FMR Audio RNC 1773

241

2 - Channel Compressor

  • Stereo or mono
  • Frequency response: 10 - 100 kHz (0.5 dB @ 0dBu)
  • Clip Range: +22.5 dBu @ 3% THD
  • Distortion: Less than 0.1%
  • Threshold range: -40 dBu to +20 dBu
  • Ratio: 1: 1 to 25: 1
  • Attack: 0.2 msec to 200 msec
  • Release range: 05 sec to 5.0 sec
  • Unbalanced inputs
  • Measurements: 13.97 x 13.97 x 4.06 cm
  • Weight 0.9 kg
  • Incl. Power supply
Fås siden Juni 2005
Artikelnummer 179985
salgsenhed 1 stk
Compressor Yes
Gate No
Peak Limiter No
2-Channel Unit Yes
Attack/Release Adjustable Yes
1.666 kr
Alle priser inkl. moms
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Produktet er på lager og klar til afsendelse.

Information om forsendelse
Gratis levering. Forventet mellem onsdag, 24.04. og torsdag, 25.04.
1

241 Kundebedømmelser

4.7 / 5

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145 Anmeldelser

A
Fejlbehæftet produkt.
Anonym 23.03.2017
Den leverede FMR RNC 1773 havde næsten fra start problemer med inputtet på den ene kanal. Virker nu slet ikke, og jeg har været for sløv til at levere produktet retur/til rep. Selvfølgelig min egen fejl, men helt klart et køb der aldrig levede op til forventningerne.
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CQ
Excellent, neutral peak compressor
Chris Q. 03.05.2018
The RNC is a fast, peak detector compressor/limiter. I use mine primarily on the way in for recording vocals, acoustic guitar, overheads and bass to add a little bit of polish. Just a bit of fast limiting really makes the difference.

The Really Nice function is great, adding a more forgiving RMS detection style compression character. I've used this when running things back out to it, but am a bit cautious of adding that kind of character during tracking.

My main problem with it is that the attack and release times can be so fast it can be hard to avoid bass heavy instruments distorting. The best workaround for this is to add a HPF to the sidechain - easy really, just a TRS jack and a capacitor. I leave mine in for the most part and it works great.

It's probably the best compressor in its pricerange. If I went back to a desk based studio I'd probably want 3-4 of these before I got anything else.
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k
Impressed
kjesinisigejsi 26.05.2020
I'm really into analog mixing. This is the first hardware compressor i bought, and I don't regret it a bit.

It's small, it's cute and it gets the job done. It's very clean but if u want to get a little "dirt" and saturation, the attack and release controls got u covered!
It can be used on anything and you can go from subtle compression to smashing drums.
The super nice mode is fantastic. U don't have to chain multiple compressors with small ratio, just use this function.

AND IT IS CHEAP!! I mean it is stereo compressor and u even have a sidechain option. What more could one ask for.
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a
Best in its class (YMMV)
aa.ivanov 06.03.2021
I have two units that I use for live work. On different occasions I had tried them on speech, lead vocals, acoustic guitars, as well as on the main bus. I'm comparing against other budget compressors that I use on a regular basis - DBX 166 XS and Behringer MDX2600.

As far as I can tell the RNC 1773 are completely transparent sonically. Their self-noise is audibly lower than both the 166XS and the MDX2600. This makes them my favorite option so far for speakers and vocals.

As a bus compressors RNCs can help with controlling the dynamics of a band in an unobtrusive way. By all chances they may never become a 'legendary' bus-comp but they will help with keeping the 'this is getting too loud' people in certain types of events off your back.

Probably the most obvious thing RNCs lack is a gate. That's why I'm not eager to use them on anything drum- or percussion-like. Fell free to prove me wrong though.

Overall FMR's RNC 1773 is a great overall compressor for an analog rig where only a couple of channels need dynamics control.
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