stereo ki
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30 Customer Ratings
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de Original review (Show translation)
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Fantastischer Sound für Stereo-Boards
kekskiller, 03.10.2020
War seit langem auf der Suche nach einem Reverb, welches sich gut in mein Stereo-Board für Synthesizer integriert und vor die eingehende Stereo-Modulation bewahrt. Fast ausnahmslos alle moderenen Reverbs machen dies aber nur für den Dry-Part und sind daher nur als Startpunkt der Stereokette geeignet (selbst Strymon und Eventide versagen dabei).

Aber genau das macht das Tre-Verb richtig: Man kann es Mono verwenden oder "Dual Mono" mit geteilten Einstellungen auf beiden Kanälen (aka "True Stereo"). Mit Stereo-Panning und Ping-Pong-Delays kann man damit ganz fastisch anderweltlichen Hall erzeugen, den man sonst nur aus VST-Plugins mit gutem Spatializing kennt.

Ungeachtet des Stereo-Aspekts (der mir am wichtigstens war) klingt es aber auch einfach fantastisch gut! Die beiden Springs haben auch den für Surf elementaren Drip, der für die meisten Spieler ausreichend nah an die originalen Amps rankommt. Auch das Plate-Reverb klingt prima für cleanere Sounds und Pads. Bei dem Tremolo bin ich noch etwas unschlüssig, klingen aber in jedem Fall sehr brauchbar mit fast subtilen aber dennoch merkbaren Unterschieden.

Alles in allem bin ich sehr glücklich mit meinem Kauf - es gibt nur seeeehr sehr wenige Pedale die wahrlich True Stereo sind und dabei noch fantastisch gut klingen. 10/10 Punkte!
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fr Original review (Show translation)
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Sublime Tremolo, Reverb ultra polyvalente
niroha, 02.04.2019
Fender, discret jusque la dans l'univers des effects nous livre la une double pédale Tremolo + Reverb (séparable) comme à la Bonne époque .
Je la préfère au strymon Flint (que je possède) moins chère et plus versatile, de plus elle possède d'autres atouts que sa concurrente ne possède pas ( led éclairée ou pas, volume du TREMOLO etc... A vous de voir pour moi c'est tout vu. Merci a Thomann pour sa réactivité, commander jeudi reçu le lundi d'après, cool
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it Original review (Show translation)
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Ottimo
Giove, 29.12.2019
Il Tre Verb offre tremolo e reverbero in un solo pedale.
Due switch, ognuno per l'attivazione di uno dei due effetti, possibilità di utilizzo mono o stereo (che ancora non ho provato), tre voci per ognuno dei due effetti, possibilità di variare la posizione (tremolo -> reverbero oppure reverbero -> tremolo).

Partiamo dal reverbero: ero alla ricerca dei suoni classici, più un plate che avesse carattere, che creasse ambiente e non fosse invasivo oltre misura.
Il pedale offre tre voci, spring 63, spring 65, ottime, per profondità e "effetto molla", adatte alla maggior parte delle sonorità classiche, il plate da quella profondità che non diventa mai invasiva, il suono non si disperde e non diventa etereo come invece può accadere con altri pedali.

Il tremolo invece... Beh, con il solo tremolo di farei un disco!
Le voci sono tremolo ottico, bias e harmonic. Ogni sonorità ha una variazione sul volume, con il tremolo ottico che ha più volume rispetto agli altri due, e l'intervento è più netto e marcato.
Bias invece tende a variare, con l'alternanza aperto chiuso che non è mai la stessa, Harmonic invece è una sorpresa.
La prima volta che utilizzo un tremolo di questo tipo.
Comunemente il tremolo crea una oscillazione sul controllo del volume (aperto chiuso aperto ecc...), quindi il controllo di rate serve a variare la velocità di questa chiusura. Nel tremolo armonico nel momento della chiusura resta una coda sonora che quindi rende l'effetto più morbido, meno secco.
Lo adoro.
Il led per il controllo del rate permette regolazioni di fino, e in studio va a sostituire abbastanza facilmente il controllo di tap tempo, per cui alla fine non se ne sente più il bisogno.

Nel mix del gruppo nessuno dei due effetti sparisce.
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fr Original review (Show translation)
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Strymon flint killer !
Nick le chapelain , 08.05.2020
Je l'utilise sur mon Fender Pro Junior IV + Fender Strat Am Standard et je dois dire que cette pédale est une machine à voyager dans le temps. On retrouve les sonorités des Twin, VibroChamp et autre Princeton. Vu le prix et ce que fait la concurrence c'est tout simplement imbattable puisqu'on a là une pédale de qualité haut de gamme. Et comme toujours la livraison au top, merci Thomann !
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B-Stock from 182 € available
198 €
Including VAT; Excluding 20 € shipping
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times

Delivery approx. between Thursday, 4.03. and Friday, 5.03.

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