Yamaha MG12

Mixer

  • 12 Channels
  • 6 Microphone inputs (XLR/jack) with +48V phantom power (channel 1-4 with built-In compressor)
  • 3-Band EQ
  • High-pass filter and 26 dB pad switch
  • 2 Stereo inputs (jack) with 2 band EQ
  • XLR output
  • Group bus output
  • 2 AUX-Way on each channel
  • Dimensions: 308 x 118 x 422 mm
  • Weight: 4.0 kg
  • Fitting rack mounts: Article number 342658 (not included)

Further Information

Incl. Effects Unit No
19" Rack Compatible Yes
Mic Preamps 6
Stereo Inputs 2
Aux 2
Phantom power Yes
Integrated Power Supply Yes
Parametric No
Digital Interface No

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29 Customer Ratings:
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4.7 / 5.0
  • handling
  • features
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13 written ratings Read all reviews
Total
handling
features
sound
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Basic Desk for basic needs
Glenn2701, 09.05.2015
I've owned the early MG12 , and also the V2 with 1 knob compression and effects. I use this desk live with DXS15's and the sound is nice loud and clear.
I moved to this desk after changing to a floor mounted TC voiceplay for my vocals, as to be honest the SPX derived effects were not too much to my liking....but the one knob compression I like very much.
My rating for features is harsh - but I don't need the effects or the USB capability of the other versions.
I tend to run flat on eq in most places, and don't use the auxiliaries - I run a full monitor mix on the group outs - I'm a guitar vocal act , using backing tracks.
So a very basic set up.
Easy to use, with each channel having mutes, and easy to mute the main or group outs.
The big plus is the kettle plug for mains instead of the old adaptor.
My only beef is the dimension have changed a bit from the older models, which meant a bit of flightcase compatibility - not a problem unless your upgrading....like me.
I've been using Yamaha pa for 10 years, and is my first port of call...in the past I've used JBL & Mackie bits - In my view the Yamaha stuff is better !
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Total
handling
features
sound
quality
A versatile mixer
Lionel de Pertuis, 21.07.2015
We bought this mixer to sound a group of ten musicians who play to accompany the mass in a church and also singing. They are mainly acoustic instruments: violin, flute, clarinet, sax alto and soprano, acoustic guitars and also a harmonium (electronic organ) that I connect via its headphone output (which causes some problems)
The table is very fast to take in hand and in 2O to 30 minutes everyone is connected and the scale made quickly. What is tricky is juggling the entrances. Although it has 12 inputs, only half are microphone inputs or have gain adjustment and only 4 have a compressor and attenuator pad. So we must anticipate the patch if not the last instruments are out and the guitars last minutes, we do not know where to put them! I had a problem with an electroacoustic guitar that gave nothing on a line input so I was forced to put it on a microphone input (and -1 micro) by increasing its gain and also with the harmonium which has a Low impedance headphone output and outputs a high current. When I plugged into a line input, I had no sound output by the master while I heard the headphone plugged on the table! I deduced that the table "clipped" because the signal was too strong. So I plugged the harmonium into a 1 to 4 mic / line input that has a -26 db attenuator pad and with the gain adjustment on both sides (table and organ), it goes well but I still lost A micro slice!
The sound is very good, the compressors and filters work well, both groups are practical to use (I put the singer on master and the other instruments on group 1-2) and then I switch the switch 1-2 on Master, which allows to have a single cable master out connected to the church amp but to manage separately the song and the instruments on the table.
The negatives: damage that there is no adjustment of gain on the slices 9/10 and 11/12 and no attenuator -26 db on these entries lines.
I admit to having myself also had by the panoramic adjustment. I go out all about master out right for example to a mono input of the church amp and if you do not pay attention to the setting of each of the tracks and the panning is in the middle, you lose half the power, It's stupid and you do not really notice it with the meter. A global PAN to master L or R of all channels would be more convenient. The ON / OFF buttons and the faders are very handy. The adjustment of the returns is more delicate, the potentiometer is less practical and as I play an instrument at the same time I correct the table, sometimes I regret that it is not a fader too. The manufacturing quality and robustness are very good. If one thinks well of its number of mini tracks and the location of each one, it is a Swiss knife to advise to all those who want a product of quality versatile.
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€268 £234.79
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