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2-Channel "Push-Pull" Microphone and Instrument Preamplifier in All-tube engineering
2-Channel "Push-Pull" Microphone and Instrument Preamplifier in All-tube engineering Mic gain adjustable in 2 dB and 10 dB steps, Selectable mic impedance: 600/1200/2400 Ohm, Switchable 20 dB PAD, Phase reversal, High pass filter: 20 Hz / 40 Hz, High-impedance...
- Mic gain adjustable in 2 dB and 10 dB steps
- Selectable mic impedance: 600/1200/2400 Ohm
- Switchable 20 dB PAD
Dual 312 Preamp
Dual 312 Preamp With digital output, Official popular 312 microphone preamp, Level control and display with extended 20-segment meter display, Phase, 48V, Pad switchable, Mic / Line switchable, Switchable 2: 1 transformer, XLR and jack (line) inputs, AD converter...
- With digital output
- Official popular 312 microphone preamp
- Level control and display with extended 20-segment meter display
Blue Robbie - Class A discrete tube microphone and instrument preamplifier, one of the quietest (-131 dB EIN @ 50 Ohm) and most detailed (THD 0.006%) tube preamps available. The front panel features only a large backlit potentiometer (gain) and...
SPL Gainstation 1 AD, highend Class-A microphonepreamp, with 24bit/96kHz AD Converter, 60V-Technic (125dB Dynamic /30dB Gain), seperate Solid-State- and Tube-preamp, Peak-Limiter, Inputimpedance (200 Ohms, 1,2k und 10kOhm), Highpassfilter 12dB/50Hz, 48V phantompower, perfect also for mobile recordings.
B-Stock with full warranty
B-Stock with full warranty Goldmike Model 9844The sound quality of the two-channel device is shown to its best effect when particularly recording vocals or acoustic instruments. High precision and naturalness help every vocal timbre to develop fully and emphasise the...
- Dynamic range: 111 dB
- Reinforcements to 72 dB
- Two separate mono pre amplifiers
Preamplifier Twin Direct Box Twin Topology with HV-3 mic preamp, DI box and mic / line preamp, Combines 1 DI input, 1 line input and 1 dedicated Guitar Power Amp output, as well as a HV-3 microphone preamp, Fully...
- Twin Direct Box Twin Topology with HV-3 mic preamp
- DI box and mic / line preamp
- Combines 1 DI input, 1 line input and 1 dedicated Guitar Power Amp output, as well as a HV-3 microphone preamp
Drawmer 1969 Mercenary Edition - mic/line/instrument preamp, 2 channels, tube compressor, balanced +4dB (XLR) & unbalanced -10dB (jack) in/out, 48V switchable phantom power, 2-band EQ, dimensions 482 x 88 x 250 mm (WxHxD), Weight with packaging incl. 6 Kg.
containing: Avalon AD2022 Preamp, Neumann KM184 Stereo Set
B-Stock with full warrantySlight traces of use 8 Channel Microphone Preamplifier With insert points and AD converter, 2 Hi-Z Class A instrument inputs for guitar/bass, 8 Inserts, 123 dB Burr Brown-based AD Converter technology, High pass filter...
- With insert points and AD converter
- 2 Hi-Z Class A instrument inputs for guitar/bass
- 8 Inserts
B-Stock, Golden Age Project Pre-73 MKIII Plus, 1-Channel Mic-Preamp with Carnhill in- and output transformers, no integrated circuits in the signal path, max. 80 dB Mic Gain, High Pass Filter, -3 dB at 40 and 170 Hz, 6 dB /...
Solid State Logic X-Rack X-Rack VHD Input Module x LMC for X-Rack / Mynx, Mic Amp Module combines classic SSL character with our new Variable Harmonic Drive circuit, Electronically balanced ultra-high bandwidth Mic input with +20dB to +70dB gain control,...
2- Channel Microphone Preamp
2- Channel Microphone Preamp Developed by API Audio, High quality microphone and line inputs, Analogue VU meter, High impedance instrument input with 45 dB gain, Peak display, -20dB/ -10dB Pad for microphone/ line input, 48 V Phantom power, High-quality...
- Developed by API Audio
- High quality microphone and line inputs
- Analogue VU meter
containing: Studio Projects B3, Studio Projects VTB1, the t.bone MS 180, the sssnake SM6BK
Summit Audio ECS-410 Everest; Channelstrip; Mz-2 microphone and instrument preamplifier with switch function between tube and solid-state input stages; DC-1 Dual Mode Dynamics control section with switchable Classic "soft knee" smooth compression or Tight mode; Fe-1 Passive EQ with up...
Microphone PreampThe microphone preamplifiers from Yamaha's renowned DM2000 digital console have...
Microphone PreampThe microphone preamplifiers from Yamaha's renowned DM2000 digital console have already been noticed by many professional audio engineers from all possible areas. The circuits of MLA8 are based on the same technology. They have a great sound quality...
- 8 Preamps of the DM 2000
- Outputs: 25-Pin D-Sub connector and terminal
- 26 dB Pad
B-Stock, Avalon V5 Black, 1 channel pre-amp, high-voltage design, Pure Class A, multi-purpose instrument, line and microphone pre-re-amplifier, low noise, high-gain, Pure Class A, microphone preamplifier with dual impedance ideal for ribbon-dynamic and high level condenser microphones, 10 meg.Ohms instrument...
1-Channel Preamplifier CineMag input transformer, Edcor output transformer, Phantom power: +48 V, Switchable 10 dB pad, Gain Mic: +26 to +70 dB, Gain DI: +10 dB to + 53 dB, Mic Noise reduction: 120 dB, DI Noise reduction: 102...
- CineMag input transformer
- Edcor output transformer
- Phantom power: +48 V
SPL Gainstation 1 Premium, highend 1-channel Class-A microphone preamp, Mic Input transformator from Lundahl, 60V-technology (125dB dynamic range /30dB gain), separate adjustable Solid-State- and Tube-preamp circuit, Peak-Limiter, Inputimpedance (200 Ohms, 1,2k und 10kOhm), Highpassfilter 12dB/50Hz, 48V phantom power.
Fredenstein F676, 1-Channel Microphone Tube Preamp, vollsymmetrische Signalpfad, DSP-Technik, Ause a DSP to control the operating points of the tubes, large LCD-Display with Menu based User Interface, One Knob Operation, +48V Phantom Power, Phase Reverse, -20 dB input pad, XLR...
4- Channel Microphone Preamp
4- Channel Microphone Preamp Extremely low noise microphone preamp with excellent sound characteristics and good equipment, Ideal add on for mixing consoles with unsatisfactory preamps or for "direct to tape" recordings, Equipment per channel: Electronically balanced input via...
- Extremely low noise microphone preamp with excellent sound characteristics and good equipment
- Ideal add on for mixing consoles with unsatisfactory preamps or for "direct to tape" recordings
- Equipment per channel: Electronically balanced input via XLR
Summit Audio TPA-200 B, 2 channel tube preamp, mic/line/instrument (Hi-Z) with Jensen transformer, variable inputimpedanz, -15dB and -25dB pad, phasereverse, noiselevel -126 dB @ +50dB gain, max 70 dB gain, 19" 2U, handmade in USA
B-Stock, JoeMeek ThreeQ 9.5" Channel Strip - compressor, EQ, VU meter, mic/line inputs, +48V phantom power, 1.2kohm/20kohm input impedances (mic/line), 0dB to 60dB pre-amp gain range, 10Hz to 70kHz frequency response (-3dB), +19.5dBu/+44.5dBu maximum input before clipping (mic/line), +4dBu/-10dBv switchable...
Stereo Limiter & Microphone PreampThe slam is a combination of high-quality mic preamps and...
Stereo Limiter & Microphone PreampThe slam is a combination of high-quality mic preamps and limiters with optional 192 kHz D / A and 96 kHz A / D converter. This device makes a lot of level and has a limiter...
- Completely constructed in tube technology
- Switchable 48 V phantom power and phase inversion
- Transformer-balanced inputs and outputs
Yamaha AD8HR, remotable 8 ch. head-Amp, with the analogue PM5000 Mic-Preamps and the digital-stage from the DM2000, 24bit/96 kHz, tuneable HP, all functions remoteable, 19" 1U
containing: Golden Age Project Pre-73 MKIII, aspen pittman designs DT1, the sssnake SM6BK
Offers include 20% British VAT and are valid as long as stocks last. Shipping costs to the U.K. are 10 EUR (approx. £7), free shipping on orders above 199 EUR. Please click here for international Shipping Costs and Delivery Times. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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