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RME ADI-2 Pro

High-end USB AD/DA converter and headphone amplifier

  • Sample frequencies up to 768 kHz (PCM)
  • DSD playback and recording
  • 2 Analog inputs / 4 analog outputs: XLR and TS jack
  • 2 Powerful headphone outputs
  • AES/EBU in/out (XLR)
  • SPDIF in/out (coaxial)
  • ADAT or SPDIF in/out (optical)
  • Integrated sample rate converter
  • Safety concept and overload detection for headphones
  • Balanced Mode and binaural crossfeed for convincing loudspeaker simulation via headphones
  • Adjustable Bass/Treble controls and Loudness function
  • Selectable AD/DA filters
  • SteadyClock III technology
  • High-performance DSP for error-free calculation of all audio data
  • Parametric 5-band EQ and Low Cut that can be separately adjusted for the left and right channels
  • Level meter
  • Power-, status-, volume-, and gain indicators
  • 30-Band analyzer in DIGICheck technology
  • Channel status info screen
  • Phase, width, mono, M/S processing
  • Complex discrete reference level switching via relay
  • All settings can be saved
  • Audiophile PCB and circuit design with carefully selected components
  • FPGA based firmware, update via USB possible
  • USB 2.0 (UAC 2.0 class compliant for iOS devices)
  • System requirements: Windows 7 or later, Apple OSX 10.6 or later
  • Design: 9.5"/ 1U
  • Incl. CD-ROM driver, manual, breakout cable for AES/EBU and S/PDIF coaxial and external, lockable power supply

Further information

Amount Of Channels 2
AD Conversion Yes
DA Conversion Yes
Max. Resolution 32 bit
Max. sampling rate 768 kHz
S/PDIF Connecor Yes
AES/EBU Connector Yes
ADAT Yes
Word clock No
Number of analog inputs 2
Number of Analog Outputs 4
Headphone connection Yes

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€1,590 Add to Cart
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Our most popular Digital Converters
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Wow, the borders disappear!

Daniele T., 23.12.2016
There was once home stereo that nice, indeed, beautiful. And then there was the material for use in the studio and live, the beautiful one, indeed, beautiful, but that was not the one beautiful home.

Well, now that has come the RME ADI-2 Pro, this distinction has no longer any meaning: this is simultaneously both beautiful, both the beast.

It is not the only RME audio interface that use the ADI-2 Pro; I also have a Fireface UCX, a Fireface UFX, a Babyface Pro, and ADI-4 DD as a router-splitter applications a bit 'special.

But the ADI-2 Pro we attack any headphone (valuable, but also generic) and I am amazed to discover details that (especially with the most difficult to drive headphones) are not as immediately recognizable on the other interfaces. Playing all fine though, with huge dynamics, maximum contrast, no staining ... but the ADI-2 Pro seems even less "existing" all other.

A lot of features on board are very extreme, and scarcely noticeable in my typical uses ... but I understand that the mentality accurate and selective screening is not the only one with whom to listen, so I find the presence sensible. .. by so many features that I'll never use (but which many could really make a difference to have here on board).

Of all, here, perhaps only the crossfeed function has left me just warm and not "thrilled wow", but only because when I want to assure the compatibility of listening with speakers to the listening with headphones ... well, I turn on the SPL Phonitor, which offers more flexible specific commands (of 4 preset values ??available instead ADI-2 Pro).

For the lucky owners of monitors and active speaker systems, as well as for audio products of computer enthusiasts from platforms and a wide variety of applications, there is no use in which he found not the ADI-2 Pro worthy to stand at center of the system, at home and in the studio as on the desk of the hotel room while I finish putting the final brush strokes to my audio program the next morning. And live, without any embarrassment and shyness, in combination with other audio interfaces, or directly from your computer (via SPDIF optical, or via USB).

All the various headsets available to me by the way they play wonderfully well on the ADI-2 Pro, even those between 32 and 75 ohms, without any inferiority complex compared all'SPL Phonitor (that is a very different type of device, as of "very flexible" hyper-specialization and the opposite).

The only flaw that I wish to emphasize and I thought perhaps as early as the day after you have successfully set the ADI-2 Pro: the package lacks a soft protective carrying case; because you'll want to carry it around wherever you have the opportunity to hear something, guaranteed!
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RME even!

30.01.2017
After the I had used the Adi-2 as a converter in my HiFi rack (also very fine) came mid-December the Adi-2 Pro. When unpacking are unfortunately unfortunately the first time the rubber feet dropped (was probably the cold during transport). Overall, the Adi-2 Pro makes a good impression on the processing. The service was at the beginning unfamiliar but after the one was busy with the device is also no problem. To the sound you can only say Wow! But what else I had not expected at RME. So far I have run the converter in all operating modes, everything is perfect! However, I must also get rid of the fact that the device is very very warm (with warm I mean you want to use it and almost burns the paws). But overall, I am very enthusiastic about the device! RME: There you have again something fine dropping! Respect!
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€1,590 £1,453.08
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Available immediately
Available immediately

This item is in stock and can be dispatched immediately.

Standard Delivery Times
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Offers include 20% British VAT and are valid as long as stocks last. Shipping costs to the U.K. are 10 EUR (approx. £7), free shipping on orders above 199 EUR. Please click here for international Shipping Costs and Delivery Times. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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