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Engl E-670 6L6 Special Edition

Special Edition High-End Tube Head Amp for Guitar

  • 100 W
  • 4 Channels
  • 4x 6L6 Power tubes
  • MIDI
  • Reverb
  • 128 MIDI programs
  • 3 Effects loops
  • Master A/B
  • Power amp A/B
  • Speaker A/B
  • Noise gate
  • Dimensions: 71 x 28 x 29 cm
  • Weight approx. 26 kg
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Sound samples

  • Blues
  • Funk
  • Metal
  • Rock
  • Blues Reference
  • Funk Reference
  • Metal Reference
  • Rock Reference
  • Show more

Further information

Power 100 W
Power Amplifier Tubes 6L6
Channels 4
Reverb Yes
Footswitch Yes
4 customer ratings:
  • 5
  • 4
  • 3
  • 2
  • 1
5 / 5.0
  • handling
  • features
  • sound
  • quality
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2 written ratings
de Automatically translated (Show original)
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Hammer part, with few weaknesses:

Malte S, 15.02.2010
Whether one of the sound suits everyone must know themselves. In any case, the amp is very flexible.
The clean sounds are good, the crunch is also very good. The Gainboost in the crunch channel activated, and gain nicely turned up, one comes to very great vintage sounds ala AC / DC :)

Especially the lead kanaele convince: from the direct "right in your face" sound, to the powerful, powerful Doom sound can the Amp eigendlich everything. The tube driver I could not make sense until today, but is definitely great :) Midified is the thing, which makes him even more flexible :)

Unfortunately the description is often not critical, therefore the negative aspects of the amp:
Small prints: Passive equalizer. The part just does not work properly. It already makes the sound audible, but it does not reach as much as other active EQs.

It is often said that you should not buy an amp, where you can bring any regulator to the attack. My middle regulator likes to go to the attack, and maybe I would like a few more in the middle even better?

With Mid Edge or Contourarbeiten is for me still somewhat unfamiliar. If you only want a few more in the middle, and suddenly the whole sound changes, the less so ...
With 2 Lead Channels, HighHain, Mid Edge, Contour and Classic Switches you have a lot of sonic possibilities, and is not tied to the basic sound of the amp. (You should also mention Bright and Ultrabright for clean and crunch, and Mid Edge and Contour for lead I & II only.) The amp stops on each channel so only 2 voicings)

For the 2 lead channels there are unfortunately no separate equalizers, only a separate high regulator. If you want to use one of the two as a solo channel (which would also make sense thanks to separate gain and volume controls), one has to compromise. 4 equalizers have been very desirable.

A programmable AMP, like the Hughes and Kettner Switchblade, which for the Midis also the positions of the Potis stores would be even more horny;) (but this sounds but not as good as I think) I will kckeln times what There is so at midi-controlled equalizers ... Otherwise a few EQs come to a midigesteuerten Looper;)

The noise gate is very good against the noise, but helps 0 against feedback. Since the noise gate did not reach after the preliminary stage I had expected nothing else (if one a signal first amplified and compressed, and then tries to rausgekriegen again, one can only fail), unfortunately it is advertised on many sides differently, namely as the miracle Against feedback ... I have now ordered a decimator, which should provide pre-stage remedy.

Master A / B and Presence A / B can be operated with foot switch only with ENGL foot switch, or a Midi foot switch. A normal foot switch can unfortunately only change the channels ...
You can only switch the channel without midi, the positions of the switches are only stored on the MIDI channel, and not interrogated by channel change ... Here too, Hughes & Kettner is one step further in the operability ...

What is really annoying: If a foot switch is connected the corresponding buttons on the front plate no longer work. What shoud that? So you have to either turn off the foot switch at the soundcheck, or always go to the effect board to change the channel ... Not very practical ...

2 separate Hall regler ... Why not please 4? I have a lot of clean at Clean, relatively little with crunch and rhythm stuff, and with Soli then again much. But the controls are unfortunately again Clean / Crunch and Lead I / II merged -.- So again, an external reverb, even if I am from the amp very much liked ... But this is really already complain on high level
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fr Automatically translated (Show original)
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For Metal guitarists, but not only ...

I chose this head because it is extremely versatile, you can
Play almost all styles with if that's what you're looking for. The sound is simply exceptional, you can switch from a texan blues to hardcore metal if you want ... You have loads of extra options behind the head like, the possibility of plugging several effect pedals , Footswtich, Midi, Noise Gate, etc ... (take a look at the pdf file on the internet, you will be surprised;))
I advise you to take a HP 2x12 rather than a 4x12, to be able to push the general volume of the head towards the 5/6 on 10 without breaking the ears and thus you find in the best slice of volume adapted to this head of 100 watts
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€2,899 £2,648.62
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