Ramirez Estudio Flamenco Palosanto

Flamenco model

  • Solid spruce top
  • Solid rosewood back and sides (Dalbergia Latifolia)
  • Ebony fretboard
  • Cedros neck
  • Finish: High gloss
  • Machine heads gold plated
  • Scale length: 65 cm
  • Nut width 5.2 cm
  • Ramírez high tension 3th carbon strings
  • Includes sound carrier case

Further Information

Cutaway No
Top Spruce
Back and Sides Rosewood, Solid
Pickups No
Fretboard Ebony
Nut width in mm 52,00 mm
Scale 65 mm
Colour Natural, High Gloss
Case Yes
Incl. Gigbag No
1 Customer Ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
3 /5
  • features
  • sound
  • quality
Total
features
sound
quality
Marekk, 13.04.2019
Gitarę otrzymałem w ciągu 5 dni.Zapakowana była prawidłowy i dotarła nie uszkodzona.Gitara jest piękna !. Wygląda jak marzenie ...jak milion dolarów :) Gitara zbudowana jest z wybranych najlepszych kawałków drewna.Układ słoi na gryfie jest idealnie równoległy i prostopadły do pudła.Top świerkowy z efektem bearclaw idealny .Całość pokrywa nieskazitelny gruby lakier.Kolor topu jest pomarańczowy i urzekający.Gitara ma dobrze zaprojektowaną niską , wygodną akcje strun ,typową do flamenco.Gitara ma nieźle dopasowany do pudła twardy futerał z praktycznym pojemnym schowkiem.W futerale dołączona jest oryginalna biała ściereczka Ramireza co jest miłym gratisem.Ale dźwięk gitary jest jak plastikowy.Konfrontowałem jej dźwięk z trzema gitarami : Cordoba F7 flamenco ,Primera negra Camps i lutnicza gitarą flamenco Rafała Turkowiaka. Każda z wymienionych gitar miała dużo lepsze brzmienie niż ten egzemplarz autsurcingowego Ramireza flamenco. .Gitara stroi tylko na 1 i 12 progu ,a po środku gryfu nie stroi i to czym bliżej otworu rezonansowego tym gorzej.Po założeniu kapodastra na 2 progu (hiszpańskiego, tradycyjnego ,profesjonalnego) gitara nie stroi do tego stopnia ze nie da sie na niej grać.Podstrunnica jest wykonana prawidłowo z kompensacją . Gruba przy 1 progu ,a cieńsza o ok 2 mm przy ostatnim ,dodatkowo grubsza przy strunie E1 i cieńsza przy strunach basowych. Kość na mostku jest bardzo niska i cienka ,wiec ma mało zapasu na ewentualną regulację lutniczą.Klucze się blokują i zacinają.Gryf ma przekroju model D . Struny na stroikach założone i nakręcone są niedbale i nieprofesjonalnie.Struny na mostku docięte byle jak i nierówno.Struny brzęczą na kilku progach.Ewentualna korekta lutnicza będzie skomplikowana , droga i nie wiem czy w ogóle możliwa i czy opłacalna.Top za mostkiem jest lekko pofalowany...Ale ta gitara jest naprawdę piękna. Nigdy nie wdziałem lepiej dobranego drewna ...niestety grac się na niej profesjonalnie nie da.Ale można polecić ją artystą grającym z playbacku .Nadaje się tez do filmu i telewizja bo ma piękny kolor i jest fotogeniczna.Gitarę odesłałem w ramach zwrotu z wielkim żalem . The guitar arrived within 5 days, packed perfectly and securely with no signs of any damage.

This master piece is gorgeous! It looks like a fantasy ... like a million bucks :)

It’s made of a selection of finest wood pieces. The arrangement of the wood grain on the neck is perfectly parallel and perpendicular to the body. Bearclaw effect on the spruce top is perfect. Whole body is covered with an orange flawless thick varnish. I must admit that the color is charming. It has a well-designed low, handy strings action, so typical for flamenco. Also, has a hard case with a practical storage compartment, which fits the body very well. The case comes with an original white Ramirez cloth, which is a nice free gift. Unfortunately, the sound of the guitar has a plastic tone. I confronted its sound with three other guitars: Cordoba F7 flamenco, Primera negra Camps and Rafał Turkowiak's luthier flamenco guitar. Each of the mentioned guitars had a much better sound than this piece of the outsourcing Ramirez flamenco. The guitar tunes only on 1 and 12th threshold, it doesn't tune in the middle of the fretboard, in addition it gets worse closer to the sound hole. After putting a capo on the 2nd threshold (Spanish traditional/professional capo) the guitar doesn't tune to such an extent that it's impossible to play it. The fingerboard is made correctly with compensation. Thicker at 1st threshold, and thinner by about 2 mm at the last one, additionally thicker at the E1 string and thinner at the bass strings.Bone on the bridge it has little reserve/space for an eventual luthier adjustments. Tuning keys block and jam. Fretboard has a cross section model D. The strings on the reeds are put on and wound carelessly and unprofessionally. The strings on the bridge are cut unevenly. The strings buzz on several thresholds. Potential luthier correction would be complicated, expensive and I’m not sure if it's possible or profitable at all. Top behind the bridge is slightly wavy... Nevertheless, this guitar is really beautiful. I've never seen a better choice of wood ... Unfortunately playing it professionally is impossible. Could be recommended to an artist playing playback . It is also suitable for film and television because it has a beautiful color and is extremely photogenic. I sent the guitar back with great regret!
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Ramirez Estudio Flamenco Palosanto
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Flamenco model Solid spruce top, Solid rosewood back and sides (Dalbergia Latifolia), Ebony fretboard, Cedros neck, Finish: High gloss, Machine heads gold plated, Scale length: 65 cm, Nut width 5.2...

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  • Top: Spruce
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£2,599
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