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Harley Benton AC PRO 60

Acoustic Instrument Combo

  • Power: 60 Watt
  • Equipped with: 1x 8" speaker (8 Ohm) and 1" tweeter
  • 2 inputs: Jack and jack / XLR combo
  • Channel 1: Controls for gain, bass, middle, treble, switch for high / low and contour
  • Channel 2: Controls for gain, bass, treble, switch mic / line
  • All FX Balance CH1 / CH2
  • Mode switch (Hall, Plate, Chorus / Room Delay)
  • Level
  • Master volume
  • AUX in
  • MP3 in
  • Tuner out
  • Effect loop
  • Line out
  • Di Out Balanced XLR
  • Headphone output
  • Foot switch (effect on / off) (not included)
  • Dimensions: 346 x 280 x 346 mm
  • Weight: 11 kg
  • Dust cover not included (Article Nr 283229)
No JavaScript? No Audio Samples! :-(

Sound samples

 
0:00
  • Acoustic Duo
  • Acoustic Duo Line
  • Bossa
  • Bossa Line
  • Strumming
  • Strumming Line

Further information

Power in Watts 60
Speaker size 1x 8", 1x 1"
Channels 2
Reverb Yes
Effects Unit Yes
External FX Loop Yes
Microphone Input Yes
Line Input Yes
Battery Operation No
Footswitch Connector Yes
Incl. Footswitch No

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€198

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Our most popular Acoustic Amplifiers
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4.6 / 5.0
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66 written ratings Read all reviews
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Astounding little amp. A real gem!

markodarko, 11.01.2015
Firstly, just to clarify my "status" as a guitarist, if there is such a thing. I've been playing guitar - acoustic and electric - for over 30 years. Sheezus, I'm old. Anyway... Suffice to say I've played through a gamut of different amps and PA systems over the years and currently own a Marshall AS50D acoustic amplifier (I used to own an AS100D) and a Yamaha Stagepas 500 PA and I bought this little amp for my son to get him gigging.

Well, what can I say. Impressed is not the word. Well, it is, but if you could incorporate impressed and surprised into one word, that would be the word - imprised?

The tone is not really like the AS50D - in some ways it's a better tone, in different ways not. For example, it has a mid on the guitar input which the AS50D does not so you can alter the tone quite a lot there even if you have an EQ on your acoustic. Also, the AS50D just has one reverb setting while this has 2 plus a delay and a chorus. The AS50D wins on the chorus stakes though as it has a dedicated chorus function, however it's handy having a delay - I actually prefer delay over reverb if given the choice of one or the other - although the delay on the amp is not adjustable in any way other than level, it's useful all the same.

Those differences aside, if comparing them side by side I'd say that the Marshall has more of a spectrum to the sound, but the Harley Benton is somehow "clearer", more of a focused sound, especially when finger picking. In isolation they are both excellent and there's not a whole lot between them if you EQ them to sound similar and when in isolation you'd be happy with either.

I've had both the AS50D and the AC Pro 60 on a Thomann amp stand (which is also excellent) cranked up with a guitar and Shure SM58 plugged in and seated within 1.5 metres of the amp and feedback is minimal - in fact it's a lot worst on the Marshall - to the point where they have a "feedback elimination" control, but it's not needed on the Harley Benton at all!

Cranked up they are both clear and distortion free - providing you're careful to turn down the bass at high volume levels of course. I'd be totally happy gigging with this amp with no problems at all, and if my Marshall gave up the ghost I wouldn't hesitate in replacing it with one of these. All you need for a small acoustic pub gig.

Incidentally, I'm pretty sure that this is identical to the Tanglewood T6 amplifier. Certainly looks it, and that's had rave reviews, except this is a third of the price!

Highly recommended. Grab yourself a bargain.
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Total
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Delighted I went with AC pro 60

drdolittle, 15.12.2015
This is exactly what I was looing for! I had been dithering for ages about buying the right acoustic amp for me and had bounced from the expensive fender/roland/laney offerings to the generics at a more manageable price. In the end I took a chance on the Ac Pro 60 and I am so glad. It is light, compact and packed with features that are comparable to many of the big name equivalents - but the sound is its main attractive quality and there is huge scope within the controls to get it exactly where you want it. I bought this amp to do justice to a martin dc-15mE and sweet divine I can't put it down now! Whether I play through an effects set up or just through the amp- I can achieve great sound that I am really happy with. When I pushed "order" the first time I really wondered if I was settling for less- but now I would happily order another of these in the future.
I should point out that a small button was missing from one of the control switches- but thomann dealt with this immediately.
The 4 stars instead of 5 is due to the lack of control over the delay settings- but this might not bother someone else.
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€188 £165.24
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Offers include 20% British VAT and are valid as long as stocks last. Shipping costs to the U.K. are 10 EUR (approx. £7), free shipping on orders above 199 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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