Thomann's Cool Online Guides: Small Diaphragm Mics

9. FAQ

On this page you can find frequently asked questions on: "Small diaphragm condenser microphones".

 


I want to record acoustic guitar in stereo – do I have to use a matched stereo pair?

It depends on your miking technique. A lot of engineers put one microphone in front of the guitar directed at the neck joint and another directed at the bridge. Strictly speaking, this is not a “real” stereo technique but multi-miking. You’re miking two points of an instrument that inherently produce different sounds. Since the two mics will pick up different sounds, anyway, it doesn’t matter much if the two mics aren’t matched. In fact, you can use two different mic models, provided the result is pleasing subjectively. However, you do have to use a matched stereo pair for true stereo miking techniques such as XY or ORTF.

I’d like to make stereo recordings, and I already own one small diaphragm mic – can I just buy another one of the same type?

If it is a high class mic from one of the more expensive brands, you can buy another mic of the same type. The leading manufacturers (i.e. European brands of long tradition) produce microphones to very tight tolerances. Two randomly selected microphones of the same type will be close enough for any but the most critical applications. If you plan on making classical recordings for a record label, you better get a matched pair. For less critical uses, a non-matched pair will do just fine. Among inexpensive small diaphragm mics, using a selected pair is highly recommended. Inexpensive brands cannot afford to work to tolerances as tight as the renowned European brands; moreover they often change internal components without notice. So selection/matching is required in order to obtain a true and symmetrical stereo image.

Why are small diaphragm mics rarely used on lead vocals?

That’s mostly a matter of taste. Also of looks ;-) There is no compelling technical reason. In fact, many vocalist condenser microphones for stage use are small diaphragm microphones. In the studio, engineers like to use large diaphragm microphones, because their particular sound characteristics have a flattering quality. They make voices sound smooth, expensive, and larger-than-life. Big size mics also make the vocalists feel important, which sometimes helps to get a better performance. Nonetheless, small diaphragm condensers can produce excellent results in documenting a voice exactly as you hear it. Classical singers are often recorded using small diaphragm microphones.

I’d like to record acoustic guitar – should I use a small diaphragm or a large diaphragm condenser?

Small diaphragm condensers are a safer choice. In almost all cases you will get good or excellent results. With large diaphragm microphones, it depends on the model. Some are excellent, especially if you’re aiming at a full, “larger-than-life” sound. Other large diaphragm microphones are too much geared towards vocal recording to produce satisfying results on acoustic guitar. As always, try things out yourself and use whatever sounds good to your ears. There are no fixed rules.

I bought a small diaphragm set comprising extra capsules for omni pattern. Can I use them just like cardioids?

Omnis are very different than cardioids. You can place omni mics very close to the source – there is no proximity effect, so you won’t get that boomy sound you’d get with a cardioid mic so close to the source. For stereo recordings, you can’t use techniques that require the mics to be very close to each other. XY-stereo miking won’t work. Remember that omnis pick up sound from all sides equally. They don’t record any directional information. The most common stereo technique when working with omnidirectional microphones is “spaced omnis”, i.e. the two mics face the sound source and are spaced depending on the size of the sound source and the distance between the mics and the sound source. For acoustic guitar, the distance between the mics should be roughly between 6 and 12 inches (15-30 cm). A large choir or an orchestra may require wider spacings. Listen critically and make sure there is no hole at the centre of the stereo image.

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Small Diaphragm Mics overview

Arturia DrumBrute Impact Daslight Light Rider Wifi DMX Interface Gator iMac 27" Tote Bag Arturia KeyLab MkII 61 Black Korg D1 Aston Microphones Swift Audient iD44 EQ Acoustics Spectrum 2 L5 Tile Black Universal Audio Apollo Thunderbolt 3 Card Cameo Studio PAR DTW IK Multimedia UNO Synth Presonus Studio 1810
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Arturia DrumBrute Impact

Analog drum computer; 10 sounds: Kick, Snare 1, Snare 2, Tom Hi, Tom Low, Cowbell, Cymbal, Closed Hat, Open Hat and FM; 64 patterns with up to 64 steps each; accentuation and switchable color tone coloring per instrument and step;...

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€299
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Daslight Light Rider Wifi DMX Interface

Daslight Light Rider Wifi DMX Interface, Tablet-based DMX control, intuitive operating concept allows quick access to all functions and simplifies use, free App "Light Rider" for iOS, Android and Amazon Fire Tablet, perfect for DJs thanks to beat synchronization via...

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Gator iMac 27" Tote Bag

Nylon bag for 27" Apple iMac Good hold and protection with adjustable foam blocks and hard-panel reinforcement in the front cover, Foldable sun and dust protection, Double zipper, Cable bag inside, Outer accessory pocket for keyboard, mouse, SD cards...

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Arturia KeyLab MkII 61 Black

Arturia KeyLab MkII 61 Black; USB Midi-Keyboard with 61 Keys; velocity and Aftertouch; 16 RGB-backlit performance pads; 9 fader, 9 rotary knobs, LCD-Display; Category Function; Pitch- and Modulation-Wheel; Chord and Transpose Function; Transport Buttons; Connections: 5 Expression Control Inputs; 4x...

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€499
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Korg D1

Digital Piano 88 Keys weighted RH3 keyboard (Real Weighted Hammer Action 3), 5 Sensitivity curves, Stereo PCM sound generation, 120 Voice polyphony, 30 Sounds, 30 Demo songs, Key-Off simulation, Damper resonance, 3 Effects, Metronome, 2x Line out 6.3 mm...

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€575
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Aston Microphones Swift

Aston Microphones Swift; Universal Mic Mount without Rubber Bands; fits Mics from 40 bis 60 Diameter; two quick release spring clips; made of Aluminium, grade glass-fill nylon polymer and medical grade latex ("ShockStar" suspension); Dimensions: 145 x 60 x 170...

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€55
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Audient iD44

20-in / 24-out desktop audio interface Fully metallic desktop housing, Control knobs made of solid, hand-milled aluminium, 4 Class A Audient console mic preamps, 60 dB gain, AD / DA converter of the highest class, 2 ADAT inputs and...

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€568
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EQ Acoustics Spectrum 2 L5 Tile Black

Acoustic Absorber Material of the absorber's core: 100% polyester with textile cover, Very robust, Non-allergenic and doesn't contain irritants, Odour-free, Good efficiency in the medium and high frequency ranges, Wall and ceiling mounting is possible with the flexi-system (hook...

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€163
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Universal Audio Apollo Thunderbolt 3 Card

Universal Audio Apollo Thunderbolt 3 Card; Expansion Card for Apollo Rack Interfaces; two Thunderbolt 3 Ports, 5 W bus power for all connected Thunderbolt 3 peripherals; up to 40 Gbit/s; System requirements: macOS Sierra/High Sierra or Windows 10 with Fall...

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€499
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Cameo Studio PAR DTW

White light LED PAR With variable colour temperature and dim-to-warm function, Professional LED PAR for use on theater and drama stages or for object lighting, Dim-to-warm function ensures a dark orange light colour in the low brightness range by...

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€325
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IK Multimedia UNO Synth

Monophonic analog synthesizer with step sequencer, arpeggiator and effects section Classic setup with 2 VCOs and noise generator, multimode filters, amps, 2 envelopes and LFO, Waveform VCOs Triangle, sawtooth and variable pulse width rectangle, Multimode filter with 12 dB...

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€229
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Presonus Studio 1810

18 x 8 USB 2.0 audio interface 24 bits / 192 kHz, 2 front combo inputs Mic / Line / Inst (XLR / jack), 2 front combo inputs Mic / Line (XLR / jack), 4 XMAX Class A mic...

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€399
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