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Shure Beta 57 Set I

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  • Ballad
  • Soul
  • Ballad Male
  • Soul Male
  • Ballad Male Dry
  • Soul Male Dry
  • Ballad Dry
  • Soul Dry
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Further information

Microphone Set For Guitars Yes
Microphone Set For Drums Yes
Microphone Set For Vocals & Speech Yes
Microphone Set For Cameras No
Microphone Set For Wind Instruments Yes
35 customer ratings:
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4.7 / 5.0
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Somehow I like it

hoho, 31.10.2011
I've already seen the Beta 57 on several stages as a vocal microphone. And somehow it always interested me. When I finally had some dynamic microphones for vocal and instrumentation for the comparison test, the Beta 57 had to be there. I then compared it with his (already in my possession) SM brother.
Other candidates were: Sennheiser E945 and 935, Beyerdynamic M88TG and 201TG, EV RE320 and this beta.

In the Singing Division the Sennheiser E935 won (more on the corresponding side). But I also liked the beta 57. It has not reached the transparency of the Sennheiser, but it makes the centers simple and simply enforceable forward. I've kept it.

Now go to the instrument panel. At the snare it sounds more relaxed and more modern than its SM brother. The beta is not neutral, it emphasizes the mids. But that just makes it good. There must be a beating of a few condensation microphones, which are simply much more neutral. But I wanted to have a dynamic work horse. And this is Das Beta.

It also works on light-sounding stringed instruments (Mandola, Cister). Flutes were okay (there was again the Sennheiser better). The Bayerdynamicvarianten were all too dull to me. Nice round and clean signal, but hey, why there is no heights at all? The RE320 had here and there times the nose in front, was elsewhere at another point. Overall, it shows a very peculiar and unhomogeneous frequency response, for which I simply do not have the right instruments.

I have kept the Beta 57 as an alternative vocal microphone, as a more relaxed variant to the SM brother and for various instrumental samples, which may still come. And as I said, somehow I like it.
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Versatile instrumental and vocal microphone

Emmylou, 20.10.2009
I use the SHURE BETA 57 simultaneously on the stage as a detachment microphone for my violin, as well as a vocal microphone.

The Superniere allows me to achieve a very good reduction of the instrument, as well as a pleasant flexibility in the singing, without changing the angle, or the position of the microphone. Unlike other microphones I had to date, no feedback problems, although the transfer area is very large. Since I am anyway no fan of compression, artificial. Effects and the like, the natural sound of the microphone comes very much to me. Likewise, I like the dynamic of SHURE BETA 57, because I as an acoustic musician is eager to work with these self-generated stylistic devices, which is not always possible with other microphones.

Only the size of the microphone head I had to get accustomed to, especially when singing - there you are more accustomed to big microphones, in which, of course, the focus is differently distributed.

But after some time the micro is then also as usual good in the hand ....
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€149 £133.67
Incl. VAT; plus €10 shipping
Free shipping from €199

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Recording  choirs
Recording choirs
Recording choir music is always a challenge, even though it might not seem to be at first.
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Stage Vocal Mics
Stage Vocal Mics
There are many vocal microphones that are suitable for stage use, from the cheapest dynamic to the most expensive condenser.
 
 
 
 
 
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Offers include 20% British VAT and are valid as long as stocks last. Shipping costs to the U.K. are 10 EUR (approx. £7), free shipping on orders above 199 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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