tc electronic Mimiq Doubler

115

Pedal de efectos

  • Doblador realístico para guitarra
  • Hasta 3 pistas de guitarra adicionales
  • Control de 'estrechez' y entradas y salidas estéreo para riffs de guitarra para un sonido masivo
  • Controles: Tightness (estrechez), Efecto e interruptor 'Dry' & 'Dubs'
  • Bypass auténtico
  • Consumo de corriente: 100mA
  • Funciona con una pila de 9V o fuente de alimentación de 9V DC no incluida con conector de barril con centro negativo (artículo nº409939)
  • Dimensiones: 127 x 83 x 73mm (largo x ancho x alto)
  • Peso: 380g
Disponible desde Octubre 2016
número de artículo 398729
Precio por 1 Unidad(es)

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129 €
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1

115 Valoraciones de los clientes

4.1 / 5

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87 Reseñas

JJ
Muy buena herramienta
Juan Jose999 10.10.2017
Este es uno de esos pedales que puedes desear tener encendidos todo el rato.
El doblaje que hace es muy bueno, pero mucho, y muy natural. La única pega que le veo, es que colorea algo el sonido, acentúa algunas frecuencias agudas. Imagino que será una cuestión de fases, pero vamos, que no es problema, se corrige la ecualización y listo. También tengo que decir que lo estoy usando con el Helix de Line6, en un bucle estereo de efectos, y saliendo a dos monitores de suelo (y a P.A., pero eso no es relevante ahora) y así funciona muy bien, como digo, pero también lo he probado con equipo de guitarra algo más convencional, es decir, una etapa de válvulas estereo y una pantalla 4x12 estereo, y en ese caso, pierde claridad. Probáblemente si en vez de ser una pantalla estereo fueran dos mono, y algo separadas, el sonido sería tan abierto como lo es a través de los monitores de suelo.
En mono también lo he probado. Nada especial, no suena mal, pero no hace nada demasiado interesante.
Resumiendo: si lo tuyo son configuraciones en estereo, en pantallas separadas, y quieres dar un empujón extra a la claridad de tu sonido, creo que este pedal no te va a decepcionar.
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JC
No hace lo que anuncia
Juan Carlos E. 14.05.2023
Lo compré porque Petrucci lo usa en directo para simular una segunda guitarra, y no sirve porque es MUY falso el efecto. Probé en mono con un ampli, Luego con 2 amplis independientes con pantallas independientes y tampoco. No queda nada auténtico. Es un delay muy breve y crea un efecto raro. Un saludo !
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
P
Simply not ready for a product release
Pete-plays-guitar 05.07.2017
This is the first return I have done to Thomann, this is no reflection to Thomann, who were highly efficient as usual, but the product itself.

I was very excited on receiving the Mimiq and my first use of it was putting in a stereo effects loop to 'expand' the stereo sound. At first it sound OK, but then I started to notice (then once noticed, it seems to be all you hear) some jumping of the signal quite abruptly between the left and right stereo field. I even thought I had some bad cables connected it, so promptly replaced those.

I thought that I was using it incorrectly, so I checked the online manual and say that it works better with the signal directly from the guitar. I tried this and ran into the same issues again. After going online and reading some forums on the subject, it seems that TC is aware of this issue and everyone is awaiting a firmware update to relieve some of these issues.

I am not happy with this and it insults me, in summary this is a box to simulate the sound multi-tracked guitars but there are some major issues. Using the mono input (and I have found this is also true to the 'centre' element of the stereo input), I found, as mentioned above, some very nasty (and they really are very nasty) signal jumping between the extreme right and left in the stereo field and they are very abrupt and obvious. Also some very bad phasing issues where either the signal disappears or the high end is wiped off the signal. I also ran an acoustic (through a booster) into the unit and tried some strumming and again got the same issues.

I understand that you have to be very careful with the setting on the unit and specifically the levels. I have been an engineer in the high-tech product industry for many years and also run a studio as a hobby (so I fully understand technically what these things are supposed to do) and come to two possible conclusions, that I received a rogue bad unit or this was not ready for release. If the forums are correct and a firmware update is required and other people experience the same issues then I am drawn to my second conclusion.

If you are messing around with delays and combining the 'same' signal then you will always run into phasing issues, some can sound very musical, whereas this sounds just plain nasty. I have many TC pedals in my possession and have been very happy with their performance, but if I did not get a rogue unit and this is a general issue then to me it is a piece of junk and should have been properly tested under all scenarios before being released.

So based on the current units being shipped on the current firmware load I cannot recommend it. Wait and see if the product improves. Bad ........ very bad!

++++++++

Note: If you are still after a double track sound then I recommend if you have stereo delay pedal, set the delay to almost not noticeable and run the second out through a Digitech Luxe (if you can still get them) ...... together these give a much better sound than this Mimiq pedal.
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
EM
Crunch, space, everything!
Emile Michel Hobo 11.07.2020
I bought this a while back. One of the things that it surprised me with is that if I run it through a mono-channel amp-ing my mouth harp, the mild interference it creates makes sure the mouth harp is a little less dominant. This way it allows for other instruments in the mix to more easily claim their space, while the mouth harp does stay true to its sound.

Recording it in stereo offers an even wider range of options. I now use it in conjunction with the Digitech CabDryVR, which gives me the option of quickly and easily dubbing tracks on two different speaker-cabinets. It won’t be like Guns’n’Roses with two guitars sharing some riffs here and there, but also sticking to their own. It will be just two to four guitars, bass guitars, mouth harps, etc. tru-dubbing, playing the exact same thing with minor variance in terms of attack and pitch.

What I found a bit counter-intuitive is that they labeled the knob that allows you to set the looseness “tightness” instead. As you turn it up, it becomes more loose, but if you read the manual or if you watched the product demo, that won’t catch you off guard.

You do really have to consider how loose or tight you want it to be. With some settings, when it’s extremely loose, I sometimes feel the dubbed track gets sent to the back a bit more. You really have to listen for yourself how you’re going to take it.

The dry track just is as you play it. The one to three dubbed tracks variations to that, in stereo also having their very own spatial distribution, respectively left-right, left-middle-right, and left-left-right-right.

Awesome pedal.
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