Clavia Nord Stage 3 compact

32

Piano digital de escenario

  • Teclado con 73 teclas semicontrapesadas
  • Almacenamiento de 2 GB
  • Polifonía de 120 voces
  • Filtros de piano creativos
  • Transiciones y cambios de programa absolutamente fluidos
  • Modo Song para una funcionalidad Set-List
  • Amplia sección Piano
  • Función String Resonance (Gen 2), Pedal Noise y opción Long-Release
  • Potente sección de sintetización con síntesis Subtractive, FM, y Wavetable
  • Arpegiador
  • Modo Unison y Master Clock
  • Simulaciones de órganos B3, Vox/Farfisa y Principal Pipe fieles al original
  • Simulación Leslie Vintage 122
  • Sección de efectos ampliada
  • Pantalla OLED para secciones Program y Synth
  • 4 salidas de audio asignables Jack de 6,35 mm asimétricas
  • Salida de auriculares estéreo Jack de 6,35 mm
  • 1 entrada de monitor minijack de 3,5 mm
  • Toma de pedal Sustain Jack de 6,35 mm - entrada Sustain compatible con Nord Triple Pedal (disponible por separado)
  • Toma de pedal de rotor jack de 6,35 mm
  • Toma de peda de órgano Jack de 6,35 mm estéreo
  • Toma de pedal de control Jack de 6,35 mm estéreo
  • Entrada de pedal conmutador de programa Jack de 6,35 mm
  • Entrada Midi Din de 5 pines
  • Salida Midi Din de 5 pines
  • Conexión USB - Typ B para USB Midi, actualización de Software y transferencia de sonido
  • Cable de red con conector ICC c14
  • Medidas (An x Pr x Al): 1070 x 302 x 104 mm
  • Peso: 10 kg
  • Incluye cable de alimentación y cable USB
Disponible desde Julio 2017
número de artículo 411703
Precio por 1 Unidad(es)
Número de teclas 73
Mecánica de martillos No
Voces de polifonía 120
Número de sonidos 400
Efectos
Altavoces No
Número de salidas de auriculares 1
Secuenciador No
Metrónomo No
Funciones de teclado maestro
Pitch Bend
Rueda de modulación
Número de zonas de Split 4
Función Layer
Interfaz MIDI 1x In, 1x Out
3.444 €
Sin gastos de envío e incluyendo IVA.
Disponible dentro de 5-7 semanas
Disponible dentro de 5-7 semanas

El artículo estará pronto disponible en almacén, y entonces sera enviado inmediatamente.

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32 Valoraciones de los clientes

22 Reseñas

J
Un compendio de todos los teclados imaginables
JoseteMel 14.06.2018
El Nord Stage 3 es un compendio de todos los teclados imaginables que hayamos podido ver, tocar o conocer a lo largo de la historia. Y no queda ahí la cosa, sino que además tiene las narices de emular sus sonido de una forma que casi roza la perfección.

Lo que más impresiona de primeras es su diseño, propio de una "nave de control" analógica. Todos los mandos están a mano y no requieren entrar en absurdos y laberínticos menús. Lo que más atrapa es su facilidad de uso y la sensación de conexión que empiezas a sentir con él y sus sonidos.

Bien es cierto que comparado con otros teclados de esta gama de precios, no tiene funciones avanzadas o específicas (un arpegiador más avanzado, secuenciador, etc), pero a la hora de la verdad, tenemos dispositivos específicos para esas tareas. El Nord Stage está pensado para sentarse, tocar y disfrutar. Perderse entre su increíble sonido y gozar de su ejecución. Tiene todo lo que tiene que tener para cubrir todas las necesidades de un teclista en directo y en estudio logrando un resultado muy profesional y directo.

Vengo de un Nord Electro 4 y sin duda, este ha sido el gran salto que necesitaba.
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L
Increíble piano de escenario. Muy satisfecho.
LuisL 20.05.2022
Desde hace bastantes años quería comprar un Nord Stage. El precio siempre me había echado para atrás y finalmente hace 5 años compré un Electro 5d 61. El Electro es un piano/órgano excelente y lo he usado y disfrutado 5 años sin problemas y estoy muy contento con él. Es además muy ligero y transportable. Tras estos 5 años he decidido finalmente dar el salto al Stage. Escogí el compact por tamaño, peso y sobre todo por el tacto del teclado excelente para órgano y perfectamente usable para pianos electricos y piano.
Que decir, al abrir la caja y ver el teclado te quedas impresionado de la calidad y la belleza de este instrumento. El tacto del teclado me gusta más que el electro, se nota de más calidad y es definitivamente más agradable al tacto. En cuanto a las posibilidades de este teclado no voy a decir nada que una persona que se va a gastar más de 3.000 euros no sepa: los pianos son espectaculares al igual que los órganos. Mención aparte merece la zona de sintetizador, es muy completo al menos para mis necesidades, es fácil e intuitivo de usar y hay múltiples presets que se pueden usar o modificar. Al tener dos teclados independientes se pueden usar 2 pianos, 2 órganos y 2 sintes a la vez lo cuál me parece más que suficiente.
Por tanto estoy totalmente satisfecho y encantado con este piano, dudo que haya muchos teclados mejores que éste en su categoría.
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
D
The ultimate portable stage instrument
DrCheese 30.05.2020
I have moved up from the Nord Stage 1 so I will list the significant improvements:
16x piano memory storage (2gb vs 128mb). You won't be able to store all pianos in XL size at the same time, but at large size they'll all just about fit.
Sample engine - this didn't exist on the Stage 1 at all. Nord provides a wide range of samples for download, some are great, some not so great! New string ensemble samples are lovely, Mellotron of course popular and a lot of nice tuned percussion and ethnic instruments. The Electro can also use these samples but the advantage the Stage has is that they can be used with all of the synth features such as layering, filters etc. The rest of the synth engine is vastly improved with 6 filter types (2 on the Stage 1), formant waveforms, and 'cluster' waveforms. Better LFO and general modulation implementation. Arpeggiator is new compared to the Stage 1.
Effects are fairly similar except that reverb in now per-layer as opposed to global. The EQ section has been improved to include a highpass and lowpass filter. Highpass is useful in removing boominess at high volume - it can also be used as a shelving filter.
Organ is improved, most noticeable in the chorus/vibrato feature and in the key click implementation. The Leslie is better and the 'close-miking' option in the sound menu is nice. Tonewheels sound less shrill in the upper register. Physical drawbars are more fun to use!
Pipe organs in the organ section are just okay (they lack the 'chuff' at the beginning of the note), the organs in the sample section are probably better.
Seamless program changes, which allows the sustain from previous programs to overlap with the sound from a newly selected program, is a fantastic feature for live performance (new to the Stage 3).
Song Mode which allows you to organise up to 400x groups of five programs is another fantastic feature for live performance (also new on the Stage 3).
Much more space for storing user programs (400) and the Sound Manager software for organising and moving samples, pianos, programs and songs is superbly designed and essential.
You can create your own samples for the Nord Stage 3. The Sample Editor software for doing this is ver well-designed.

Things that are unchanged from the Stage 1 Compact are build quality, size and weight and morphing using expression pedal/mod wheel/ aftertouch. Morphing is really useful in making strings and brass sounds more convincing from a keyboard. Also very useful in synthesised sounds.

The Stage 3 interface of controls has now reached such a level clutter and complexity that any further expansion would not fit on the Compact panel, but frankly though that would become a problem as Nord's inventive but quirky way of changing parameters, sometimes through double taps, shift-presses and other combinations is getting confusing and I sometimes hit the wrong button, jump to a new program and lose changes I had made.
In a Nord Stage 4, it would really only be minor or esoteric things Nord could do to improve and advance this machine beyond increasing the memory for piano and sample sounds. The sample playback engine could certainly merit some expansion and improvement (envelopes, velocity layers). They could introduce a keyboard with polyphonic aftertouch but this would necessitate a much more powerful sound engine in order to be able to make use of this and it would probably be of niche interest while significantly increasing the price. Any further sound programmability would have to be out-sourced to a computer or phone as there is simply no more room for hardware controls and the menu-based interaction that there is on the Stage at the moment is not terribly nice. The restricted options for where to set split points seems a bit silly, even though the permanent LEDs to indicate split points are nice. The Stage 3 is still a reasonably future-proof purchase, even though it is a few years old now.

I originally chose the Nord Electro 6D 73 but immediately swapped it for this as I felt I would miss the synth section (thanks Thomann for making this an easy operation), the expanded effects section, the modulation and pitch bend controls and the additional layering and splitting possibilities.

The Nords are well-known for being expensive, but I would say that they are just about worth it, with consistently high quality sounds, solid build quality and light weight and small size.

I bought the original Nord Stage 12 years ago. I hope to use this new version for the next 12 years.
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
A
I've hit a jackpot with this one!
Alshamlan 17.06.2019
This is my first Nord, but boy it will definitely won't be my last as I'm already considering buying the Stage 3 88 for the band's studio. My previous decision was to by an electro 6D 73 to use it as a light weight bottom keyboard for pianos and organs. After more thought though I decided to upgrade to the stage 3 compact because of the electro's limitation that will require me to always have another keyboard with it. And I'm so glad that I decided to spend that extra amount on the stage 3 compact! it is still very light, the waterfall keybed offers the best compromise between the fully weighted keys and the light synth keys that you would find in most keyboards. in fact, I don't think there's any other keyboard in the market now that offers the stage 3 compact's keybed, besides maybe the Kronos LE which only comes in the 88 key version I think. I can't speak enough about this keybed! It allows me to play synth and organ passages freely and lightly while not taking away the responsiveness of the weighted feeling when playing piano parts. It is really the best of two worlds.
If you're reading this and not knowing what to expect from the nord stage 3 in general then believe me this keyboard IS the real deal. Sound wise I think it beats any other competitor, and I'm not talking about pianos and electric pianos here (which many find to be the best in the market) because those will ALWAYS be subjective. But I'm talking about the power and versatility of both the synth engine and the organ engine. Honestly, I knew exactly what I was expecting from the piano and the organ engine, but it was the synth that really blew me away! The user manual is only 62 pages including the indexes! so we're talking about roughly 50 pages only that will get you up and running in no time to understand the whole keyboard (in case you're totally new to nord like me!).
My ONLY point against it is the fact that while it allows you to layer up to 6 layers of sounds it restricts you to only four zones of the keyboard because the split point cuts through both panels of the keyboard.
Compared to very advanced synths/workstations like Montage or Kronos, those big boys might be able to do more, but they require much more thought in order to achieve what you want to achieve with them.. It is here where the Nord shines! because it does what it does so easily, so logically and so straight forward, which allows you to put that time and thought into actually playing your music.. :)
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