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SPL Gainstation 1 AD, highend Class-A microphonepreamp, with 24bit/96kHz AD Converter, 60V-Technic (125dB Dynamic /30dB Gain), seperate Solid-State- and Tube-preamp, Peak-Limiter, Inputimpedance (200 Ohms, 1,2k und 10kOhm), Highpassfilter 12dB/50Hz, 48V phantompower, perfect also for mobile recordings.
Mono Microphone Preamp/ DI BoxThe new series by Chandler Limited starts with the germanium microphone preamplifier. A completely new design by Wade Goeke, the developer of Chandler Limited. The device has germanium transistors, which enable a completely new,...
- New microphone preamplifier with germanium transistors
- Requires optional PSU-1 power supply
2-Channel "Push-Pull" Microphone and Instrument Preamplifier in All-tube engineering
2-Channel "Push-Pull" Microphone and Instrument Preamplifier in All-tube engineering Mic gain adjustable in 2 dB and 10 dB steps, Selectable mic impedance: 600/1200/2400 Ohm, Switchable 20 dB PAD, Phase reversal, High pass filter: 20 Hz / 40 Hz, High-impedance...
- Mic gain adjustable in 2 dB and 10 dB steps
- Selectable mic impedance: 600/1200/2400 Ohm
- Switchable 20 dB PAD
Blue Robbie - Class A discrete tube microphone and instrument preamplifier, one of the quietest (-131 dB EIN @ 50 Ohm) and most detailed (THD 0.006%) tube preamps available. The front panel features only a large backlit potentiometer (gain) and...
B-Stock, JoeMeek ThreeQ 9.5" Channel Strip - compressor, EQ, VU meter, mic/line inputs, +48V phantom power, 1.2kohm/20kohm input impedances (mic/line), 0dB to 60dB pre-amp gain range, 10Hz to 70kHz frequency response (-3dB), +19.5dBu/+44.5dBu maximum input before clipping (mic/line), +4dBu/-10dBv switchable...
Sonifex Redbox RB-MA2, low noise microphone pre-amplifier for converting mic level signals to line level, or for driving long lines from microphones to mixing equipment.
Drawmer 1969 Mercenary Edition - mic/line/instrument preamp, 2 channels, tube compressor, balanced +4dB (XLR) & unbalanced -10dB (jack) in/out, 48V switchable phantom power, 2-band EQ, dimensions 482 x 88 x 250 mm (WxHxD), Weight with packaging incl. 6 Kg.
B-Stock, JoeMeek twinQ 2, Channelstrip,with 2 Channels, Preamp, Compressor and EQ, Mic/Line/Instrument Input, switchable Phantom Power 48Volt, Iron, Pad, Line, HPF and Phase reverse switch, VU-Meter per Channel, Connections: 2x XLR Mic-Eingang, 2x 1/4" Jack Line-Input, Insert per Channel, 2x...
Preamplifier Twin Direct Box Twin Topology with HV-3 mic preamp, DI box and mic / line preamp, Combines 1 DI input, 1 line input and 1 dedicated Guitar Power Amp output, as well as a HV-3 microphone preamp, Fully...
- Twin Direct Box Twin Topology with HV-3 mic preamp
- DI box and mic / line preamp
- Combines 1 DI input, 1 line input and 1 dedicated Guitar Power Amp output, as well as a HV-3 microphone preamp
Summit Audio ECS-410 Everest; Channelstrip; Mz-2 microphone and instrument preamplifier with switch function between tube and solid-state input stages; DC-1 Dual Mode Dynamics control section with switchable Classic "soft knee" smooth compression or Tight mode; Fe-1 Passive EQ with up...
B-Stock with full warranty Slight traces of use Class-A tube preamp Optical compressor, Attack and Release controls separately, 4-band EQ with 2 parametric mids, Bypass for compressor and EQ, Loop between preamp and compressor as well...
- Optical compressor
- Attack and Release controls separately
- 4-band EQ with 2 parametric mids
Solid State Logic X-Rack X-Rack VHD Input Module x LMC for X-Rack / Mynx, Mic Amp Module combines classic SSL character with our new Variable Harmonic Drive circuit, Electronically balanced ultra-high bandwidth Mic input with +20dB to +70dB gain control,...
MicStasy 8-Channel high-end mic / line preamp, 192 KHz, 8x Balanced XLR mic / line inputs with Hi-Z option and 85 dB gain range, Intelligent auto gain function, 8x Balanced XLR line outputs, 4x AES/EBU Out per D-Sub, 8...
- 8-Channel high-end mic / line preamp
- 192 KHz
- 8x Balanced XLR mic / line inputs with Hi-Z option and 85 dB gain range
B-Stock, Warm Audio WA-412, 4-channel microphone and instrument amplifier; 100% discrete, transformer-balanced circuit; altran usa custom premium input and output transformers; x520 operational amplifier in each channel (can be exchanged, if necessary, as plugged into socket); 65db gain; transmitter-balanced xlr...
2- Channel Microphone Preamp Developed by API Audio, High quality microphone and line inputs, Analogue VU meter, High impedance instrument input with 45 dB gain, Peak display, -20dB/ -10dB Pad for microphone/ line input, 48 V Phantom power, High-quality...
- Developed by API Audio
- High quality microphone and line inputs
- Analogue VU meter
Tube Microphone / Line Preamplifier De-esser, compressor / limiter with ARC noise gate, EQ and headphone monitor, 48V phantom, Pad, Phase reverse, Separate distortion control, With Lundahl transformer in the In- and Output, Expandable with optional 24bit / 96...
- De-esser, compressor / limiter with ARC noise gate, EQ and headphone monitor
- 48V phantom
B-Stock, Focusrite Scarlett OctoPre; 8-Channel Scarlett Series Microphone-Preamp with build-in A/D Converter 24-Bit, up to 192 kHz; Connections: 8x Mic-/Line- Combo-Input XLR/Jack ¼", Input 1 + 2 switchable to Instrument-Input, 8x Line-Out Jack ¼" TRS balanced, 2x ADAT Out, BNC...
containing: Studio Projects B3, Studio Projects VTB1, the t.bone MS 180, the sssnake SM6BK
- Studio Projects B3
- Studio Projects VTB1
- the t.bone MS 180
SPL Gainstation 1 Premium, highend 1-channel Class-A microphone preamp, Mic Input transformator from Lundahl, 60V-technology (125dB dynamic range /30dB gain), separate adjustable Solid-State- and Tube-preamp circuit, Peak-Limiter, Inputimpedance (200 Ohms, 1,2k und 10kOhm), Highpassfilter 12dB/50Hz, 48V phantom power.
DPA HMA 5000, 2 chanal mic preamp, 2x XLR out, 2x 7pol XLR in, Level per chanal 10-100.000 Hz, Input Impedance 30 kOhm, dimensions 200 x 133 x 52 mm, weight 1,85 Kg, black
B-Stock, DBX 286 S - single channel mic preamp/processor with 48V phantom power, de-esser, enhancer, compressor and expander-gate. Dimensions: 19"/1U, B-Stock with full warranty, may have slight traces of use
containing: Audient ASP 880, Audient iD22, the sssnake Optical Cable 2m
- Audient ASP 880
- Audient iD22
- the sssnake Optical Cable 2m
Mono Microphone Preamp Optical compressor, Variable attack and release, Ratio of 1.5:1 to 10:1, Equaliser band filter with 12 frequencies, Adjustable gain from +20 dB to +70 dB, Phantom Power, Low cut filter
- Optical compressor
- Variable attack and release
- Ratio of 1.5:1 to 10:1
B-Stock, ART Tube MP - superior preamplification for microphones, instruments and line level sources. Hand selected 12AX7A provides 70dB of gain. Smooth, warm and fat sound quality, variable input and output gain controls, excellent as a tube DI. XLR (balanced)...
B-Stock, Eventide Mixing Link Mic Preamp, high quality mobile mic preamp, effect pedal format, works with dynamic microphones and condenser or ribbon microphones with a maximum of 65 dB gain, 48V phantom power, instrument inputs and balanced inputs for line...
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