KRK Rokit RP5 G4

470

Active Nearfield Studio Monitor

  • Equipped with: 5" glass aramid woofer and 1" glass aramid tweeter
  • Power: 55 W - 20 W tweeter, 35 W bass driver
  • Bi-amped Class-D amplifier
  • Maximum sound pressure level: 104 dB
  • Frequency range: 43 - 40,000 Hz
  • Integrated backlit LC display
  • 25 Visual graphic EQ presets (DSP-based)
  • KRK App with room correction tools (iOS + Android)
  • Brickwall limiter
  • Combo input XLR/jack 6.3 mm balanced
  • Dimensions (H x W x D): 285 x 190 x 241 mm
  • Weight: 4.85 kg
  • Priced per piece
K dostání od Duben 2019
Číslo produktu 458008
Prodejní jednotka 1 ks
Speaker size 1x 5", 1x 1"
Amplifier power per unit (RMS) 55 W
Magnetic Shielding No
Analogue XLR Input Yes
Analogue Input (Jack) Yes
Analogue Input (Mini Jack) No
Analogue Input (RCA) No
Digital input No
Manual frequency correction Yes
Frequency range min. 43 Hz
Frequency range max. 40000 Hz
Dimensions 285 x 190 x 241
Weight 4,9 kg
Speaker Hous8ing - Woofer System Bassreflex
Zobrazit víc
B-stock od 2 999 Kč dostupný
3 499 Kč
Cena vč. DPH nezahrnuje poštovné 295 Kč
Na skladě
Na skladě

Tento produkt je na skladě a může být obratem odeslán.

Informace o expedici
Odešleme pravděpodobně do Pátek, 9.06.
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v kategorii Aktivní nearfield monitory
St
Naprostá spokojenost pro amatéra v domácím studiu
Scooby the Pooh 12.05.2023
Dlouho jsem se rozmýšlel, které monitory vybrat a všude jsem četl, že KRK jsou dobré hlavně na basovou hudbu (techno, disco, apod.) a pro rock / kytary je lepší volba Yamaha. Přijde mi ale, že lidé to zmiňují kvůli zkušenostem s předchozí generací. Možná to dříve byla pravda, ale oproti ostatním jdou KRK aspoň s dobou a díky EQ s displejem se dají nastavit na krásně plochý zvuk. Žádné přehnané basy mít nemusíte, když nechcete.

S EQ spojená aplikace do mobilu, která vám poradí jak je nastavit, je úplně k ničemu. Zkoušel jsem to a s výsledkem jsem nebyl spokojený. EQ jsem pak nastavil sám podle svých uší a jsem naprosto spokojen. Další výhoda oproti ostatním značkám pro mě byla výdechy vpředu. Monitory mám umístěné blízko ke zdi.

Pro mé amatérské mixování v domácím studiu v podstatě jen kytarových skladeb (poprock, punkrock) jsou naprosto perfektní a s výsledkem jsem spokojen. Mimo to jsou skvělé i na běžné přehrávání hudby nebo filmů. A poslední dobou už na kytaru hraju častěji přes DAW s pluginy do monitorů než přes skutečný aparát.

Rozhodně doporučuji!
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nejlepší cena/výkon
Andrij1107 09.04.2023
Monitory přijely dobře zabaleny, neviděl jsem jediný škrábanec. Co se zvuku týče, tak na tu cenu a rozměry je to bomba.
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The best KRK Rockit generation for today
Yurko 13.12.2020
After my KRK Rokit 5 G2s broke down, which had been in operation for 12 years, I had to choose new studio monitors for my home studio. Unfortunately, while choosing right monitors I did not have the opportunity to listen to everything I wanted in my studio, local stores room acoustics did not allow you to fully experience the sound, but what exactly could be assessed regardless of the acoustic design is the constant noise level of the high-frequency speakers ... Despite the negative assessments of the noise level of the KRK G4 presented in the reviews, I noted the opposite for myself - no others were quieter than these. As a result, without thinking twice, I decided to make a forced upgrade from G2 to G4 (I had only one monitor out of order, if G2 were still on sale, maybe I would buy another one G2). The monitors are the same height as the second generation, but a little wider, about 1 centimeter, the "KRK yellow color" has become a little softer.
And now regarding the sound: for the sake of interest I decided to listen to the master tracks mixed on Rockit G2 and was amazed about how much more detailed the upper mids and high frequencies became and the width of the stage increased. Amazing! I am very happy about the choice I made.
There is an LCD display at the back, where you can make EQ adjustments - unfortunately, due to its limitations, this function, for me personally, is useless (maybe the built-in 16-band equalizer would be more suitable for this), I made all the room adjustments using other hardware-software (also did not even try to use the mobile application ). What's cool about this monitor is that now you can be 100% sure that the volume level of the monitors is set the same, there was no confidence in the accuracy of the position of the analog regulators in previous generations. Also, you can make the logo glow a little less, or turn it off, but (!) when they are switching to standby mode, dim settings do not matter, and the logo starts blinking from the absolute absence of glow to the brightest, doesn't matter wether dim mode is selected or not. I could not find any other cons. Everything is very, very good.
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Na
Really balanced and with some kick
Not an audio engineer 09.02.2022
Although I do some video editing and very simple music production I am not really an audio engineer, nor musician. I do like good sound though and I own and have owned multiple speakers and headphones. For pleasure and more studio focused flat ones. As I was looking to set up my new office space I decided to go for studio monitors because not only they sound a thousand times better than any other PC speakers, they are generally not fatiguing too . So how did I end up with KRK- I tested Presonus line (3.5, 4.5BT) with Presonus sub8, also M-audio BX5. And well.. Presonus had a tot missing in high frequences but I was generally very happy with M-audio, however they had a couple of design issues although sounded pretty flat and natural. However when I compared them with KRK it felt like someone took the cotton out of my ears. KRKs have such a nice high frequency response. Not only it gives more info, it's not really sharp or unpleasant. The stereo imaging is fantastic so the staging in the end is very effective, the mids are precise and well balanced even in complex rock songs they perform without a fault. The lows are very good too. I ran some audio-tests and they go even lower than advertised but generally are excellent across the range. Combine them with the sub to give a bit more of excitement on lower volumes (Cheap Presonus sub8 pairs nicely too) and you will have an incredible audiophile level listening experience at your desk. There is plenty of bass when you turn them up a little so for audio mastering sub is not needed imho. I cannot think of anything in this price range able to match such combo. The KRKs are build very well, the eq setting works well and what is nice is that you can be 100% sure volume is the same on both speakers.

Obviously the experiences are very personal especially for non professional listening, but I personally cannot find anything to complain about Rockkit 5
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