Yamaha SLG200N TBS

Silueta sensacional, atractiva, saltando a la vista su diseño y terminaciones. Más bella en las manos que en imágenes.

Su calidad física es palpable, sin llegar a ser una guitarra de gama alta.

El sonido es bastante bueno, pero no olvidemos que no provienen de una caja de resonancia. Se originan por el sistema SRT powered, que reproduce la señal de resonancia del cuerpo. O bien por un fonocaptor. Según gires el botón control blend, el sonido se produce por uno u otro, o mezcla de ambos sistemas situándolo a las doce en punto.

Sensibilidad y respuesta máximas.

El sistema de afinación incorporado es útil y preciso, lo he comparado con otros afinadores de calidad.

El golpeador sirve para practicar, pero no genera sonido

Los controles de reverberación y chorus se agradecen, generando un efecto de concierto que da gusto escuchar a través de un Marshall AS50D.

No obstante está concebida para utilizarse en silencio, su principal peculiaridad, a la cual responde su nombre, ya que es casi inaudible usada con auriculares.

Tiene la ventaja de utilizarse para directos al estilo de una guitarra amplificada o para grabaciones de estudio o caseras, sin importar que haya ruidos siempre que sólo pretendas grabar guitarras, ya que no necesita microfonía.

En resumen, era lo que esperaba de ella después de mucho ver vídeos y leer revisiones. Me ha sorprendido gratamente y estoy satisfecho y feliz de haber trabajado para adquirir esta joya de la música.

Espero que con los cuidados pertinentes, dure mucho el sistema eléctrico.

Una vez más geniales con la atención y el envío! Grandes los de Thomann!

I like this guitar very much.
It is not a "real" classical guitar, and under optimal conditions the acoustic sound of an high-end classical guitar (which costs a lot more than this one) is better. However, if you have to amplify your sound or to record it, this is A LOT better. When I record using my home equipment, the sound of my classical guitar is not nearly as good as the sound I get from the Yamaha silent. Maybe using expensive studio equipment this would be different, but in any case the Yamaha silent gives you an excellent sound with a very simple setup.
Of course, it is very useful also for practicing: you hear the sound from the strings so that you can practice even without headphones, but with no resonating body you can practice for hours as long as you close the door of your room, and nobody in the house will complain.
I choose the version with 50mm neck width (the "classical" size is 52mm), but the difference is minimal and is only positive - I have no problems even with difficult positions of the left hand. A minor problem is the weak strap attachment.

It's the first guitar that I bought without having played it first and I can say that I haven't regret it!
It's small and light so It's perfect for traveling.
The quality and the construction in general is great, with the only problem on the strap button on the bridge side, that also works as a nut to lock the detachable upper frame, that has the tendency to loosen up, so I always have to keep my mind on it, to prevent the risk of loosening completely and of the guitar falling down.
The playability is very good and the features included are more that I could ask. The only thing that I would like different is that I can't use the jack output and the headphones output both at the same time, it's either one or the other. I find that a little strange, since it could have given more possibilities.
The sound especially with the SRT sound system is just great. I think it has some extra bass frequencies but nothing that I can't fix with the built in bass equalizer.
The fact that there are no feedback problems makes it perfect for using it live, something that I do all the time.
Overall a great guitar that I highly recommend.