RTM FOX C60 Type 1

Audio Tape

  • Max. recording time: 60 Minutes (2x 30 minutes)
  • Band length: 87.5 m
  • Bandwidth: 3.81 mm
  • Band material: Iron oxide tape (Fe2O3)

These are other customers' choices:

Customers who looked at this item have bought these:

RTM FOX C60 Type 1
61% bought this exact product
RTM FOX C60 Type 1
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
£3.77 Add to Basket
ATR Magnetics ProChrome Cassette C60
26% bought ATR Magnetics ProChrome Cassette C60 £5.30
ATR Magnetics MDS Cassette 90 min
5% bought ATR Magnetics MDS Cassette 90 min £5.70
ATR Magnetics Master Cassette 60 min
4% bought ATR Magnetics Master Cassette 60 min £5.30
Our most popular Compact Cassettes
27 Customer Ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
4.8 /5
  • sound quality
  • quality
Total
sound quality
quality
Good Type I cassette
nicola.dinisio, 10.11.2019
I have bought a number of those cassettes once the ATR ProChrome went out of stock at Thomann.
I have tested those RTM FOX 60 with two Nakamichi decks, DR-2 (three heads) and DR-3 (two heads). I have calibrated them for the lowish sensitivity of this RTM tape, otherwise I would get Dolby B/C mistrack. The same goes for the bias. The end result is fantastic, you cannot distinguish original and copy, also on the DR-3, the two head deck, which left me speechless.
Unfortunately the shell is not on par with the tape, in one case I could hear a very disturbing squeaks, because the tape was not evenly rolled. I had to rewind the tape forth and back to even the reels and remove the squeak. It is a lubricants problem, I think, there is room for improvement there RTM.
Unless you have an autocalibrating tape deck, like the Dragon, or the CR-7e and so on, and plan to standardise on this cassettes (since they are the only one produced nowadays), make sure to have the sensitivity of your tape deck adjusted for this cassette, it is well worth it!
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
sound quality
quality
A great new tape.
Anthonyej, 27.04.2019
I bought a few of these to try out. I've used a lot of old stock tapes and use these for calibration and pleasure.

My only real problem with the new cassette, is with the shell. Sometimes the small pulleys at the bottom of the shell do not rotate or get a little stuck which can cause some problems with accurate playback.

Having said that, I haven't heard a problem on recording and playback. The sound quality is brilliant with an excellent high end response. I'd highly recommend trying one. Chrome tapes are currently not available new, however this new Ferric tape, I believe, can match them in the high end while still giving powerful bass. Channel balance is near identical.

Overall, I'm impressed with this new tape and relieved to know that a quality tape is now being manufactured today. Sometimes, you just need a brand new tape that you know is going to work well.

Looking forward to the 90 Minute version!
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
Total
sound quality
quality
Excellent Type I cassette
Andrew92, 14.07.2020
Bias settings pretty much match those of the old BASF Ferro Extra I cassettes. This cassette being based of the SM900 reel tape, I decided to try and record it hotter than I usually do, and I was as pleasantly surprised, as I was with the SM900 when I first tried it. With levels reaching +7dB on my Nakamichi machine, the sound is crystal clear with both the treble and bass present. To my ears it is a noticeable improvement over last generation Maxell UR tapes. Looking forward to their C90 stock in August.
Helpful · Not helpful · Report
Report rating…

Do you believe this rating to be inaccurate or unacceptable for some reason?

Send report
£3.77
Including VAT; Excluding £8 shipping

Delivery until approx. Mon, 10.08.

Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
Quantity Discounts
Quantity Price each You save
1 £3.77
10
£3.49 7.43 %
20
£3.39 10.08 %
Share This Product
Your Contacts
Phone: +49-9546-9223-30
FAX: +49-9546-922328
Offers include VAT and are valid as long as stocks last. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
(3)
Recently Viewed
Behringer 140 Dual Envelope/LFO

Behringer 140 Dual Envelope/LFO; Eurorack module; two independent analog ADSR envelope generators; for each envelope: manual trigger button, Gate input, sliders for Attack, Decay, Sustain and Release, 2 signal outputs and inverted output; analog LFO with 5 waveforms; sliders for...

Recently Viewed
Novation Launchkey 49 MK3

USB MIDI kKeyboard 49 Velocity sensitive keys, 16 RGB illuminated velocity sensitive pads, Scale and chord mode, Arpeggiator, Capture MIDI function, MIDI mappings, Device lock, Pitch bend and modulation wheel, 2 x 16 Character display, 8 Controls, Keys for...

Recently Viewed
Stairville LED Vintage Bowl 50 RGBA

Stairville LED Vintage Bowl 50 RGBA DMX, 60 W LED, 50 cm; decoration element for stages, clubs and events; stable metal construction; illuminated reflector with unique look; technical data: Light source: 60 Watt RGBA 4in1 LED; Control: DMX (4/6/8 channels),...

(1)
Recently Viewed
Harley Benton Dullahan-FT 24 BKS

Headless Electric Guitar Ergonomically shaped alto body, Maple neck, Bolt-on neck attachment, Maple fretboard, Black offset dots fretboard inlays, Modern C neck profile, Fretboard radius: 350 mm (13.78"), Scale: 648 mm (25.51"), Nut width: 42 mm (1.65"), Graph Tech...

(1)
Recently Viewed
Electro Harmonix Oceans 12 Reverb

Electro Harmonix Oceans 12 Reverb; Effects Pedal for Electric Guitar & Bass; Based on the Oceans 11 with even more reverbs and functionality; two simultaneous, independent, stereo reverb engines; 24 Presets and advanced I/O allowing for stereo in/out or mono...

Recently Viewed
Midas Compressor Limiter 522 V2

Midas Compressor Limiter 522; 500 Series Modular Compressor/Limiter; rotary knobs for Treshold, Ratio, Attack, Release, Gain and Dynamic Presence; HP Sidechain Filter (200 Hz); LED Meter for Gain Reduction and Output Level; Designed and engineered in the U.K.

Recently Viewed
TC-Helicon Go Twin

2-Channel audio / MIDI interface for mobile devices Integrated microphone preamplifier, Phantom power: +48 V, 2 Microphone / line / instrument inputs: combo XLR / jack 6.3 mm, 2 Line outputs: 6.3 mm jack balanced, Stereo headphone output, 2...

(2)
Recently Viewed
Behringer 112 Dual VCO

Behringer 112 Dual VCO; Eurorack module; two identical analog VCOs in one module; selectable waveforms: triangle, sawtooth and squarewave/pulse; adjustable pulsewidth and PWM CV input with attenuator; octave-switch and fine-tune control knob; hard and soft sync; 3 pitch CV inputs...

Recently Viewed
Novation Launchkey 37 MK3

USB MIDI Keyboard 37 Velocity sensitive keys, 16 RGB illuminated velocity sensitive pads, Scale and chord mode, Arpeggiator, Capture MIDI function, MIDI mappings, Device lock, Pitch bend and modulation wheel, 2 x 16 Character display, 8 Controllers, Keys for...

(1)
Recently Viewed
Harley Benton Dullahan-AT 24 TBK

Headless Electric Guitar Ergonomically shaped alto body, Maple neck, Bolt-on neck attachment, Maple fretboard, Black offset dots fretboard inlays, Modern C neck profile, Fretboard radius: 350 mm (13.78"), Scale: 648 mm (25.51"), Nut width: 42 mm (1.65"), Graph Tech...

Recently Viewed
Darkglass Element Cabsim/Headph. Amp

Darkglass Element Cabsim/Headphone Amp; Effects Pedal for Electric Guitar & Bass; practical practice tool; intuitive operation using three fully-tactile slider potentiometers with positioning LED's; 5 cabinet simulations; Aux In & Bluetooth to listen to back in tracks while playing, rehearsing,...

(1)
Recently Viewed
IK Multimedia AXE I/O Solo

USB2.0 Audio Interface Specially designed for guitarists, Hi-Z instrument input on the front with Z-tone (variable impedance), JFET circuit for subtle harmonic additions and active circuit for optimal operation with active pickups, Input for line and microphone signals with...

Give Feedback
Feedback Found an error or want to give us feedback about this page?

We're looking forward to hearing from you and aim to solve any problems as soon as we can.