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Allows for a wide range of pitch corrections to the voice in real time, from slight tone correction to effective Hardtune effects and gender adjustment
Correction can be made dependent on: chromatic tone or guitar input
Gender adjustment (from deep male to female)
The sound quality of the algorithms was taken from Voice Live 2
XLR microphone input with Phantom Power (not switchable)
Recessed gain control (prevents accidental adjustment)
All pedals of the Voice Tone series can be connected together (Daisychain), with the first pedal taking over the master volume
Includes power supply
Connections:
Balanced XLR output, USB connector (to connect with VoiceSupport application for tips, tricks and updates)
Mic-Control connector (Effect on/off via TC-Helicon MP-75 microphone)
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does it's job very well and have no complaints about the sound quality and audio features.
Where I DO have a complaint is in the Power section;
1/ It runs from 12VDC so you cant link it to your normal Stomp box supply - you need to use the supplied PSU - just extra stuff on your pedalboard.
2/ It wont run from Phantom PSU - considering this is probably gonna be used in a live environment and connected to a Mixing desk this is an oversight. (Maybe it draws too much power for phantom operation)
However, - its now mounted permanently into my pedal board and does it's job well. (Just check you have the selector switches in the right place cos if you inadvertently change them - you can get some strange sounds :-) )
Does what you would expect. Really easy to use and not audible delay in the signal path. Just awesome and easy to use.
And don't be fooled: the scales-knob seems to only offer major keys and chromatic key. But you can look up the relative scales and set the relevant major key to match your minor key.
The C1 VoiceTone should be called as a HumanVoiceTone as it works quite well with vocals but unfortunately it fails with any (monophonic) instrument with rich harmonic partials / overtones. I could heard noise like boiling eggs with the highest notes of an alto sax, in the altissimo range the pith correction sounded even worse. With a tenor sax it was a bit better.
I tested the C1 in the lab with pure sine wave and discovered that the pitch correction becomes unstable and noisy with frequencies above 1000Hz and above 2700Hz there is no correction at all.
Very few singers can reach such high notes but as I aimed to use the C1 for saxophone demos it seems that I may have to get more expensive device.
However there is nothing to complain about the overall (dry) sound and the preamp has a lot of gain with low noise.
A great little vocal pedal, I use this as part of a theatre rig where some performers need a little help with their vocals. The pedal can be used to help the best singers and the worse singers and can be used very subtly to enhance a performers voice and can be used a little less subtly to correct a bad singer. It it a great tool to have in the weaponry and I would argue that for the price it is the best value money and the product is a great tool.