RME Fireface 802

USB and Firewire Audio Interface

  • 24 Bit, 192 khz
  • Incl. DSP mixer with EQ, dynamics and reverb
  • 4 Analog mic preamps with gain control
  • Remote control for inputs via software
  • 8 Analog inputs and outputs bal. jack
  • Outputs 9/10 and 11/12 as headphone outputs and line outputs
  • 1 x AES/EBU I/O
  • 2 x ADAT I/O (or 1 x ADAT I/O plus 1x SPDIF I/O optical)
  • 1 x Word Clock I/O
  • 1 x MIDI I/O
  • 1x Firewire 400
  • 1x Firewire 800
  • 1x USB 2.0
  • TotalMix FX
  • Standalone function with setup recall
  • DIGICheck
  • SteadyClock
  • Model: 19" 1 U
  • System requirements: Windows XP SP2, Vista, 7 and 8, Apple OSX 10.6 or later
  • Incl. Opto-cable, USB cable and power cable

Further Information

Recording/Playback Channels 30/30
Number of microphone inputs 4
Number of Line Inputs 12
Number of instrument inputs 4
Number of Line Outs 8
Headphone Outputs 2
Phantom power Yes
S/PDIF Connectors 0
ADAT Connectors 2
AES/EBU Connectors 1
MADI Connectors 0
Ethernet 0
Misc. Connectors No
MIDI Interface Yes
Word Clock 1xIn, 1xOut
max. Samplerate in kHz 192 kHz
Max. Resolution in bit 24 bit
Bus-Powered No
Incl. power supply Yes
Firewire Version 800
Width in mm 483 mm
Depth in mm 242 mm
Height in mm 44 mm

Come up with your own creative bundle and save

If you order this product together with others as part of a bundle, you can save up to 5 % additionally!
RME Fireface 802 + Image-Line FL Studio Producer Edition +
7 more
Configure bundle now
starting from £1,299
RME Fireface 802 + Avid Pro Tools +
9 more
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starting from £1,639
RME Fireface 802 + the t.bone SC 1100 +
6 more
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starting from £1,239

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Our most popular USB Audio Interfaces
89 Customer Ratings:
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4.9 / 5.0
  • handling
  • features
  • sound
  • quality
63 written ratings Read all reviews
Total
handling
quality
features
sound
This is the example of how you should build an AI
03.02.2016
I bought this AI for 3 reasons: stability, quality preamps, low latency. And good reviews. A lot of good reviews. I guess this will be one of them, but i managed to find some... specificities.

First of all, i got all three of these traits i mentioned.
Preamps are really clear, and they have this kind of clarity in very low end and very high end that makes sound very juicy, very rich and big. If you're recording decent instrument, that is. I have Radial DI box, which everybody consider a really good one, and DI input on this AI sound way more sexy with this Gibson SG of mine. I hope it does say something, since if i'd were to buy 4 of these Radial DI's, i'd spend 400$. One third of a price of that AI. And this AI have much more than just DI preamps. So it REALLY does worth more than it costs on Thomann.

Stability. Well, i have almost none comments on that - and that means everything is smooth as hell. If you're doing things in a right way, that is - be sure to use separate USB/Firewire controller for this AI. Separate from other devices, i mean. I plugged it in on the controller i had an iLok and a USB keyboard Oxygen 61 on at first - after one week Fireface suddenly started to give me really bit-crushed signal on the outputs. This effect of distortion were gone after turning AI off and on again, but it was back again after half an hour or so. Moving AI to other USB controller solved the problem. I don't really blame the device - digital sound is a touchy thing and problems like that are usual in AI field, you just need to be sure you're keeping risks on minimum on your end.
My motherboard is asus maximus VII hero.

Low latency. Well, it's really better than on my previous AI Scarlett 6i6. Like, i can load twice as much stuff on project and still record on twice as lower latency than with 6i6. Still, i expected more for some reason, but hey, it's not like i need so much stuff on a recording project - song turns out best when it was recorded awesomely and mixed good, not when it have been recorded meh and awesomly fixed.

About TotalmixFX, the driver for this AI. First of all, it was waaay more easy to understand than drivers of other AI manufacturers. Simplier than driver for 6i6 i mentioned, even, and 6i6 means that there's only 6 inputs and 6 outputs.

There is some specificities though. First - there is FX send here, but FX are not true-bypass and FX's are full wet. That means you can't use this send as unaffected by effects send. Second, a loopback feature could have been implemented in a more flexible way - you can loopback, let's say, output "Analog 3" only to input with the same number, only to "Analog 3" input. And if you turn loopback on, that means you won't hear what you'll send to physical "Analog 3" input. They could have implemented a small slider for mixing these two signals together, if you ask me. It'd help me slightly.

Again, it's really awesome interface. I feel like i won't need to change it for at least a decade. Expand it, yes, but not replace with something.
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Total
handling
quality
features
sound
MoonkinSounds, 18.01.2020
I've used the 802 for about a month now. Bedroom studio with some analogue synths. This is my second audio interface, so I can't really comment much on the sound (coming from Focusrite) as I haven't done any AB testing.
My main gripe with the 802 is that there's no knob for the output level and that TotalMix has some weird MIDI bindings.

I came around these issues by using my Maschine Mk3 as a MIDI controller to trigger different TotalMix "snapshots", output, Mid/Side/L/C/R, Dim. Now I'm happy. Without a controller to control TotalMix you're in for a lesser experience. They do offer the remote but I think I'd rather use my Maschine actually.

TotalMix appears to be great and unparalleled since it can be midi controlled.
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Show variations of this product
RME Fireface 802
(89)
RME Fireface 802
to the product
£1,155

USB and Firewire Audio Interface 24 Bit, 192 khz, Incl. DSP mixer with EQ, dynamics and reverb, 4 Analog mic preamps with gain control, Remote control for inputs via software, 8 Analog inputs and...

  • Recording/Playback Channels: 30/30
  • Recording / Playback Channels: 30x30
  • Number of Mic Inputs: 4
  • Number of microphone inputs: 4
  • Number of Line Inputs: 12
  • Number of Instrument Inputs: 4
  • Number of instrument inputs: 4
  • Number of Line Outs: 8
  • Headphone Outputs: 2
  • Headphone Outs: 2
  • Phantom power: Yes
  • Number of S/PDIF Connectors: 0
  • S/PDIF Connectors: 0
  • Number of ADAT Connectors: 2
  • ADAT Connectors: 2
  • Numer of AES/EBU Connectors: 1
  • AES/EBU Connectors: 1
  • Number of MADI Connectors: 0
  • MADI Connectors: 0
  • Ethernet: 0
  • Other Connectors: No
  • Misc. Connectors: No
  • MIDI interface: Yes
  • MIDI Interface: Yes
  • Word Clock: 1xIn, 1xOut
  • Max. sample rate (kHz): 192 kHz
  • max. Samplerate in kHz: 192 kHz
  • Max. resolution in bit: 24 bit
  • Max. Resolution in bit: 24 bit
  • Bus-Powered: No
  • USB Bus-Powered: No
  • Incl. power supply: Yes
  • Firewire Version: 800
  • USB Version: 2.0
  • Width in mm: 483 mm
  • Depth in mm: 242 mm
  • Height in mm: 44 mm
  • Included in delivery: TotalMix FX Software Win/Mac, DIGICheck Software Win/Mac, Opto-cable, USB-cable, CD-ROM, Manual, Power Supply
  • Zero latency monitoring: Yes
RME Fireface UC
(211)
RME Fireface UC

36 Channel USB 2.0 Audio Interface 18x In- and outputs, simultaneously usable, 24 Bit / 192 kHz AD/DA converter, 2x Mic preamps with digitally controlled gain and individually switchable 48V...

  • Recording / Playback Channels: 18x18
  • Number of Mic Inputs: 2
  • Number of Line Inputs: 8
  • Number of Instrument Inputs: 2
  • Number of Line Outs: 6
  • Headphone Outs: 1
  • Phantom power: Yes
  • Number of S/PDIF Connectors: 1
  • Number of ADAT Connectors: 1
  • Numer of AES/EBU Connectors: 0
  • Number of MADI Connectors: 0
  • Ethernet: 0
  • Other Connectors: No
  • MIDI interface: Yes
  • Word Clock: 1xIn, 1xOut
  • Max. sample rate (kHz): 192 kHz
  • Max. resolution in bit: 24 bit
  • USB Bus-Powered: No
  • Incl. power supply: Yes
  • USB Version: 2.0
  • Width in mm: 265 mm
  • Depth in mm: 165 mm
  • Height in mm: 44 mm
  • Included in delivery: USB cable, breakoutcable, software
  • Zero latency monitoring: Yes
RME Fireface UCX
(161)
RME Fireface UCX

36-channel USB 2.0 & FireWire 400 audio interface 18 Inputs and outputs can be used simultaneously, 24-Bit/192kHz AD/DA converter, 2 Mic preamps with digitally controlled gain and individually...

  • Recording / Playback Channels: 18x18
  • Recording/Playback Channels: 18/18
  • Number of microphone inputs: 2
  • Number of Mic Inputs: 2
  • Number of Line Inputs: 8
  • Number of instrument inputs: 2
  • Number of Instrument Inputs: 2
  • Number of Line Outs: 6
  • Headphone Outputs: 1
  • Headphone Outs: 1
  • Phantom power: Yes
  • Number of S/PDIF Connectors: 1
  • S/PDIF Connectors: 1
  • Number of ADAT Connectors: 1
  • ADAT Connectors: 1
  • Numer of AES/EBU Connectors: 0
  • AES/EBU Connectors: 0
  • Number of MADI Connectors: 0
  • MADI Connectors: 0
  • Ethernet: 0
  • Other Connectors: No
  • Misc. Connectors: No
  • MIDI Interface: Yes
  • MIDI interface: Yes
  • Word Clock: 1xIn, 1xOut
  • Max. sample rate (kHz): 192 kHz
  • max. Samplerate in kHz: 192 kHz
  • Max. resolution in bit: 24 bit
  • Max. Resolution in bit: 24 bit
  • USB Bus-Powered: No
  • Bus-Powered: No
  • Incl. power supply: Yes
  • Firewire Version: 400
  • USB Version: 2.0
  • Width in mm: 265 mm
  • Depth in mm: 165 mm
  • Height in mm: 44 mm
  • Included in delivery: USB cable, breakoutcable, software
  • Zero latency monitoring: Yes
£1,155
Free shipping incl. VAT
Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
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RME Fireface 802 Audiointerface
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Rank #1 in Firewire Audio Interfaces
 
 
 
 
 
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Offers include VAT and are valid as long as stocks last. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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