Deeflexx H!1 Edition

High-End Sound Deflection System

  • Sound Diffuser System for Guitar / Bass / Keyboard amps and monitor speakers, sound radius from 0.5 to 7 m, more than 180 °
  • No BEAM effect even at high volumes
  • "Warmer" and clear sound - evaluates on each amp
  • Customising the "Enhanced Zones" by adding diffuser to any situation in the rehearsal room or stage
  • Detailed display even at a small distance from the amp ("Enhanced Zones"), same sound for musicians and listeners
  • Sound beam is effectively dissipated, no indirect sound by interference or blocking / shielding of sound
  • Direct contact with the amp - a unique feel
  • EDITION Design = highly reflective surface for best colour reproduction of the stage light (glow)
  • Suitable for the following guitar boxes / combo amp: 2x 12 "/ 1x 12" / 2x 10 "/ 1x 10" / 1x 8 "
  • Suitable for the following bass boxes / combo amp: 4x 10 "/ 2x 10" / 1x 10 "/ 1x 8" / 2x 12 "/ 1x 12" / 2x 15 "/ 1x 15"
  • Easy installation - no fixing
  • Dimensions (WxHxD): 280 x 645 x 120 mm
  • Dimensions standing: (WxHxD): 280 x 420 x 380 up to 500 mm
  • Weight: 1.2 kg

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38 written ratings Read all reviews
Total
quality

If you have money to spare...

Richard aus Q., 08.06.2015
It's rarely useful. (you need a big room and be loud to make use of that at all) so the question is whether you need it and can spare the ridiculous amount of money that it costs...
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Total
quality

It will go through

23.08.2014
This is my first review at Thomann. That must be now. Like many others, I have also been attracted to the network, among others, by well-known users such as P. Weihe. The functional principle is obvious and simple. The part looks simple. We have been discussing the price for a long time. The effect is actually incredible. This is noticeable to all. Three things happen, or three benefits can be drawn in my opinion:
1. The amp, which is now standing on the ground, no longer has a high frequency signal. The elevators in front of the stage and the FOH will benefit from this. The "Toneinflugschneise" is eleminated. The sound - also the desired height - is kept forward.
2. One has actually an optimal monitor effect: No matter where one stands, one hears itself always the same equally well - without sound smears. The heights are there as they should.
3. The fellow musician also listen to everything almost as you do. This supports the stage monitormix.

Now the "disadvantages":
Play as with us two electric guitarists, so both should use the Deeflexx, otherwise the one without Deeflexx will try to balance the "presence" of the other over volume.
But if both guitarists use the Deeflexx, then a rethinking of "How loud I want to listen to in the mix" must also take place. Anyone who has always wanted to hear something overpriced before, has to rethink, since now almost all hear "same". But this should rather support the bandound.

The processing is top (is also not much synonymous) and it should also last forever, since here obviously a particularly robust plastic is used.

The price can be accepted for me - just by the convincing effect. No other measure (s) such as beamblocker, beer cap in front of the calotte, amps up or down, plexiglass wall in front - offer the three above mentioned effects in total.
An argument already mentioned in preliminary evaluations to the price: You may have values ??on the stage in the range several thousand euros and yet you are usually on the stage and is dissatisfied, does not sound optimal, is asked by the FOH quieter to make compromises received. Sure, you can (as I live 15 years before) live - but you do not.

I can only recommend to anyone who is also looking for solutions for the problems mentioned above, the parts once to try out and am firmly convinced that systems in the way sooner or later in the amateur and professional will be through.
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