Universal Audio 710 Twin-Finity B-Stock

B-stock with Full Warranty

Slight traces of use

  • 1- Channel Preamp
  • Mic/ line/ DI with double signal path (Class-A tube and transimpedance solid state)
  • Phase-balanced twin-finity sound mixing (tube/ solid state)
  • Balanced output stage
  • 70 dB+ gain
  • 48 V Phantom power
  • Pad (-15 dB), phase reversal and low cut filter (75Hz)
  • Illuminated VU meter
  • High-impedance input on the front (automatic switch from mic/ line via connector detection)
  • XLR Microphone input, XLR line input and XLR line output on the rear panel
  • Internal power adapter
  • Including 19" rack mount kit

Further information

Channels 1
Number of microphone inputs 1
Instrument input Yes
Tubes Yes
Compressor/Limiter No
Equalizer No
De-Esser No
Phantom power Yes
Phase Reverse Yes
External effect loops No
Analogue Outputs XLR
Digitale Outputs None
Headphone connection No
Level Meter Yes
6 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.2 / 5.0
  • handling
  • features
  • sound
  • quality
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Total
handling
features
sound
quality

Twin Finity - infinitely variable between transistor and R?

DORA Music, 23.03.2010
After I had already purchased a Mic-Preamp with a distinctive (and audible tone-coloring) tube circuit with the Universal Audio Solo 610, I found the idea very interesting to have a device where you can steplessly switch between the pure transistor sound and the coloring Tube sound.

The operation and features could not be more vague or more comprehensive. The device is totally logical; And offers so many options to switch all sorts of things in or out of the way, that more is not possible (see description at Thomann.)

But now the most important thing is the sound.
After a lot of tests with 10 different preamps (including Great River, API 512, Avedis, Buzz Audio, RME Fireface, SPL Goldmike, Universal Audio Solo 610, ...) Always subjectively!).

The stepless transition from transistor (7 o'clock position) to solid tube (17 o'clock position) was not so significant. One had to tip very neatly the ears, in order to a difference between transistor and Vollröhre to listen. (I know the tubes need time ... the unit had been warm for at least an hour). I had hoped that the Twin Finity in the 17 o'clock position would produce a similar sound as the Universal Audio Solo 610, but that was not the case. The Solo 610 sounded much more like a tube.

To be misunderstood, the 710 Twin Finity sounds really good for the money it costs; As a pure preamp specialist, of course, also better than the built-in Mic Preamps at the RME Fireface. Only the difference was not so worldly; And if you're looking for "much better" preamps than the standard things of RME, you have to look for other products. Against various cheap hobby studio devices, the Twin Finity can always score points.
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