beyerdynamic TG D58

166

Capacitor Instrument Microphone

  • Ideal for tom and snare recordings
  • Cardioid
  • Frequency range: 20 - 20,000 Hz
  • Impedance: 200 Ohm
  • 140 dB max. SPL
  • Special mount MKV 87 included
  • XLR output
  • Clamp dimensions: 85 x 118 mm
  • Gooseneck length: 20 mm
  • Weight: 140 g
  • Neoprene bag included
  • Successor to the Opus 88
Fås siden April 2011
Artikelnummer 263534
salgsenhed 1 stk
Incl. Clip On Mount Yes
Condenser Microphone Yes
Clip-On Microphone 1
Gooseneck 1
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990 kr
Inkl. moms. Obs! Yderligere fragtomkostninger 60 kr
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166 Kundebedømmelser

4.7 / 5

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lyd

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94 Anmeldelser

b
Great for toms, but have problems with bleed
brkmnd 19.01.2022
I use a pair of this mic for a 143x6.5 snare/snom and a 14" Stage Custom floor tom. Each has hydraulic batter heads. Before I got the pair, I used sm58s. sm58 is almost a sm57 which costs about the same as this D58 mic. So why not compare?

One big plus (and this is not to be looked lightly upon) is how easy this mic is to mount. You just clip it on. Anyone who have tried to place mic stands in between cymbals and what not, knows how big of a deal this is. These are condenser mics. You need phantom power for them. With my current setup and a little eq-magic I can get a really nasty (the good nasty) thumby sound out of them. Still with stick def. They sound amazing. However they catch bleed. I have a closed 16" hat next to the tom. And this bleeds heavily. You probably can gate it. However I'm the kind of person who just cuts everything from the track but when I play the toms. Furthermore the D58 is made in Germany. This might matter to people that the product is made in the country of the maker.

I still use a pair of sm57s on the snare (top/bottom). I almost got more D58 mics for the snare until I heard the amount of bleed. The sm57 has an effective way of isolating - I don't bother gating or cutting the snare mic. Another thing about sm57 is how sturdy they are. You don't care if you hit them with a stick (even hard) or drop them on the floor. It is not that the D58 mic seems fragily. It's just that you have a hard time destroying a sm57. The sound of sm57 compared to D58: I don't think the sm57 handles low end that well. I would often miss some rumble. The sm58s I used seemed to catch more of the batterhead than the actual body of the toms which sometimes led to weird sounds/overtones.

I really like the D58 mics. However I don't think the mic is a no-brainer. I keep my sm57 for snare. Maybe the bottom one could be replaced with a D58. D58 sounds amazing and is extremely easy to clip on. So if you can handle bleed (very controlled playingstyle, auxillary drums that are not used constantly, gating or the like) just put these on there!
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B
Super fed mic.
BassAlert 11.03.2022
Har brugt den live og i studiet og den er super fed! Til tammer eller under en lilletromme er der hvor den virkelig shiner, dog!
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S
beyerdynamic TG D58
Skau 22.08.2020
Bruger den på min snare, tager ingen plads og har en fantastisk lyd,
Super mikrofon.
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E
godt køb
EHauge 11.12.2022
Jeg er meget glad for denne mikrofon. Bruger den til lilletromme. Er let at sætte på og kan indstilles i mange vinkler/stillinger på trommen, hvilket får lyden til at ændre sig. Solid og veludført og fremragende naturlig lyd.
Sidder aldrig i vejen.
Køber samme til alle mine tommer en dag
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