Hal Leonard The Real Rock Book 2 C

Songbook for C Instruments

  • Notation of well-known songs
  • Features original chords
  • Comes in a convenient spiral binding
  • ISBN: 978-1-4234-3853-3
  • Pages: 392

Song contents include:

  • Lady Madonna (The Beatles)
  • Lay Down Sally (Eric Clapton)
  • Jump (Van Halen)
  • 1999 (Prince)
  • Oh Pretty Woman (Roy Orbison)
  • Our House (Crosby Stills Nash & Young)
  • Papa Was A Rolling Stone (The Temptations)
  • Rosanna (Toto)
  • Surfin' USA (The Beach Boys)
  • Smells Like Teen Spirit (Nirvana)
  • Stray Cat Strut (Stray Cats)
  • San Francisco (Scott McKenzie)
  • Sweet Home Alabama (Lynyrd Skynyrd)
  • Y.M.C.A. (Village People)
  • Wonderful Tonight (Eric Clapton)
  • Wake Up Little Susie (The Everly Brothers)
  • We Will Rock You (Queen)
  • You Really Got Me (The Kinks)
  • You Are So Beautiful (Joe Cocker)
  • Three Times A Lady (The Commodores)
  • Stand By Me (B.B. King)
  • Proud Mary (Creedence Clearwater Revival)
  • Little Sister (Elvis Presley)
  • No Woman No Cry (Bob Marley)
  • ...and many more

Further Information

C-Instruments Yes
Bb-Instruments No
Eb-Instruments No
Jazz No
Rock Yes
Pop No
Pages 400
4 Customer Ratings
  • 5
  • 4
  • 3
  • 2
  • 1
5 /5
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Total
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There should be one in everyone's gigbag.
Masabumi, 21.12.2017
Real book is a class in its own way. This edition is another example. And it is great to be able to let go of the old notes and have everything nicely organized.
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Total
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Sehr gutes Notenmaterial für viele Zwecke
Lutz aus L., 25.04.2016
Die Real Rock Books in C sind wie folgt aufgebaut:
- Die Gesangs- bzw. Melodie-Stimmen sind ein- und mehrstimmig für C-Instrumente notiert. (Nur Noten - KEINE Tabs - das ist absolut KEIN Nachteil!)
- Alle relevanten Intros, Soli, Riffs etc. sind integriert und in C notiert, um es für C-Instrumente zu benutzen. Es sind zusätzlich die Original-Instrumente vermerkt.
- Die Tonarten sind die Original-Tonarten, sodass man zu Übungszwecken zum Original mitspielen kann.
- die Akkorde sind nicht nur für Gitarre, sondern (bei Kenntnis ihrer Umsetzung) auch sehr gut für Tasteninstrumente zu verwenden. Einzig etwas gewöhnungsbedürftig ist die Notation der Moll-Akkorde, die nur mit einem Strich (statt dem m) geschrieben sind. Das ist aber ebenso schnell zu lernen wie die typischen englischen Akkord-Bezeichnungen für das deutsche H = B.
- Alle Texte sind zwar klein, aber gut leserlich in den Notentext integriert, sodass das Buch auch gut für Gesang geeignet ist.
- Ein großes Plus des Buches ist, dass die Lieder jeweils auf maximal zwei Seiten verteilt sind, sodass ein Umblättern entfällt.
- Die Auswahl ist sehr groß und mit beiden Büchern hat man ein Repertoire (insgesamt ca. 400 Songs) aller wichtigen Hits (nicht nur Rock!) von den 1950er bis 1980er Jahren.

Fazit: Sehr gutes Notenmaterial für Unterricht oder Live-Auftritte. Aber auch ohne Notenkenntnisse kann man die korrekten(!) Harmonien und den Text zum eigenen Vergnügen sehr gut benutzen.
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