500 Series Components
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Fredenstein F602, analoge Tube Compressor 500 Series Module, Double Triode Tube 6386 LGP, transformer-less input circuit, Lundahl LL1517 Output Transformer, illuminated VU-Meter with switching Gain-Reduction / Output Level View, Clip-LED (+24 dBu), switchable Hard-/Soft-Knee Function, Attack Time Range: 250 us...
Heritage Audio HABPNL, One slot blank plate for 500 series, RAF blue grey, Material: metal, Color: RAF-Blue-Grey, Dimensions: 3.81 x 13.5 cm (W x H)
1-channel tube microphone pre-amplifier 500 module
1-channel tube microphone pre-amplifier 500 module Two double triode tubes (ECC802S and ECC803S), American input and output transformers, DI input 6.3 mm jack 500 kOhm, + 48V phantom power can be switched, High pass filter switchable 50 Hz or...
- Two double triode tubes (ECC802S and ECC803S)
- American input and output transformers
- DI input 6.3 mm jack 500 kOhm
FET compressor 500 module
FET compressor 500 module Completely discretely constructed operational amplifier OPA2, American output transformer, Completely manufactured in SMT technology, Adjustable release times from 70 milliseconds to 2.5 seconds, Adjustable attack times of 0.5, 5 and 25 milliseconds, Adjustable ratio of...
- Completely discretely constructed operational amplifier OPA2
- American output transformer
- Completely manufactured in SMT technology
1-channel preamp in the 500 module format
1-channel preamp in the 500 module format Gain control, LED Peak Meter, Phase reverse switch, Switchable 48V phantom power, High-Pass filter, Mic / instrument input on the front. 6.3 mm XLR / jack
- Gain control
- LED Peak Meter
- Phase reverse switch
API 565 Filter Bank, 500 Series Module, sweepable low-pass filter (500Hz to 20kHz, -6 or -12dB slope), sweepable high-pass filter (20Hz to 400Hz, -12 or -18dB slope), variable notch filter (fully sweepable between 20Hz and 20kHz)
19" Rack Frame
19" Rack Frame For modules of API 500 series (or compatible), 1 Instrument input on the front side, Each module slot has a symmetrical XLR input/output and unbalanced jack input/output, Including power adapter, Dimensions: 19"/ 1U
- For modules of API 500 series (or compatible)
- 1 Instrument input on the front side
- Each module slot has a symmetrical XLR input/output and unbalanced jack input/output
4-band EQ In the API500 rack format, Developed by API audio based on the classic APSI 562 EQ, +/- 12 dB boost / cut per band, 4-band semi-parametric freely selectable gain and frequency, Output transformer, 24 dB headroom, In...
- In the API500 rack format
- Developed by API audio based on the classic APSI 562 EQ
- +/- 12 dB boost / cut per band
DerrEsser - De-esser
DerrEsser - De-esser Module for the API-500 system, Dynamic multifunctional filter - mainly for use as a de-esser, Frequency range: 3 Hz - 120 kHz (-3dB points), Dynamic range - 115 dB from max. output (.5%THD soft clipping) to...
- Module for the API-500 system
- Dynamic multifunctional filter - mainly for use as a de-esser
- Frequency range: 3 Hz - 120 kHz (-3dB points)
Guitar effect in 500 format
Guitar effect in 500 format 500 series Bit Crusher / Sample Reduction / Ring Modulator effects unit, 24 bit AD / DA with 32 bit floating point DSP, Tap Tempo controlled, triggered Envelopes and LFO modifiers, Pitch tracking controlled...
- 500 series Bit Crusher / Sample Reduction / Ring Modulator effects unit
- 24 bit AD / DA with 32 bit floating point DSP
- Tap Tempo controlled, triggered Envelopes and LFO modifiers
Radial Engineering Workhorse, 19" 3HE Frame with 10 Slots for System 500 Moduls, per input channel Input (XLR and Jack), Output (XLR and Jack), Omniport (Jack), switchable link per channel pair, external powersupply, metall housing
Fredenstein F601A, 1-Channel Mic-Preamp 500 Module, switchable Lundahl In- and Output Transformer, Frequency Range: 20 Hz - 20.000 Hz, max. Gain +78dB (+58dB without Transformer), 2MOhm Hi-Z Instrument-Input, swicthable Highpass-Filter 60Hz, Phase Reverse, +48V Phantom Power, automatic Pad, switchable Low-Z,...
Tube Microphone Preamplifier
Tube Microphone Preamplifier In the 500 module format, Microphone and DI input for instruments, Reinforcement: max. + 65 db, +48 V phantom power can be switched on, Switchable pad: 0 dB, -15 dB, -25 dB, Selected 12AX7 double triode...
- In the 500 module format
- Microphone and DI input for instruments
- Reinforcement: max. + 65 db
Fredenstein F607 Monitor Controller, 500 Series Module, 2 balanced Inputs, 1x Stereo Aux-Input 1/4" TRS unbalanced, 2 balanced Out, Volume Knob, Mute-, Dimm-, Mono- and Aux-Switch, adjustable Gain for Main- and Aux-In, Housing 500 Series Module - Attention - compatible...
Fredenstein F603 B, 4-Band Equalizer 500 Series Module, Model B with lower Q-Factor (broadband) Q=0,8, passive LC (Inductor/Capacitor) filters, high frequency filters are shelving types, mid frequencies are band pass filters, true "hard" bypass switch, gain range for each filter:...
Fredenstein F603 A, 4-Band Equalizer 500 Series Module, Model A with higher Q-Factor (narrow-band) Q=2, passive LC (Inductor/Capacitor) filters, high frequency filters are shelving types, mid frequencies are band pass filters, true "hard" bypass switch, gain range for each filter:...
Tube EQ module for 500 series rack
Tube EQ module for 500 series rack Discrete Class-A tube circuit, Selected 12AX7 double triode, "Negative Feedback Design" with buffered RC elements, Three equalizer bands and low and high cut filters, Transmission range: 1 Hz - 100 kHz, Noise:...
- Discrete Class-A tube circuit
- Selected 12AX7 double triode
- "Negative Feedback Design" with buffered RC elements
B-Stock, API Audio 500-8B Lunchbox - suitable for 8x API standard modules, 48V internal phantom power supply, self-powered, 100 to 250V, 47 to 63Hz, switchable, rubber feet & carrying handle for portability, rugged steel chassis, perfect for remote recording of...
Audified Synergie R1; digital reverb processor for 500 series; algorithmic reverberation and saturation effect with software plugin control; offers the following algortihms: Small Room, Room, Hall, Long Hall, Spring, Plate and Tunnel; Predelay, Decay and Color controls allows to tweak...
B-Stock, Shadow Hills Industries Mono GAMA Mikrophone Preamp. System 500 Version of the legendary GAMA. Variable Nuances of the Sound-Character by switching different "Transformer Modes" (Nickel, Steel, discrete). Integragted DI Input for Instruments., B-Stock with full warranty, may have slight...
B-Stock, Elysia nvelope 500, Stereo Impulse Shaper, Discrete Class-A Topology, Full Range Mode, Dual Band Mode, EQ Mode, Mixed Mode, Dual Mono/Stereo Link, Auto Gain, Stepped Potentiometers, Frequency Response: < 10 Hz - 400 kHz (-3.0 dB), Noise Floor A-weighted...
Black Lion Audio B12A MKII 500, single channel Mic-/DI-Preamp in 500-series format; Cinemag Input Transformer ; Edcor Output Transformer; 70dB Gain; Hi-Z Input (passive, unbalanced); 18dB Pad; Phase Switch; Mic Section: Max Microphone Input Level: +1dBu; Input Impedance: 200 ohms;...
B-Stock, Heritage Audio 73Jr Preamp, 80dB Class A Microphone preamplifier, HI-LO selectable minimum input impedance, balanced and floating. High gain positions show a higher impedance, ideal for old ribbon mics., 50Db Class A Line preamplifier, bridging input impedance, balanced and...
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