Mackie 1604 VLZ4

La console est au format 19", donc pratique pour les applications "nomades", et ça c'est pas mal, il faudra juste un rack assez profond (55cm), car pour le coup elle ne rentre pas en profondeur dans mon rack 6U....

Niveau connectiques on a je crois les meilleures possibilités dans cette gamme de prix:
- sorties direct out, inserts, dans un sur le master, 4 sous groupes, 6 sorties auxiliaires, et les fameux retours auxiliaires dédiés, qui permettent de ne pas "bouffer" des pistes mono pour les retours d'effets!

Les retours aux, il n'y a guère que Mackie qui fait ça....
Les 6 envois aux peuvent être Post fader

Le mode solo est très pratique (possibilité de contrôler le volume de chaque piste (pré ou post fader) avant d'envoyer en sortie...
Les pré amp Onyx je n'ai jamais testé (pas de micros)
Petit plus c'est la sortie 12V pour y brancher une lumière Led !

Les boutons sont à peine rapprochés les uns des autres, mais bon, avec 16 pistes et 4 sous groupe sous 19", difficile de faire mieux!
Les EQ sont précis , les potards agréables, le semi paramétrique sur les médium est vraiment un plus.
La course des faders ne fait que 60mm, et je les trouve un peu cheap...
Le boitier métallique en revanche ne fait pas cheap!
Aucun souffle en sortie à niveau nominal.

C'est donc pour moi une bonne console avec pas mal de possibilités autant pour le live avec ses auxiliaires, ou pour sonoriser un petit concert avec ses sous groupes et ses multiples entrées, ou pour l'enregistrement avec ses sorties directes....


J'ai longuement hésité avec d'autres, mais la Mackie est de loin la plus complète, à part qu'elle n'a pas l'entrée/sortie USB comme certaines Allen ou SCraft, ce qui peut rebuter certains.

PROS:
Versatility - loads of inputs / outputs and routing options allow you to configure this mixer for any kind of setup.
Portability - 16 channel mixing desk which folds in half to fit into 19” rack for ultimate portability.
Value for money - you're not going to find another mixer with this many features and such high quality at this price point.

CONS:
Small, tightly spaced controls - if you've got big fingers and the mixer is awkwardly positioned it can be fiddly.

I have been using this mixer for over a year and I am delighted with it. This is my first serious mixing desk, I have previously owned DJ mixers and small 2 - 4 channel instrument mixers.

I wanted a mixer with lots of Aux sends and returns as I have several outboard audio processors: 3 compressors, 2 filters and 1 multi FX unit.

The 1604VLZ4 gives me all the inputs and outputs I need and there are plenty of posibilities for future expansion.

The 6 aux sends (switchable between pre / post fader), 4 stereo returns, 4 mix busses and CR / phones routing matrix lets me route audio in any number of ways through my outboard processors.

The subgroups are very useful for running two main mixes in parallel, in my case (electronic music producer) I have all the drum tracks on subgroup 1-2 and all the synths on subgroup 3-4. This allows me to run all the drums through a dedicated compressor and run the synths through other individual compressor channels and put the entire synth mix through a filter at the end. Awesome!

The solo button lets you route any track through the fourth mix bus (after L-R, 1-2, 3-4) and the routing matrix lets you use this solo bus in several ways. In my case, I have attached the CR / phone output to the input of my sampler, so I can solo any one or multiple tracks to record a sample, without interrupting the main mix. Very useful.

The the 8 direct outs offer lots of posibilities for future expansion, for example connecting to computer audio interface or other gear.

Now to cram this much into a 19” rack format means some compromises: The knobs and buttons are tightly spaced, and everything feels a bit smaller than it could be. But despite my big fingers, it only took a couple of days to get used to the small controls. I found that placing the mixer lower than the rest of my desk allowed me to look directly down on the controls, and now the size and spacing does not bother me at all. The pots are accurate, smooth and have minimal give.

The fader caps look strange but they feel and work great! My big fingers sit comfortably in the groove, and the little slot cut into the centre allows you to line up with the scale which would otherwise be obscured beneath the fader cap. The faders are my favourite part of the mixer in terms of physical controls. The plush movement, minimal resistance, satisfactory travel distance and funky fader caps make for a very comfortable and accurate mixing experience.

Sound quality is excellent; I have not heard any noise or hum or crackles or anything.

Build quality is superb. This mixer is solid as a rock and despite being exposed to more dust etc than the rest of my equipment, it is suffering no signs of wear and tear after 12 months of regular use.

Those of you with limited space or the need for portability, this mixer is a Transformer - more than meets the eye. To rack mount it, you remove a few screws and fold it in half basically. I put it inside a floor standing rack so now it's desktop footprint is zero. The whole thing is small enough to fit in the seat of a car, etc.

My single criticism is that the buttons do not illuminate. A few have an LED next to them, but mostly you need to take a close look at the side of the button to see if it's depressed or not. I guess this isn't a standard feature so I can't really blame Mackie for this.

I do not use microphones so I have no comment on the mic preamps.

I would recommend this mixer to anyone looking for a 16 channel analogue desk with lots of aux sends / returns, multiple busses and numerous routing options.

I would also recommend this mixer to anyone looking for their first mixing desk - if you are daunted by aux sends / receives / busses, I assure you this mixer has what you need to get started and the routing options to experiment and learn how best to connect your kit.