Shure SM81

82

Micrófono de condensador

  • Patrón polar: Cardioide
  • Filtro paso alto conmutable (6/18 dB)
  • Requiere alimentación phantom
  • Incluye pantalla antivientos y pinza
número de artículo 123453
Precio por 1 Unidad(es)
Energía de la batería No
Micrófono direccional No
Par estéreo No
Lowcut conmutable
Interruptor de atenuación No
Características Cardioide
Micrófono de condensador 1
Incluye pinza 1
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333 €
Sin gastos de envío e incluyendo IVA.
Disponible dentro de 1-2 semanas
Disponible dentro de 1-2 semanas

El artículo estará pronto disponible en almacén, y entonces sera enviado inmediatamente.

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82 Valoraciones de los clientes

36 Reseñas

F
Excelente
FedericoB 21.11.2017
Para overheads de bateria es increible, para grabar guitarras acusticas tambien, como par stereo para un ensamble de cuerdas muy bueno tambien, unverdadero clásico que al lado de otros mics neumann no tiene nada que envidiarles y cuesta muchisimo menos dinero
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X
Buen microfono para overhead, cuerdas y pianos
Xaviacustic 10.07.2012
Buen microfono de shure. Habitualmente lo uso para captación de overheds, però me ha funcionado en pianos y guitarras. Además tiene un selector de filtro passa altos y todo el es fino, con buen acabado, sonido limpio y nada estridente. Mucho mejor por ejemplo que el c3000 de AKG. I de precio, por la calidad que ofrece, no es caro
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
T
If you want a good, neutral mic for affordable price...
Tamáás 30.12.2017
I like recording acoustic Instruments.

I wanted to buy a pair of quality smal diaphragm cardioid condenser mic what has linear frequency response, and really wide transparency, so what can transmit well also below 100 Hz, and really brings high frequencies (also 15khz-20khz) without annoying colouring. So what can give a neutral and full picture of an instrument in a not distant
mic position where a cardioid characteristic is enough.
And I like its sound.

I listened to a huge amount of records, I read tons of tech spec, user rewiews etc.
Finally I found this Mics: Schoeps mk-4, Neumann km-84,
Shure Sm-81. The Schoeps was the best for me. The Km-84 was the Second, Shure was the third.
I needed more money for the Schoeps. The Neumann firma doesn't produce the Km 84 anymore. I bought the SM 81 stereo pair.
And I'm really satisfied! I have already recorded steel string acoustic guitars, drum overhead, percussion and saxophone. All of the records were really successful!!! This mic brings excellent clarity for the price.
Important: I have high quality audio interface ( RME FF 800)
And: This mic doesn't have high output. (5,6 mV!) If you have a silent sound source, for example a small bodied nylon string guitar, you need an appropriate quality audio interface for good result. (It's actually an elementary thing.)
And! Don't forget: this is a mic with cardioid characteristic!
Cardioids has proximity effect (increased lowend) at nearfield recording situations! If your instrument quiet silent maybe you have to put the mic so close to get a transparent sound, but in this case you may have strong proximity if your instrument has significant lowend. And It can be
annoying, in case of any audio interface!
A silent nylon string guitar can be difficult also because of
the boomy sound of the sound hole.


So if you want to record acoustic instruments with cardioid, you like the neutral character, you have a good audio chain, and your instrument not a silent one with significant lowend, and you don't need the absolute high end and you don't want to sell your car for a pair of sdc, i can recommend this mic!
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5
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
A
Excellent SDC for Percussion and Acoustic Guitar
Anónimo 13.03.2016
The SM81 is an industry standard for high hats. Extremely robust, it really can take the abuse which comes with life on the road, and even the occasional off target attack from an enthusiastic drummer's stick.

I have three of these, as in addition to micing hats, they also make excellent overheads.

On acoustic, they produce a slightly more mellow tone than the KM184, or some other SDCs in the arsenal. I personally find them a useful option for jazz guitar. If you are comparing them to SDCs of a more modern design which follow the trend for a brighter tone, you may find them a little dull on anything stringed, However, they do take EQ well.

The mic comes with a pop shield (essential if using for any vocal recording as this mic is extremely sensitive to plosives), and mic clip. All is contained in a robust, gig-proof plastic case.

All in all, an excellent SDC, which because of its wide industry acceptance and rider-friendly qualities, I enthusiastically recommend particularly as a mainstay for live work.
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