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Behringer 2600 Gray Meanie

48

Sintetizador analógico semimodular

  • Edición especial con panel frontal gris y componentes seleccionados
  • Monofónico
  • 3 VCO's con ancho de pulso ajustable
  • Oscilador 1 con salidas de diente de sierra y de onda de pulso
  • Osciladores 2 y 3 con Oscillator-Sync conmutable y salidas para diente de sierra, triangular, sinusoidal y de onda de pulso
  • Filtro de paso bajo con resonancia y dos características de filtro seleccionables
  • Generador de ruido
  • Modulador en anillo
  • Etapa de 'Sample & Hold'
  • Preamplificador y seguidor de envolvente para señales externas
  • Procesador de voltaje
  • Generador de envolventes ADSR
  • Generador de envolventes AR
  • VCA estéreo con panorama ajustable
  • Reverberación de muelles mecánica incorporada
  • Ruta de señal predefinida con capacidades de modulación extendidas y secciones completamente patcheables a través de conectores de 3,5 mm
  • Salida de línea estéreo (2 jacks de 6,3 mm)
  • Salida de auriculares estéreo (jack de 3,5 mm)
  • Entradas de interruptor de pedal para Interval Latch y Portamento (jack de 6,3 mm)
  • MIDI In / Thru
  • Puerto USB-B (MIDI)
  • Dimensiones (ancho x ancho x profundo): 482 x 356 x 108 mm (19"/8U)
  • Peso: 5,1 kg
  • Incluye fuente de alimentación externa (12V DC, 2000 mA)
  • Color: Gris
Disponible desde Marzo 2021
número de artículo 513580
Precio por 1 Unidad(es)
Construcción 19"
Voces de polifonía 1
Motor de sonido Analógico
Interfaz MIDI 1x In, 1x Thru
Medio de almacenamiento Ninguna
USB-anslutning
Efectos
Arpeggiator No
Número de salidas analógicas 2
Salida digital No
Display No
Ampliaciones opcionales Ninguna
555 €
Sin gastos de envío e incluyendo IVA.
En stock
En stock

Este producto está en stock y puede ser enviado inmediatamente.

Información sobre envíos
Previsión de envío el Miércoles, 24.07.
1

48 Valoraciones de los clientes

4.8 / 5

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37 Reseñas

T
Sonido brutal
Turru 23.11.2023
No he escuchado nunca el original pero aún así el sonido es brutal y muy versátil en modulación.
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
M
MacBe 21.03.2021
Bought this as my first analog synth, and my first any type of modular synth, with the ambition to get more into modular/semi modular in the future. This feels like a very good starting point for that.

For the price, a spectacular device if you like that amazing analog sound, tweaking and the ability to patch. Can produce some amazing fat sounds, and the Gray Meanie version looks so mean and sexy it's ridiculous. It's a slightly brighter gray color than many pictures make it seem however. I have barely scratched the surface of what it can do, but it's a lot of fun to play with. Having all parameters available for instant tweaking makes it fun, easy and satisfying to explore new sounds. And I absolutely LOVE the fact that it's rack mountable! Thank you for that Behringer! More rack units for the people.

The biggest con I think is the build quality. It's not very bad, but flip switches in particular feel cheap and scratchy and resonate the whole metallic case in a kinda cheap sounding way. And when you flip them (or plug in patch cables) the loud pops and crackles your speakers will make lets you know it's a live electrical signal path you're messing with - so maybe not something you'd want to do during a live session or while recording.
It's also quite easy to get clicks from the envelopes that you might not want, so pay close attention and learn where the limits are (as with anything).

I'm very happy with my purchase and I am looking forward to the exploring I will do in the near future to tame this mean beast.
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
C
My Precious 2600
CovilStudio 10.06.2024
The Behringer 2600 Gray Meanie is a faithful recreation of the iconic ARP 2600 synthesizer, beloved by musicians and producers for its legendary sound and versatility. As an enthusiast of vintage synthesizers, I was eager to get my hands on the Gray Meanie, and it certainly did not disappoint.

First and foremost, the build quality is exceptional. Behringer has done an excellent job of recreating the look and feel of the original ARP 2600, with its distinctive gray and black color scheme and rugged construction. It feels solid and reliable, perfect for both studio use and live performances.

Sonically, the Gray Meanie is incredibly impressive. It captures the essence of the original ARP 2600, delivering rich and vibrant analog tones that are perfect for everything from fat basslines to soaring leads. The inclusion of authentic components and circuitry ensures that it retains the character and warmth of the original instrument.

One of the standout features of the Gray Meanie is its patching capabilities. With its extensive array of patch points, I've been able to explore a wide range of sound design possibilities, from classic subtractive synthesis to more experimental modulation techniques. The semi-modular design also makes it easy to dive in and start creating without the need for extensive patching knowledge.

The Gray Meanie also includes modern enhancements that further enhance its versatility. Features like MIDI connectivity and USB integration make it easy to integrate into a modern studio setup, while the inclusion of built-in effects adds even more sonic possibilities.

Overall, the Behringer 2600 Gray Meanie is a fantastic synthesizer that pays homage to a classic instrument while also offering modern features and enhancements. Whether you're a seasoned synthesist or a newcomer to the world of analog synthesis, the Gray Meanie is sure to inspire creativity and exploration. Highly recommended!


Oooooh that TRUE mechanical sound of the Spring... Spring Reverb! <3 <3 <3
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google translate gb
Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
FA
Pure quality
Frederick Alonso 26.03.2022
Without a doubt, having many synths of 2K price point. This is sounding very expensive and worth every dollar. Has a very raw sound or can sound very soft depending on how you tune or shape the sounds when using drive on some cable loops.
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