the t.bone Ovid System CC 100 RC

Condenser Clip Microphone for The Ovid System

  • Easy installation with different instrument holders (optional - not included)
  • With phantom power adapter (phantom power required)
  • Detachable cable with screw contact
  • Directivity: Cardioid
  • Frequency range: 20 - 20,000 Hz
  • Flexible gooseneck for easy alignment on the instrument
  • 3-Pin mini XLR connector for operating with t.bone wireless systems - also suitable for AKG wireless systems
  • Length of gooseneck: 130 mm
  • Cable length: 1.2 m
  • Optional cables with Sennheiser EW and Shure TQG connector available separately (not included)
  • Foam windshield included

Further Information

Battery Powered No
Directional Microphone No
Stereo Pair No
switchable lowcut No
switchable pad No
characteristic cardoid

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to 8 % additionally!
the t.bone TWS 16 PT 863 MHz + the t.bone Ovid System CC 100 RC + the t.bone Ovid System Sax Clip +
2 more
Configure bundle now
starting from £168
the t.bone free solo PT 823 MHz + the t.bone Ovid System CC 100 RC + the t.bone Ovid System Sax Clip +
2 more
Configure bundle now
starting from £209
the t.bone Ovid System CC 100 RC + the t.bone Ovid System Sax Clip +
3 more
Configure bundle now
starting from £60
38 Customer Ratings
  • 5
  • 4
  • 3
  • 2
  • 1
4.4 /5
  • features
  • sound
  • quality
Total
features
sound
quality
Did not work well on my tenor saxophone
Zsemle, 17.07.2020
good:
It did attach well to the bell of my saxophone. The neck is flexible enough. It did give cracking sounds when shaping it first, but it felt normal. The build quality felt good.

bad:
However I positioned it, it felt like it can not cope with the huge dynamic range of a saxophone. It felt like it's just too loud for this mic. When positioned it off to the side from the air stream, I could dial in more gain, but it didn't improve the overall sound quality. The sound has a lack of bass tones, it is very thin.
It was picking up a lot of the vibration, the beat from the closing valves. When playing softly, it is more audible than the actual note.
I would not recommend it for a saxophone.

note: I was using it with the Behringer 204HD. The sound level resulting from my setup was too low, but it's to be seen whether it was the mic's or the audio interface's issue or setting. Only tried with my tenor sax.
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Total
features
sound
quality
Great sound. Flexible system.
AlexCm, 03.02.2019
I bought the CC 100RC mainly for a live mic for flute and other instruments. I needed the mic to be placed in unusual positions and place in order to get certain sounds more difficult to achieve with a stand-fixed mic. The sound is remarkably accurate and it gives a well balanced response across the frequency spectrum. Certainly, for flute this mic is ideal and I've experienced very few issues with feedback so far. The weight and size means it easily fits on without being too cumbersome. I like the gooseneck as it really allows for the perfect position. One slight drawback is that some of the parts are very delicate and it would not take much to damage the small plugs. Then again, this is a mic for more precise placement and delicate use.
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fr Original review (Show translation)
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Total
features
sound
quality
Très bon micro pour cuivres
Éric sax, 31.03.2020
Bonjour, quelques mots pour faire partager mon avis sur les qualités de ce micro. Pour rappel, je possédai déjà deux micros ovid cc100, un en version normale cc100, et un en version cc100 rc, donc j'en ai 3 à ce jour. Avant de découvrir ce micro, j'utilisai un Akg pince traditionnel, (avec boitier d'alimentation b9), dont j'étai plutôt satisfait d'ailleurs mais qui commençait à prendre de l'age. Par la suite, et en suivant certains avis, je me suis laissé séduire par le Ovid cc100 première version, que j'ai racheté à une personne n'en ayant pas l'utilité; Et la, grosse surprise, "le son au top" plus qualitatif que mon Akg. Ensuite, et comme il m'arrive de sonoriser des groupes divers, j'ai commandé mon second cc100, et cette fois en version rc; Alors la sincèrement encore un cran au dessus en qualité sonore (un peut plus rond) et de fabrication (avec un fil amovible et de section un peut plus grosse). quelques temps après, j' ai commandé mon troisième en version cc100 rc; Sincèrement, pour juste 10 Euros de plus pour la version rc, pas de questions a ce poser; Le rapport qualité prix est tout simplement exceptionnel.
Il est comparable, au niveau du son, à un certain micro haut de gamme (dont il ressemble étrangement) qui vaut quasiment 10 fois plus cher. Une remarque, surtout bien doser son niveau de retour de scène, et bien placer le micro sur l'instrument en évitant de viser le retour de scène; cette remarque est d'ailleurs valable pour quasiment tous les micro de ce type (y compris celui valant 10 fois plus cher). Un autre avantage la version avec connecteur Akg permet de l'utiliser avec les systèmes hf de chez T.bone et d' Akg.
Alors, amis des Saxophones, trompettes et autres, à la recherche du bon gros son, aucune hésitation.
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de Original review (Show translation)
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Nice
Rabarba, 23.12.2019
Nehme mein Sax damit ab, bei Proben. Um mich selbst besser hören zu können wenn die anderen ihre Verstärker aufdrehen. Dafür ist es gut genug und erfreulich billig.
Nur der dazugehörige separat gekaufte Halter für Saxophone ist mir zu wackelig. Aber insgesamt erfüllt es seinen Zweck.
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£49
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