Ableton Push 2

Controller for Ableton Live 9.7

  • 64 Pads with backlight
  • 8 Touch-sensitive rotary knobs
  • Clip-launch mode for performance and real-time arrangement recording
  • Scales mode
  • Large multi-colour display
  • 17 cm Touch strip for pitch bending and scrolling
  • 31 LEDs for navigation
  • Front panel made of anodised aluminium
  • 2 Assignable footswitch inputs
  • Kensington lock
  • USB port
  • 12 V DC, 1.25 A power supply
  • Dimensions (W x D x H): 378 x 303 x 42 mm
  • Weight: 2.71 kg
  • Includes Live 9 Intro and Beat Tools Pack (Beatkit toolkit with over 150 drum kits and instruments, 180 audio loops)

Yderligere info

Interface Type USB
Fader 0
Rotary Encoders 11
Audio I/O No
Transport Function Yes
Footswitch Connector No
Foot Controller Connection Yes
Bus-Powered Yes
Jog No
Joystick No
Additional Features incl. Ableton Live 9 Intro

Bundle-tilbud 1

Du sparer 34 €
699 €

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Ableton Push 2
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Ableton Push 2
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Vores mest populære DAW controllere
86 Kundens vurdering:
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4.9 / 5.0
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Let your creativity loose

fiskarinfo, 22.11.2017
I gave the handling 3 stars because I had to wait 2 weeks because of DHL, the package sat in transit, I don't know why. Pretty annoying. When the package finally arrived it was well packaged and unharmed.
If you have upgraded ableton it's plug and play.
I had to really force myself not to reach for the mouse at first, but pretty soon your workflow will get faster, or at least almost as fast as with a mouse.
The Push really shines in session view where you can work with clips. It's fast to sequence drums and get a melody going. Happy accidents really inspire me and the push really feels like an instrument.
When Ableton 10 arrives it'll enhance the push 2 and it'll allow you to control the EQ8 and give you more hands on editing abilities with the Midi portion, which isn't really optimised at the moment.
I recommend this and I recommend Thomann
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very good product

03.01.2017
Good material quality, live 9 comes with not one but three different tools for analysing audio and generating MIDI clips containing notes derived from the original material. In fact, audio-to-MIDI has been in Live for a while in the form of clip slicing, whereby an audio clip is taken apart and converted into a MIDI clip playing a Sampler which contains fragments of the original audio. However, the audio analysis used in this process is rudimentary, and audio transients or warp markers are the only information used. Live 9's new analysis features dig deeper into the audio material. As you'd expect, the functions are extremely sensitive to the quality and accuracy of the source material, and you'll almost certainly have to do some cleaning-up work with the resulting clip. To test the harmonic capture I started with a MIDI clip playing piano, froze the clip to generate audio and then did the harmony-to-MIDI conversion. Apart from a few spurious high harmonics, the result was pretty faithful to the original, although these were ideal test conditions. I also threw three minutes of Debussy from my iTunes library into the system, and the result was a pretty impressive transcription, with only the occasional obvious wrong note.My attempts to capture a whistled tune as a MIDI melody worked after a fashion, although it insisted on rendering all my F-naturals as F-sharps: I suspect the source material was to blame. Drum-to-MIDI conversion seemed less useful: a lot of my tests ended up as snare-only, or all three sounds layered at once, and since the resulting output is so simple in terms of sound palette, you're probably better off just playing by ear or sequencing it directly. As the disclaimer goes, your mileage may vary!
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Fax: +49-9546-922328
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