Gibson Les Paul Studio WR

Electric Guitar

  • Body: Mahogany (Swietenia macrophylla)
  • "Ultra Modern Weight Relief" - weight-reduced body
  • Top: Maple
  • Neck: Mahogany
  • Neck profile: Slim Taper
  • Fretboard: Rosewood (Dalbergia latifolia)
  • Acrylic trapezoid fretboard inlays
  • Graphtech nut
  • Nut width: 43 mm
  • Scale: 628 mm
  • 22 Cryogenically treated medium frets
  • Pickups: 490R and 498T humbuckers
  • 2 x Volume controls (push / pull for coil tap)
  • 2 x Tone controls
  • Aluminium Tuneomatic bridge
  • Aluminium stop bar
  • Colour: Wine red
  • Includes soft shell case
  • Made in USA
No JavaScript? No Audio Samples! :-(

Audio Examples

 
0:00
  • Metal 2
  • Blues
  • Bluesrock
  • Mosh
  • Stoner
  • Thrash

Further Information

Colour Red
Body Mahogany
Top Maple
Neck Mahogany
Fretboard Rosewood
Frets 22
Scale 628 mm
Pickups HH
Tremolo None
Incl. Case Yes
Incl. Gigbag No

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22 Customer Ratings
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 /5
  • features
  • sound
  • quality
Total
features
sound
quality
Excellent les paul
Guitar excellence , 06.10.2020
I purchased the Les Paul as a gift for my son he is a very good guitar player.
He found the guitar was excellent in every way . As for Thomann this is the second guitar I have bought from them . On both occasions they have been very professional and their customer service is of the very highest quality. I would have no hesitation on buying again
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fr Original review (Show translation)
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Belle guitare mais pas parfaite.
Gato Barbieri, 16.06.2020
Je l'utilise en home studio. Aucun soucis concernant l'aspect, je suis même positivement surpris de la voir en réel par rapport aux photos. dès la réception Je l'ai branché sur un ampli Marshall tout lampes C20 commandé en même temps et là je lui ai trouvé plusieurs petits défauts. Le bruit sec du médiateur ou des doigts est très présent voire gênant en position micro neck ou mixed lorsqu'on joue des solos. Après essais sur un simulateur d'ampli (TC Hélicon VLX) et un ampli Fender tout lampe collector, Il s'avère que ce micro manche est microphonique. Ce n'est pas le cas du micro chevalet. Il suffit de tapoter avec le doigt sur les capots des deux micros pris séparément pour noter une réelle différence. Ceci est étonnant sur un 490R car il est censé être enrobé de paraffine pour éviter la microphonie. le problème est peut être au niveau de la lutherie en raison du corps évidé des nouveaux modèles. sans amplification le test de tapoter sur le capot du micro manche résonne plus que celui du chevalet. quoiqu'il en soit ça ne remet pas en cause mon achat, car après un réglage du rod pas assez tendu, positionnement des micros plus près des cordes (en sortie d'usine ils sont placés bien trop bas) et un ajustement de la longueur des cordes B G D E, j'ai trouvé le son auquel je m'attendais (ayant possédé 2 Les Paul avant) et un meilleur confort de jeux. Ce millésime Les Paul Studio 2020 possède la particularité d'avoir les 2 boutons volume PUSH PULL ce qui a pour effet de passer les hambuckers en simple bobinage par Taping (les 2 bobines se retrouvent en série par l'action de tirer sur le potentiomètre alors qu'à la base elles sont en parallèle). Nous avons comparé, mon neveu et moi, avec une Les Paul Spéciale de 74 reissue 55 avec des vrais P90, et je peux vous dire sans hésiter que le son n'a rien à voir. Perte de puissance, son plus fin plus métallique, donc compensation par l'amplification obligatoire. Pas très réaliste d'utiliser ça en Live, à moins de trouver une application spécifique dans les morceaux : changement de couleur de son en même temps que réduction de la puissance par l'effet d'une simple action... bof.
Ayant possédé une Les Paul 1968 je voulais retrouver les harmoniques limite larsen et le son vintage . C'est pas tout à fait le cas même si cette Gibson est très agréable à jouer au niveau du manche et de son poids réduit et donc apporte beaucoup de satisfaction.
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de Original review (Show translation)
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super Gitarre
PeetJW, 16.07.2020
Nach gut 25 Jahren mit einer Fender-Strat war es einfach an der Zeit, eine Gibson Les Paul zu spielen. Ich habe mich für die Studio Variante entschieden, weil diese etwas leichter ist. Background: Ich spiele mehr im privaten Umfeld & eher seltener auf der Bühne.
Die Verarbeitung der Gitarre ist einfach klasse. Mechanik & auch sonst alles ist solide verarbeitet.
Von dem Klang bin ich hin und weg. Als Verstärker nutze ich ein Hughes & Kettner Röhrentopteil. Vorgeschaltet ist zumeist ein Maxon OD808 (außer bei "echltem" Clean-Sound). Die Gitarre klingt einfach super. Verzerrte Sounds klingen richtig schön satt. Im Clean-Bereich ist die Gitarre etwas für Blues. Ansonsten würde ich für einen echten "cleanen" Sound eher die Fender nehmen. Das meine ich aber nicht negativ. Die Gitarren sind einfach von Haus aus verschieden.
No doubt, ich würde Gibson Les Paul sofort wieder kaufen:-)
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Fantastica, peccato per le finiture.
bru98, 28.03.2021
La chitarra è unica, ha un suono eccezionale ed è anche perfettamente bilanciata, i pickup splittabili la rendono estremamente versatile.
Peccato però per le finiture che potevano essere un pò più curate.
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