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Viscount Expander Accupipe CM-100

Organ Expander

  • Physical modeling technology
  • Compatible with all midi-capable organs
  • Voice families: Principals, Flutes, Reeds, Bourdon, Mixture, Cornet, Strings, Detuned
  • Up to 213 internal voices (depending on the internal software version)
  • 12 Freely customizable on indipendent manual (12 parts)
  • 64 Memories divided into 8 banks
  • 6 Different Windchest configurations available on each single voice. Up to 6 outputs freely assignable.
  • Free MIDI channel selection for each register
  • MIDI in / out / thru 6 audio outputs
  • Headphone jack
  • Expression pedal jack
  • RS-232
  • Finish: Light Oak
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Sound samples

 
0:00
  • Demo 1
  • Demo 2
  • Demo 3
  • Demo 4
4 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.3 / 5.0
  • handling
  • features
  • sound
  • quality
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Total
handling
features
sound
quality

Large selection - but!

Mike-orschanist, 03.11.2009
Detailed review of my previous review:
Very rich register selection, but:
The restriction to 12 places is still the big drawback (one can switch through four benches, then are usually different sounds in the places, the tabs would have to be exchanged [if one has the appropriate] => very cumbersome) .

Registration:
Highlight are the reeds (tongues); Here you can really let off steam, the sounds are first-class with slight restrictions (see below) and really solid (Harley for organists). The aliquots also like to please (Kornet and Sesquialter); very good. The flutes, Detunes and Bordune are rather mediocre, here one already heard better. The principals meet the most requirements. The Mixtures are very low-tone (do not form a real sound, unless you help with special FX); You can listen to the individual voices and replay them often. Apparently, the PM technology has problems with the high notes.
If you listen to the individual registers, you will notice a continuous characteristic that reminds you of the sound of the Bordune, or, more precisely, most of them are quite similar.

Generally speaking, the sound is unnatural, artificial, and dull in comparison to a high-quality pipe organ; It simply lacks warmth and brilliance. Here, development work still has to be done, at least to the quality of sample instruments. It is positive to point out that the individual registers (in the ensemble) can be heard well, ie I can not find a - muted - sound.

Operating settings:
The hall is useless as bad (my old AlesisFX is ahead of its length).
The adjustment possibilities are good to deficient; Important missing (eg pitch is only available for Detunesounds, overtone regulation is mandatory and is missing as well). Six individual outputs are not bad, but you also need a complex PA equipment to do this.
Everything else is in order.
By the way: With my equipment buzzes and squeals as soon as you turn right! Do not know what is the reason (maybe the missing overtones :-)).

Improvement proposal: more registries (at least 16); Overtone and pitch control, as well as better shielding.

Conclusion: as an extension and addition for a sample instrument quite interesting (especially the Reeds); As a single instrument only conditionally suitable.
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fr Automatically translated (Show original)
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Total
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A slightly fragile rolls

Yvan740, 07.11.2012
As regards the sounds obtained with this expander, only the quality of the restitution by the amplification system may impose limits. At its level it is very high-end! The grip is relatively easy, and the choice of registration is superb.
In the nomadic use that I impose on mine, it has experienced two damages (grilled food, and general bog requiring the reset). This "excellence" surely prefers the sedentary life of a quiet church!
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€1,790 £1,601.29
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