Carl Martin Lick Box Signature Greg Howe

Effects pedal

  • Greg Howe Signature Boost / Crunch / High Gain Overdrive
  • Metal housing
  • Status LEDs
  • BOOST Section controller for boost
  • CRUNCH Section Controls for Level, Gain and Tone
  • HIGH GAIN Section Controls for Level, Gain and Tone
  • 3 bypass footswitch, one per section
  • 6.3 mm mono jack input / output
  • Power supply with 9 V power supply (matching power supply, for example 409939 - not included)
  • Current consumption: 100 mA
  • Dimensions (L x W x H): 120 x 186 x 55 mm
  • Weight: 820 g

Note: No battery operation possible!

Note:

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Sound samples

 
0:00
  • Country On/Off
  • Hazey On/Off
  • Metal2 On/Off
  • Metal On/Off
  • Rock2 On/Off
  • Rock On/Off

Further information

Overdrive Yes
Distortion No
Fuzz No
Metal No

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4.3 / 5.0
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fred-paris, 14.11.2017
To avoid losing too much time with the balance and ensure saturated sounds of consistent quality, I was seduced by the features of this pedal: a clean boost, a crunch sound and a lead sound in the same pedal. I needed to see my pedalboard again, it was an opportunity to remake it around this pedal.

The sounds are really good, the boost is very effective and can get out of the mix whether in its clear or with distortion. The big plus of this pedal is the chaining of the stages of gain that allows them to use simultaneously with a very musical result. So it gives a possibility to have four distinct sounds with a single pedal, not bad, right?

Advantages:
- Only one 9V power supply required
- Very large reserve of level for the boost and the settings of levels of the stages of gain
- It is possible without problem to simultaneously switch the crunch and lead channels with the foot of bias: top to go from a crunch sound to a lead sound
- Very robust metal construction that inspires confidence
- Very little background noise, I did not feel the need to systematically engage my noise gate even with single coil pickups.

disadvantages:
- A switch to disable the crunch by clicking on the lead channel would have been a big plus (but we can do it with the foot at an angle because the buttons are close enough)
- The tone buttons are a little near the switches: we could move them by activating a channel.
- The pedal takes up space (but it replaces 3 or 4).

Personally I am very satisfied but the lead channel may be a little fair for those who would like a lot of money. Unless you have microphones with high output, it will be a bit of trunk for big rhythmic Metal.
On the other hand, for playing blues on hard rock, it's the best! If like me you happen to play regularly on amps rented, you could find something to solve a lot of your problems and ensure consistency to your sound.
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three pedals in one

05.01.2017
I was looking for some time a pedal for my distorted sound, I had a mxr distortion + but the sound for me was too "fuzzy", then since I changed the amp pedal did not own me anymore. Now I use this pedal with an amplifier transistor or the DV Mark guitar friend 12. The pedal is well done perhaps I was expecting something more in the processing of materials but all in all okay, what interests me is the sound is fairly quiet and very versatile, I have a boost overdrive and distortion all in a single pedal. The boost is really powerful so use it at a minimum, the sound in my opinion is suitable for rock, fusion, blues and pop in general, not suitable for the most extreme metal. The shipment of thomann was timely and perfect as always.
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Distortion Effect Pedals
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Online guides
Distortion Effect Pedals
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A classic Ibanez Tubescreamer or Colorsound Tonebender can fetch many times its original price from guitarists in search of the ultimate killer tone and sustain.
 
 
 
 
 
 
 
 
 
 
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