Engl E-670 6L6 Special Edition

Special Edition High-End Tube Head Amp for Guitar

  • 100 W
  • 4 Channels
  • 4x 6L6 Power tubes
  • MIDI
  • Reverb
  • 128 MIDI programs
  • 3 Effects loops
  • Master A/B
  • Power amp A/B
  • Speaker A/B
  • Noise gate
  • Dimensions: 71 x 28 x 29 cm
  • Weight approx. 26 kg
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Further information

Power 100 W
Power Amplifier Tubes 6L6
Channels 4
Reverb Yes
Footswitch Yes

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5 / 5.0
  • handling
  • features
  • sound
  • quality
4 written ratings Read all reviews
Total
handling
features
sound
quality

AMP in top level

WolfW, 11.09.2018
My first AMP of ENGL amp, very satisfied with almost everything, but only the little bit complex adjustment of the sound, which is also obviously the truth that one amp can fit most of the sound needs.
Also there is one interesting thing, all the 4 power tubes show some blue glow, which is identified as normal and I've personally not experienced before. It's acceptable, because, the performance, sound quality are all in top level at least from my opinion; also the amp is produced as a tank strong enough!
I think for who looks for a amp with very flexiable sound, this one must be one of the best choice, should be disappointed!
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Total
handling
features
sound
quality

Hammer part, with few weaknesses:

Malte S, 15.02.2010
Whether one of the sound suits everyone must know themselves. In any case, the amp is very flexible.
The clean sounds are good, the crunch is also very good. The Gainboost in the crunch channel activated, and gain nicely turned up, one comes to very great vintage sounds ala AC / DC :)

Especially the lead kanaele convince: from the direct "right in your face" sound, to the powerful, powerful Doom sound can the Amp eigendlich everything. The tube driver I could not make sense until today, but is definitely great :) Midified is the thing, which makes him even more flexible :)


Unfortunately the description is often not critical, therefore the negative aspects of the amp:
Small prints: Passive equalizer. The part just does not work properly. It already makes the sound audible, but it does not reach as much as other active EQs.

It is often said that you should not buy an amp, where you can bring any regulator to the attack. My middle regulator likes to go to the attack, and maybe I would like a few more in the middle even better?

With Mid Edge or Contourarbeiten is for me still somewhat unfamiliar. If you only want a few more in the middle, and suddenly the whole sound changes, the less so ...
With 2 Lead Channels, HighHain, Mid Edge, Contour and Classic Switches you have a lot of sonic possibilities, and is not tied to the basic sound of the amp. (You should also mention Bright and Ultrabright for clean and crunch, and Mid Edge and Contour for lead I & II only.) The amp stops on each channel so only 2 voicings)

For the 2 lead channels there are unfortunately no separate equalizers, only a separate high regulator. If you want to use one of the two as a solo channel (which would also make sense thanks to separate gain and volume controls), one has to compromise. 4 equalizers have been very desirable.

A programmable AMP, like the Hughes and Kettner Switchblade, which for the Midis also the positions of the Potis stores would be even more horny;) (but this sounds but not as good as I think) I will kckeln times what There is so at midi-controlled equalizers ... Otherwise a few EQs come to a midigesteuerten Looper;)

The noise gate is very good against the noise, but helps 0 against feedback. Since the noise gate did not reach after the preliminary stage I had expected nothing else (if one a signal first amplified and compressed, and then tries to rausgekriegen again, one can only fail), unfortunately it is advertised on many sides differently, namely as the miracle Against feedback ... I have now ordered a decimator, which should provide pre-stage remedy.

Master A / B and Presence A / B can be operated with foot switch only with ENGL foot switch, or a Midi foot switch. A normal foot switch can unfortunately only change the channels ...
You can only switch the channel without midi, the positions of the switches are only stored on the MIDI channel, and not interrogated by channel change ... Here too, Hughes & Kettner is one step further in the operability ...

What is really annoying: If a foot switch is connected the corresponding buttons on the front plate no longer work. What shoud that? So you have to either turn off the foot switch at the soundcheck, or always go to the effect board to change the channel ... Not very practical ...

2 separate Hall regler ... Why not please 4? I have a lot of clean at Clean, relatively little with crunch and rhythm stuff, and with Soli then again much. But the controls are unfortunately again Clean / Crunch and Lead I / II merged -.- So again, an external reverb, even if I am from the amp very much liked ... But this is really already complain on high level
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