Access Virus Ti2 Keyboard

Keyboard

  • Dual DSP System with over 80 Stereo-Voices
  • USB 2.0 Interface
  • VirusControl VST/AU for integration of the VIRUS with the PC/Mac
  • MIDI I/O
  • 129 Effects
  • 6 analogue out 6.3 mm jack
  • 2 analogue in 24-Bit
  • SPDIF I/O
  • Programmable Arpeggiator
  • 512 RAM-Patches + 2048 ROM-Patches
  • High quality light weight keyboard with 61 Keys
  • After touch
  • 2 Pedal connectors
  • Dimensions: 995 x 370 x 115 mm
  • Weight: 13.9 kg
No JavaScript? No Audio Samples! :-(

Audio Examples

 
0:00
  • Filter Loop
  • Dance
  • Filter Loop 2

Further Information

Number Of Keys 61
Touch-Sensitive Yes
Aftertouch Yes
Split Zones No
Modulation Wheel Yes
Number of simultaneous Voices 80
Sound Engine Virtual Analogue
MIDI interface 1x In, 1x Out, 1x Thru
Storage Medium None
USB-port Yes
Effects Multieffect processor
Arpeggiator Yes
Number of Analog Outputs 6
Digital Output Yes
Display Yes

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to 4 % additionally!
Access Virus Ti2 Keyboard + Millenium KS-2000 + the t.bone HD 200 +
6 more
Configure bundle now
starting from 2.359 €
28 Customer Ratings
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 /5
  • handling
  • features
  • sound
  • quality
Total
handling
features
sound
quality
Dream Synth
katra, 08.03.2019
This synth is an absolute must-have. Got the Virus TI keyboard mainly for use in the studio. 16-Multi with Total Integration is exactly what I wanted.

The synth itself is solidly built with good quality knobs, buttons and the keys feel great. In fact, it has one of the best keybeds I've ever played.

But most importantly it sounds great. Very versatile, great for leads, plucks, bass and pads. It can do almost everything. It can sound soft, it can sound aggressive. All effects, especially the reverb sound awesome, as well as the filters. It has some great presets to get you started, but also sound designing is easy, especially with the Virus Control plugin (not quite sure without it). Virus Control runs smoothly over the USB connection.

Nothing bad to say about this synth really.

Pros:
- Great sounding
- Solid construction
- Great keybeds
- Total Integration
- 16-multi
- Nice effects

Cons:
- Not the cheapest synth
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
handling
features
sound
quality
Astonishing!
Bill Joseph, 24.04.2017
Am using the Virus Ti2 in the studio purely as a standalone synth without computer integration therefore this review can only cover the basic aspects.
It has over 2000 sounds, many of which are probably more suitable as sound effects and most are astounding. Working in a darkened studio at night with headphones on can be a hair raising experience as some of the pads are perfect for horror movie scores and you are guaranteed to get the creeps. Perfect for film music scores and ambient music as well as obviously techno and trance. Included are many types of massive basses, unusual leads and also human sounding voices, many pads and some percussion. It has a superb Arpeggiator too i.m.o.
The Virus Ti2, like all the Virus range, has an absolutely huge sound and the soundscapes it can create completely fill the acoustic space.
What was also immediately noticeable was how each sound fits perfectly in the mix.
It is as if everything is somehow pre-compressed and incredibly professional sounding.
The Effects are excellent too. It has an intelligent layout which makes for a comfortable creative experience and compared to some alternative modern synths, editing is simple and there is minimal menu diving.
The Ti2 exudes quality throughout and the keyboard action is superb with no clicks, bangs or unwanted vibrations.
There are a handful of conventional instruments within including some amazing electric pianos but it is no Kronos containing the entire orchestra and therefore cannot be compared to any workstation of this type.
However, like the Kronos, each sound will sustain through the next so there is no abrupt stop and start when a patch is changed.
Even in single mode the Arpeggiator can be set off and held with a sustain pedal while other patches can be added to play with it.
In over 40 years of using synths it is like finding the holy grail.
The Virus Ti2 is nothing less than astonishing!

So many thanks also to everyone at Musikhaus Thomann for the most perfect professional and caring service.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
handling
features
sound
quality
Best synthesizer ever
Tzvetan, 28.04.2014
I have more than 20 other synths, and no one can compare, or get even closer to this. Extremely powerful. Mega creative and inspiring. All of the sounds (no matter the style) even the dirtiest one sound perfectly pro. No bad sounds. Very good knobs, keys, touch, feel. Total integration will lead you to the new way of song producing. That`s not a synth, it`s a way ot playing and producing. Totally satisfied
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
de Original review (Show translation)
Unfortunately there was an error. Please try again later.
Total
handling
features
sound
quality
Absolut wundervolle Soundmaschine!
Barelinio, 23.08.2011
Der TI2 ist definitv der am bestestestestenst klingende Synth in meinem Setup. Extrem vielseitig, nicht nur eine Trancehupe. Glaubt nicht, was die Neider immer schreiben ;)

Der Sound ist extrem kraftvoll, warm, dynamisch, kann aber auch sehr filigran und kalt sein. Die Klangqualität (Aliasing, Druck, 'Frische und Dresche' ) ist meiner Meinung nach allen meinen Virtual Analogues um LÄNGEN voraus (Sei es Keyboards oder Software). Der Virus macht sich gut als Ersatz für die meisten Analogen Schätze (Curtis / Roland, moog - nee, Moog klingt anders ) , hat aber bei Bedarf auch genug "Eigensinn" um als völlig eigenständiger Soundmonolith dazustehen. Macht mal nen Unisono-Bass mit 12 Oszis. Da packt der Jupiter 4 ein und geht weinend nach Hause :). Die pure Masse an Parametern, um den Sound zu bearbeiten erschlägt einen bisweilen.

Unzufrieden bin ich aber mit der "total integration", das diese auf Mac + Logic + externem Firewire Audio Interface (Focusrite) trotz Support so viel Zicken macht, dass ich ihn leider nicht "total integrieren" kann. Zumindest nicht live, da ist mir das zu fehleranfällig. Zudem möchte der Virus dann auch ganz bestimmte Latency / Buffer- Einstellungen in der DAW, die wiederum mein Audio-Interface nicht so mag. Das heißt, 1 Spur Midi / Stereo Audio. Nix 16 Spuren Sound über USB (macht mit o.g. Konfig und der Firmware vom Aug 2011 immer wieder Synchronisationsfehler, knacksen, etc. ). Muss er auch nicht, man kann ja multitracken. Wäre nur schön praktisch gewesen. Und live spielst du eh nicht mit einer 16-Manualigen Midi-Master-Orgel. Wenn schon, RESCHPÄÄKT! ;)

Aber als normaler Synthesizer eingesetzt - da kann dem TI2 keiner das Wasser reichen. In 20 Jahren wird man die Reihe Minimoog - Arp - Jupiter 8 - Oberheim Matrix - V-Synth - Virus (ab KB) - aufzählen, ohne dass es Aufschreie gibt. Der V-Synth punktet übrigens in ganz anderen Bereichen ;) ....
Und die Verarbeitung ist 1A, der Zugriff auf die wichtigsten Funktionen geht mit dem prima Userinterface (Knöppe) ganz von alleine.

Abzüge bei den Features gibt's weil die total integration (bei meinem Setup, Windows geht scheinbar besser) nicht so funktioniert, und weil auch nicht alle Parameter am Gerät editierbar sind (zumindest nicht alle, die in der Software auftauchen). Soundprogrammierung über TI + USB hingegen funktioniert recht gut.

Ja, der TI2 ist sauteuer, ist aber jeden Euro wert, und ich würde ihn mir auch jederzeit wieder kaufen. Er ist auch wirklich schön. Das ist nicht wichtig. Die Programmierbarkeit is spitze, und man kann sich recht schnell seine Sounds zusammenschrauben, wenn man analoge Synths gewohnt ist. Für abgefahrenes muss man tiefer eintauchen und wird prompt belohnt.

Support ist 1a und Updates (mit z.B. neuen Effektalgorithmen) gibt's auch regelmäßig. Und, das dürft ihr nicht vergessen, wenn ihr Presets liebt: Jeder hat geklaute Soft Synths, und damit auch die Sounds. Viren sind da schon seltener, und die für registrierte User kostenlose Soundlibrary ist mehr als immens ;)
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
2.333 €
All prices incl. VAT
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times

Delivery free of charge expected between Wednesday, 10.03. and Thursday, 11.03.

Share This Product
Your Contacts
Phone: +49-9546-9223-30
FAX: +49-9546-922328
Online Guides
Synthesizers
Synthesizers
There are a wealth of synthesisers available today, ranging from hardware keyboards to virtual software instruments.
 
 
 
 
 
test results:
* The prices shown include VAT. and are valid as long as stocks last. Please click here for international shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. All invoices will be issued in EUR.
Recently Viewed
Roland FP-30X BK

Roland FP-30X BK; Digital Piano; 88 keys PHA-4 keybed with Ivory Feel; Sound engine: 12 SuperNATURAL Piano tones, 20 E-Piano tones and 24 other tones; max. polyphony: 256 voices; Bluetooth Audio (V3.0) and Bluetooth MIDI (V4.0); build-in speaker system (two...

Recently Viewed
Roadworx Microphone Arm

Roadworx Microphone Arm, microphone desk arm with cable management, cables with a diameter of up to 8mm can be attached to the underside of the arms with a clip system, aluminum construction, locking central hinge, 3/8 "thread connector with 5/8"...

Recently Viewed
IK Multimedia AXE I/O + AmpliTube 5 MAX

USB 2.0 Audio Interface with Guitar Effects Software Audio interface specially designed for guitarists, 2 Inputs for instrument-, line- and microphone signals with discrete class-A preamps and switchable 48 V phantom power, Hi-Z instrument inputs at the front, of...

Recently Viewed
Zoom Am7

Zoom Am7, mid-side stereo microphone for Andriod devices; USB type C connection; 90º / 120º / M-S mode switchable; max. SPL: 120dB; resolution: 44.1kHz / 16Bit, 48kHz / 16Bit; for creating videos, podcasts, vlogs and more; two modes: audio and...

Recently Viewed
Electro Harmonix Nano Metal Muff Distortion

Electro Harmonix Nano Metal Muff Distortion; Effects Pedal; Intense, aggressive sound especially for modern Metal Styles; the 3-Band EQ offers a wide tonal range; The Noise Gate eliminates unwanted Noise when you stop playing; compact Footprint; Controls: Vol, Gate, Dist,...

(1)
Recently Viewed
Rode VXLR Pro

Rode VXLR Pro; Plug adaptor with transformer and power converter; TRS mini jack (3.5mm) to XLR3M; integrated voltage converter from phantom power (12 - 48V) to plug-in power (4V); for connecting VideoMic, VideoMic GO, VideoMicro, VideoMic Pro, VideoMic Pro+, VideoMic...

Recently Viewed
Showtec ACT Fresnel 50 WW

Showtec ACT Fresnel 50 WW; DMX controlled Fresnel theater spot complete with barndoor, filter frame and 1.5 m connection cable; 40 W COB LED; Color temperature: 3200 K; Luminous flux: 3400 lm; manual zoom (10 ° - 58 °); manual...

Recently Viewed
Roland FP-30X WH

Roland FP-30X WH; Digital Piano; 88 keys PHA-4 keybed with Ivory Feel; Sound engine: 12 SuperNATURAL Piano tones, 20 E-Piano tones and 24 other tones; max. polyphony: 256 voices; Bluetooth Audio (V3.0) and Bluetooth MIDI (V4.0); build-in speaker system (two...

Recently Viewed
Zaor Miza 88 Flex Wengé Grey

Zaor Miza 88 Flex Wengé Grey; studio desk with 19" rack and keyboard tray; offers space for computer monitors (2 x 30"), keyboard, mouse, DAW controller, monitor controller etc.; 2x 4U 19" racks and central drawer; extendable tray, height adjustable...

(1)
Recently Viewed
Black Lion Audio Revolution 2x2

USB2.0 Audio Interface High-quality, two-channel recording solution with combined microphone and instrument inputs, Balanced signal path and high quality microphone preamplifier, Precise Macro-MMC clock, Power supply filtered with PG-i technology, Direct monitoring with mix control and mono switch, AD...

Recently Viewed
Walrus Audio ACS 1 Amp+Cab Simulator

Walrus Audio ACS1 Amp+Cab Simulator; Effectpedal; 3 amp models, based on combo classics from British and American music history; dual-amping option: 2 different amp/cabinet combinations possible for left and right channel; high-class, true-to-the-original IR cabinets matching the individual amps; 6...

Recently Viewed
Elation KL Fresnel 150W 6" CW

Elation KL Fresnel 150 W 6" CW; LED Fresnel spotlight incl. barn door and colour filter frame; infinitely variable manual zoom from 15° to 38°; homogeneous 16-bit dimming; dimmer mode, dimmer curve and dimmer delay can be adjusted according to...

Give Feedback
Feedback Found an error or want to give us feedback about this page?

We're looking forward to hearing from you and aim to solve any problems as soon as we can.