RME Fireface UC

Vis oversættelse

36 Channel USB 2.0 Audio Interface

  • 18x In- and outputs, simultaneously usable
  • 24 Bit / 192 kHz AD/DA converter
  • 2x Mic preamps with digitally controlled gain and individually switchable 48V phantom power
  • Instrument input
  • 8x Analog I/O
  • ADAT I/O
  • SPDIF I/O
  • 2x MIDI I/O
  • Word Clock
  • Intelligent Clock Control
  • SyncCheck
  • SyncAlign
  • SteadyClock
  • DIGICheck and TotalMix
  • Design: 9.5”, 1 U
No JavaScript? No Audio Samples! :-(

Lydeksempler

 
0:00
  • Guitar Thru Mic Pre
  • Bongo Thru Mic Pre
  • Vocals Thru Mic Pre

Yderligere info

Recording / Playback Channels 18x18
Number of Mic Inputs 2
Number of Line Inputs 8
Number of Instrument Inputs 2
Number of Line Outs 6
Headphone Outs 1
Phantom power Yes
Number of S/PDIF Connectors 1
Number of ADAT Connectors 1
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Ethernet 0
Other Connectors No
MIDI interface Yes
Word Clock 1xIn, 1xOut
Max. sample rate (kHz) 192 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 2.0
Width in mm 265 mm
Depth in mm 165 mm
Height in mm 44 mm

Sammensæt selv Creative Bundle og spar

Hvis du bestiller denne vare sammen med andre varer i bundlet, kan du spare yderligere op til 5 %!
RME Fireface UC + Steinberg Cubase Artist 11 +
7 flere
Konfigurer bundle nu
Fra 8.299 kr

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Vores mest populære USB audio interfaces
261 Kundens vurdering
  • 5
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  • 1
4.8 /5
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  • features
  • lyd
  • forarbejdning
I alt
forarbejdning
features
betjening
lyd
It might be old, but it is gold.
FlatBeat, 06.04.2021
I updated to this from an old Edirol UA-25EX that was about 10 years old, and what a change it has been. I was a little sceptical since this is as old, but it has better features and just sounds a lot better than my old one. It does not come with drivers, you download them of the site. It might take some time getting used to TotalMix FX, but it has amazing flexibility options for routing. The sound is amazing, i now record what i hear, no colouring of sound what so ever.

One thing to notice is, the DC socket on the back feels rather flimsy. For me this not a problem as this is a permanent setup, but for people who might use this for DJ jobs or such, it could be problematic down the line.
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lyd
Solved problems with audio drop outs in Ableton Live
Stef Go, 05.02.2019
If you're experiencing audio drop outs in LIve, inspite of using a decently new laptop with Windows10 installed, this may solve your problems.

I used to own a Steinberg UR22 which did me good services for many years on a Win8 system. Then i recently replaced that 5 yr.old latop with a new laptop, Intel i7 8th generation and 16 MB RAM running withWin10 - which i assumed would speed everything up and be even more stable than my old system. But, lo and behold, i started experiencing audio drop outs with my UR22!

At first i assumed it's just a one-off glitch. BUt it was systematic, even on low CPU usage (<10%) i kept experiencing drop outs.
So i got frustrated enough to want to do something about it,.
I spent a full day reading through many many forums where other users reported similar problems, watched a dozen Youtube videos on how to tweak my system, tried different USB ports, installed LAtencyMon and DPC Latency Checker, changed power settings, tweaked my system in just about every way i could imagine, de-activated NVIDIA, Bluetooth, WLAN drivers etc. but still the problems persisted.

I had read somewhere that this RME Fireface soundcard had great latency performance. Didn't think that alone would solve my problems with audio drop outs because the USB data transfer seemed to be interrupted on the UR22 even at higher buffer size settings like 512 samples.

But then i read somewhere that the folks over at RME didn't just build their interface to work on normal Asio USB communication script, but re-wrote the USB driver script altogether. Data packages are not sent continously but rather in sequential "parcels". This seems to be the magic trick, to me at least. No interruptions in data transmission, so it appears : )

I've used this interface for 1 week now and have NOT HAD A SINGLE audio drop out.
Very very happy. : ) :)
Coincidentally, the system is so stable now, i don't have to deactivate half of Win10 settings in device manager which was just a complete drag to have to do every time before opening Live, according to friendly advice from otehr users.

If you're frustrated with audio drop outs in your DAW, give this a try. I cannot guarantee anything, but it certainly did the magic for me. Just wanted to let you know...!
-----

PS The software "RME TotalMix" that comes with the Interface is not too complicated to learn (I'm a novice and fairly apprehensive when things get too technical, but i was still able to wrap my head around how this works in 30 minutes); there a couple of instructional videos on the web - watch those.

PPS Thomann service friendly and great, as always!
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lyd
Decent product
rearear, 15.06.2021
I'm using Fireface UC both with a Macbook pro and a PC with Windows 10. It works very well with both systems. Unlike my previous audio interfaces, RME gives confidence while using it. It just works. Only thing with Windows 10 is that, when I return to regular use after working in Ableton with the ASIO driver, it randomly makes a bit crusher like effect. When I re-apply some settings in Fireface USB settings it gets normal again. This hadn't been a big issue for me until today.

Totalmix software is an incredibly flexible environment that allows you to route anything to anywhere. In my work I have been using softwares like Jack and Soundflower to internally route signals between softwares. However, I am not using virtual audio devices anymore since I can use digital ADAT channels to route anything to anywhere. Thats a big step in my practice.

The device gets hot which made me stress, however when I made a research I learned that all other devices gets hot like mine and its not an issue.

Overall, I am really happy that I purchased RME Fireface UC. It has a very good sound and features which took my working practice to another level.
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I alt
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lyd
Very pleased
19.02.2017
I'm using this audio interface mostly for recording acoustic music, usually in pair with my Neumann KM 184.

Pros:

I must say that the sound quality is incredible, no self-noise or coloration, it's pure and clear.

The stereo picture is wide and realistic, even when listening on headphones you feel like you sitting in front of a performer, the level of detail is amazing. This also uncovers any recording problems and poor mic placement which you won't hear in consumer audio gear.

I've been using Fireface UC for a few months and never experienced any dropouts or any driver problems (running it on Windows 10), it's very stable.

Delay-free monitoring is a very useful feature when you're recording.

It might take a bit to get used to controls if you're upgrading from a less complex interface, but the manual book provides clear instructions.

Cons: none in terms of performance and quality.

I wish they'd add a possibility of using FX with delay-free monitoring, but unfortunately, it's not supported in this model, so you can only monitor dry sound without delay.

The only con I could find so far is a green light on power supply's cable, which is so strong that unintentionally functions as a night light, which can be a bit annoying.

All in all, it's a great product and I'm very satisfied.
Also, I would like to express my gratitude to Thomann for their great job on packaging, it came in a huge box filled with bubble packets.
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Tlf: +49-9546-9223-30
Fax: +49-9546-922328
Online-guide
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Audio Interfaces
There is a wide range of audio interfaces available, and in the end, choosing the right one comes down to your personal preference.
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