3. Microphones
It is the microphone that collects the source sound and converts it to an electrical signal. There are two broad categories of microphone for stage use - dynamic microphones, and condenser microphones. (See also our Online Guide to stage vocal microphones.)
Dynamic microphones
Dynamic microphones are equipped with moving coils that vibrate in response to sound waves, creating a pulse that is converted to an electrical signal. They are usually pretty robust and are widely used for vocals, acoustic instruments and general stage work.
Condenser microphones
Condenser microphones employ electrostatic technology, with a diaphragm that forms one plate of a capacitor. The sound waves move the diaphragm and a signal is created. Condenser microphones require a source of power to make the capacitor work, and to deliver a strong signal to the mixer. Mixers are usually equipped with channels that provide the necessary ‘phantom power’, and sometimes the microphones themselves can run on batteries. Condenser microphones are generally highly sensitive and can deliver superb sound, making them particularly suitable for studios, but they must be used with care in stage settings as they are fundamentally more delicate, and also tend to be more prone to feedback.
Most microphones in popular use are based on condenser or dynamic technology, whether they are handheld, stand-mounted, wired or wireless, or mounted on headsets. In our online store, you’ll find them organised according to their preferred use - vocals, instrument amplification, wireless, headsets, ambient microphones and large diaphragm microphones. Large diaphragm models are most often found in studios, but many sound professionals now use them for miking up instruments on stage too.
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Alesis Vortex Wireless 2
Alesis Vortex Wireless 2; USB/MIDI Keytar Controller with Accelerometer; Portable Performance Keyboard with Shoulder Strap, 37 touch sensitive keys with aftertouch; Eight touch sensitive RGB illuminated Performance Pads, Eight illuminated faders for volume or parameter control; Programmable tilt sensor with...
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Alesis Surge Mesh Kit
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Adam T5V
Active Nearfield Monitor Equipped with: 5" woofer and 1.9" U-ART ribbon tweeter, 2x Class-D amplifiers: 50W RMS woofer, 20W RMS tweeter, Frequency range: 45 - 25000 Hz, Crossover frequency: 3 kHz, Maximum input level: 106 dB (1m/pair), Rear bass...
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Subpac M2X
Subpac M2X, Mobile tactile bass system, SubPac adds real depth, connection and enjoyment to whatever you play through it - your music and media comes to life with the added dimension of physical bass. Frequency Response: 1hz-200hz, Wired Input: 3.5mm...
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Roland R-07 black
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Yamaha Stagepas 600BT
Mini-PA System with Bluetooth Function Consisting of 2x passive 2-way boxes and 10-channel power mixers, Power mixers and speaker cables can be stored in the boxes for transportation, Successor of the Stagepas 600i, Including 2 speaker cables, each 6...
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Arturia Minibrute 2
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Focal Listen Professional
Headphones Closed, Circumaural, Conversion technology for acoustic transparency and dynamics, Impedance: 32 ohms, Sensitivity (@ 1 kHz - / 1 Vrms): 122 dB SPL, THD (THD, @ 1 kHz / 100 dB SPL): 0.3%, Frequency range: 5 Hz to...
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Heritage Audio HA-73 EQ Elite
Heritage Audio HA-73 EQ Elite; 1-Channel Mic-Preamp wit EQ; based on the 1073; hand wound Carnhill Transformers; 3 stage fully discrete class A mic preamp; max. Gain: 80 dB Mic and 50 dB Line; -20 dB Pad; LO-Z switches the...
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Focal Shape Twin
Active Near Field Monitor Tweeter with low directivity for flexible listening position, Closed design with two passive membranes for easy installation near the wall, 2.5-Way concept for optimal control of the bass and lower mids, Optimal integration through extensive...
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Sound Devices MixPre-3
Sound Devices MixPre-3; portable audio recorder with USB audio interface; 5 tracks: stereo mix + 3 isolated tracks; Kashmir microphone preamp with 76db gain; equivalent Input Noise: 128dBu max (A-weighting, gain=76dB, 150 Ohm source impedance); limiter per channel; low cut...
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Yamaha Stagepas 400BT
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