Yamaha CP300

Stage Piano

  • With Graded Hammer keyboard
  • 128 Voice polyphony
  • AWM technology
  • Presets: 50 Voices
  • XG voices: 480 Voices + 12 drum kits
  • MIDI file playback
  • Integrated 16-track sequencer
  • Flash memory for songs and performances
  • 5-Band EQ
  • 2 x 30 W Speaker system
  • Dimensions (W x D x H): 1,391 x 460 x 170 mm
  • Weight: 32.5 kg
  • Power cord and pedal included
No JavaScript? No Audio Samples! :-(

Sound samples

 
0:00
  • Medley
  • Medley
  • Medley 3
  • E-Piano
  • Grand Piano 1
  • Grand Piano 2

Further information

Number Of Keys 88
hammer mechanics Yes
Number of simultaneous tones 128
Number Of Sounds 542
Effects Yes
Speaker Yes
Headphone Outputs 1
Sequencer Yes
Metronome Yes
MIDI keyboard-function No
Pitch Bend Yes
Modulation Wheel Yes
Split Zones 2
Layer Function Yes
MIDI interface 1x In, 1x Out, 1x Thru

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to %4 additionally!
Yamaha CP300 + Millenium KS-2000 + Superlux HD-330 +
5 more
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starting from €2,339

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Our most popular Stage Pianos
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8 written ratings Read all reviews
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Leader in this segment

Erdna Eduan, 14.06.2018
If you are looking for a stage piano with light synth abilities, MIDI connectivity to your interface and BUILT-IN SPEAKERS so that you don't need to hook it up to monitors or an amp, then look no further. There are inexplicably few products out there that meet this set of criteria. Yamaha's CP300 might not be a new product, but then again there is no reason for them to change or update it - it works perfectly as is and enjoys a clear market space that one of the other players surely has to recognize as an opportunity sooner or later. Until then: people should keep buying CP300s.
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Total
handling
features
sound
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Versatile, outstanding sounding StagePiano

pflonk, 30.07.2010
For a long time, I was looking for an ePiano, which convinces with both sound and live to have fun, as well as functional, to leave nothing to be desired in the studio.

Tonlich I find the CP300 with its two wings really good. It can be played wonderfully dynamically, the keyoff sounds, which can be varied in intensity in the menu, convince and ensure a really pleasant playing feeling. The string resonance does its ... (it can also be adjusted in its intensity) The possibility to connect 4 pedals then completes the range of possibilities that an acoustic instrument has to offer.

Each voice can be edited so that if the default voices are not in the mood, they can be adjusted to their own tastes and preferences. I have tried this but very quickly noticed that the voices as they are, are very mature and thought out. The wing sounds are very convincing and I have been able to achieve this very well both in the live bandsound as well as in the accompaniment to mastered CDs.

It fits wonderfully, because it is very close to a wing. The audio samples that can be listened to on thomann.de are excerpts of the demos, which can play the piano and should really underline my words :)

The other sounds, ie ePiano, vibes, organs, guitar, bass and strings are partly really good:
In the ePianosounds are some, which are very high-quality productions such as "We are the World" recall the characteristic sound and meet the expectations.

The vibraphone can not convince me by the unnatural amplitude modulation, for which one finds among the XG Voices ei
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At the simplest level, a controller keyboard, also commonly known as a "master" keyboard.
 
 
 
 
 
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