Ableton Push 2

Controller for Ableton Live

  • Compatible from Ableton Live Version 9.7
  • 64 Pads with backlight
  • 8 Touch-sensitive rotary knobs
  • Clip-launch mode for performance and real-time arrangement recording
  • Scales mode
  • Large multi-colour display
  • 17 cm Touch strip for pitch bending and scrolling
  • 31 LEDs for navigation
  • Front panel made of anodised aluminium
  • 2 Assignable footswitch inputs
  • Kensington lock
  • USB port
  • 12 V DC, 1.25 A power supply
  • Dimensions (W x D x H): 378 x 303 x 42 mm
  • Weight: 2.71 kg
  • Includes Live 9 Intro and Beat Tools Pack (Beatkit toolkit with over 150 drum kits and instruments, 180 audio loops)

Further information

5-pole DIN MIDI No
Fader 0
Rotary Encoders 11
Audio I/O No
Transport Function Yes
Footswitch Connector No
Foot Controller Connection Yes
Bus-Powered Yes
Jog No
Joystick No

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very good product

03.01.2017
Good material quality, live 9 comes with not one but three different tools for analysing audio and generating MIDI clips containing notes derived from the original material. In fact, audio-to-MIDI has been in Live for a while in the form of clip slicing, whereby an audio clip is taken apart and converted into a MIDI clip playing a Sampler which contains fragments of the original audio. However, the audio analysis used in this process is rudimentary, and audio transients or warp markers are the only information used. Live 9's new analysis features dig deeper into the audio material. As you'd expect, the functions are extremely sensitive to the quality and accuracy of the source material, and you'll almost certainly have to do some cleaning-up work with the resulting clip. To test the harmonic capture I started with a MIDI clip playing piano, froze the clip to generate audio and then did the harmony-to-MIDI conversion. Apart from a few spurious high harmonics, the result was pretty faithful to the original, although these were ideal test conditions. I also threw three minutes of Debussy from my iTunes library into the system, and the result was a pretty impressive transcription, with only the occasional obvious wrong note.My attempts to capture a whistled tune as a MIDI melody worked after a fashion, although it insisted on rendering all my F-naturals as F-sharps: I suspect the source material was to blame. Drum-to-MIDI conversion seemed less useful: a lot of my tests ended up as snare-only, or all three sounds layered at once, and since the resulting output is so simple in terms of sound palette, you're probably better off just playing by ear or sequencing it directly. As the disclaimer goes, your mileage may vary!
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Total
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Amazing instrument!!

bainelaker, 11.03.2018
I bought the Push after using one at the office for a few hours. A common misconception is that the Push is just a MIDI controller - it is not! To get the most out of Push, you must treat it as an instrument. A way to create electronic music without staring at a computer screen.

I have found that my workflow has sped up dramatically with the Push - it has gotten me out of the habit of trying out thousands of sounds without making anything. Rather, I end up putting down ideas immediately and fluently.

The Push 2 has a lot of improvement on the original - particularly the build quality. Very nice chassis, screen, and pads - it feels good to the touch, and feels extremely high quality. I do wish it came with some kind of carrying case - for now, I can easily fit the Push and my 13" Macbook Pro into my backpack, but I am searching for something more rugged for flights, etc. !
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