{"id":10002684,"date":"2025-12-12T14:30:00","date_gmt":"2025-12-12T13:30:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/nl\/?p=10002684"},"modified":"2025-12-12T11:15:48","modified_gmt":"2025-12-12T10:15:48","slug":"welke-audio-interface-heb-ik-nodig","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/nl\/gear\/welke-audio-interface-heb-ik-nodig\/","title":{"rendered":"Welke audio-interface heb ik nodig?"},"content":{"rendered":"\n

Een van de belangrijkste apparaten voor iedereen die muziek wil opnemen en produceren, is de audio-interface<\/strong>. Als schakel tussen audiosignalen en een computer<\/strong> of smart device vervult hij een cruciale rol. Daardoor bestaan er heel veel verschillende uitvoeringen en heb je je vast al afgevraagd: welke audio-interface<\/strong> heb ik nodig en wat past het beste bij jou?<\/p>\n\n\n

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Lewitt<\/p>\n

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Audio-interfaces \u2013 de belangrijkste kenmerken<\/h2>\n\n\n\n

Er zijn veel criteria om interfaces van elkaar te onderscheiden. Het waarschijnlijk belangrijkste punt is het aantal in- en uitgangen<\/strong> dat gelijktijdig gebruikt kan worden. In het eenvoudigste geval volstaat een stereo-uitgang. Als je echt alleen in-the-box werkt en nooit samples of microfoonsignalen wilt opnemen, sluit je de speakers gewoon op de output aan. Let dan wel op een hoofdtelefoonaansluiting!<\/p>\n\n\n

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Focusrite<\/p>\n

Scarlett 2i2 3rd Gen<\/h3>\n <\/span>\n\n
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ADVERTENTIE<\/div>
\"\"<\/a><\/div><\/div>

Verschillende ingangen<\/h2>\n\n\n\n

Waarschijnlijk zul je echter erg blij zijn met ingangen. Belangrijk voor iedereen die akoestische instrumenten, spraak, zang of geluiden voor sounddesign wil opnemen: alleen op microfooningangen<\/strong> kunnen microfoons worden aangesloten, terwijl line-ingangen<\/strong> worden gebruikt voor de uitgangen van externe microfoonvoorversterkers, effectapparaten of mengtafels.<\/p>\n\n\n

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Focusrite<\/p>\n

Vocaster One<\/h3>\n <\/span>\n\n
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Als sober maar hoogwaardig interface is een model met boutique-klasse mic-preamps aan te bevelen. Maar omdat interfaces tegenwoordig zeer betaalbaar zijn, krijg je al voor echt lage bedragen<\/strong> apparaten die bijzonder goed klinken!<\/p>\n\n\n\n

Vooral als je elektrische gitaar en bas opneemt, is een extra instrumentingang<\/strong> zinvol. Zo kun je zonder extra moeite direct software-effecten en virtuele versterkers gebruiken!<\/p>\n\n\n

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Neve<\/p>\n

88M<\/h3>\n <\/span>\n\n
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<\/p>\n\n\n\n

Audio-interfaces \u2013 het aantal kanalen is mede bepalend<\/h2>\n\n\n\n

Om een gemicte drumkit of een complete band op te nemen, zijn zeer veel ingangen nodig. Moeten er veel hardware-effectapparaten of een analoge summing mixer worden aangesloten, dan zijn ook veel uitgangen vereist. Hier komen audio-interfaces met overeenkomstig hoge kanaalaantallen<\/strong> in beeld. Veel modellen kunnen bovendien worden gecascadeerd of via digitale aansluitformaten zoals ADAT worden uitgebreid met extra in- en uitgangen<\/strong>!<\/p>\n\n\n

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Presonus<\/p>\n

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EVO<\/p>\n

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MOTU<\/p>\n

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Let op de monitoring<\/h2>\n\n\n\n

Een belangrijk punt is de monitoring<\/strong>: luidsprekers moeten harder en zachter kunnen worden gezet, sommige interfaces bieden mute-functies, selectie van andere monitoren, mono-schakeling of zelfs de mogelijkheid om via een talkback-microfoon<\/strong> met muzikanten in een andere ruimte te spreken. Zijn het er meerdere? Dan zijn meerdere ingebouwde hoofdtelefoonversterkers ook erg handig!<\/p>\n\n\n

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Steinberg<\/p>\n

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Om bijvoorbeeld over een muziekbed in te kunnen zingen, moet de verhouding tussen playback en microfoonsignaal instelbaar zijn \u2013 dat is direct monitoring<\/strong>. En zodat het microfoonsignaal niet droog op de hoofdtelefoon klinkt, zijn sommige interfaces uitgerust met eigen effectprocessors<\/strong> die bijvoorbeeld galm aan de zangstem toevoegen. Veel interfaces maken een comfortabele bediening<\/strong> mogelijk via een control-app vanaf de computer.<\/p>\n\n\n

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Presonus<\/p>\n

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Audio-interfaces zijn verkrijgbaar in verschillende behuizingsformaten<\/h2>\n\n\n\n

Bij weinig ruimte of wanneer je de audio-interface mobiel wilt gebruiken, zijn kleine behuizingen<\/strong> ideaal. Deze werken vaak zonder extra stroomvoorziening en zijn ook compatibel met smart devices zoals een tablet. In grotere setups zul je de mogelijkheid om het apparaat in een 19-inch rack<\/strong> te monteren zeker waarderen.<\/p>\n\n\n

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RME<\/p>\n

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Audio-interfaces: de meest gangbare modellen<\/h2>\n\n\n\n

RME<\/h3>\n\n\n\n

De interfaces van RME gelden al jarenlang als d\u00e9 stabiliteitsklassiekers bij uitstek. Perfecte drivers en duurzame hardware zorgen voor absolute betrouwbaarheid \u2013 zo ook bij het model Babyface Pro FS.<\/p>\n\n\n

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Focusrite: Scarlett-serie<\/h3>\n\n\n\n

De modellen uit de Scarlett-serie van Focusrite behoren mede dankzij hun uitstekende prijs-kwaliteitverhouding tot de meest gebruikte interfaces \u00fcberhaupt. Ze zijn verkrijgbaar in verschillende formaten en worden ingezet van homerecording tot podcasts.<\/p>\n\n\n

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Universal Audio<\/h2>\n\n\n\n

Wie op zoek is naar een klassieker in het semi-professionele tot professionele segment, grijpt vaak naar de modellen Universal Audio Apollo Twin (Duo\/Quad). De UAD-plug-ins zijn al jaren een standaard en de Unison-preamps worden ook in professionele studio\u2019s erkend.<\/p>\n\n\n

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Universal Audio<\/p>\n

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Motu<\/h3>\n\n\n\n

De M-serie van Motu is een vaste waarde op de homestudiomarkt. Dankzij zeer goede converters voor een scherpe prijs, extreem lage latencies en uitstekende metering-displays zijn de modellen M2 en M4 inmiddels echte klassiekers.<\/p>\n\n\n

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MOTU<\/p>\n

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MOTU<\/p>\n

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\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Audient<\/h3>\n\n\n\n

Wie op zoek is naar \u201cconsole-sound\u201d, moet zeker eens kijken naar de interfaces iD4, iD14 en iD24 uit de iD-serie van Audient. De zeer hoogwaardige preamps genieten een uitstekende reputatie onder recordingprofessionals.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"iD4\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD4 MKII<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (260)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 149 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"iD14\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD14 MKII<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (368)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 229 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"iD24\"\n\n <\/div>\n\n
\n\n
\n\n \n

Audient<\/p>\n

iD24<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (57)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 323 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Steinberg<\/h2>\n\n\n\n

De interfaces uit de Steinberg UR-serie zijn populair vanwege hun stabiele Yamaha-preamps en worden vaak \u2013 maar zeker niet uitsluitend \u2013 met Cubase gebruikt. Ook deze zijn verkrijgbaar in verschillende uitvoeringen.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"UR22C\n <\/div>\n\n
\n\n
\n\n \n

Steinberg<\/p>\n

UR22C Red<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 169 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"URX44C\"\n\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

URX44C<\/h3>\n <\/span>\n\n
\n Beoordeling 8.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (7)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 336 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"UR12\n <\/div>\n\n
\n\n
\n\n \n

Yamaha<\/p>\n

UR12 MK3 Black<\/h3>\n <\/span>\n\n
\n Beoordeling 0 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>\n\n \n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Presonus<\/h2>\n\n\n\n

De Presonus AudioBox USB \/ Studio-serie is een echte klassieker in de instapklasse. Deze interfaces, die vaak in bundles verkrijgbaar zijn, bestaan al geruime tijd en de drivers draaien dan ook bijzonder stabiel.<\/p>\n\n\n

\n \n
\n
\n
\n
\n
\n \"AudioBox\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

AudioBox USB 96 25th Anniv Ed<\/h3>\n <\/span>\n\n
\n Beoordeling 8.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (167)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 75 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Studio\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

Studio 24c<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (212)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 99 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n
\n
\n \"Studio\n <\/div>\n\n
\n\n
\n\n \n

Presonus<\/p>\n

Studio 1824c<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (93)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 399 \u20ac <\/span>\n <\/div>\n\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n
\n \n \n \n<\/svg>\n\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\n\n\n

Welke audio-interface heb ik nodig? \u2013 Samenvatting en hulp bij de aankoop<\/h2>\n\n\n\n

Met deze tips zou je snel moeten kunnen bepalen welke audio-interface geschikt is voor jouw toepassingen. Als je het aantal in- en uitgangen hebt vastgesteld, duidelijkheid hebt over de monitoring en weet hoe groot je interface moet zijn, zullen de eerste geschikte modellen zich vanzelf aftekenen.<\/p>\n\n\n\n

In de shop<\/a> vind je verschillende audio-interfaces, gesorteerd op aansluitmogelijkheden \u2013 de standaard zijn in elk geval USB-interfaces<\/a>. Via de knop \u2018Advies\u2019, die je op elke productpagina vindt, kun je eenvoudig contact opnemen met onze productspecialisten. De adviezen zijn uiteraard gratis en vrijblijvend!<\/p>\n\n\n\n

Via deze link vind je al onze contactgegevens, mocht je de voorkeur geven aan telefonisch advies.<\/a><\/p>\n\n\n\n

Je bent natuurlijk ook van harte welkom in onze Thomann Shop in Treppendorf om al je vragen over audio-interfaces te stellen. Samen vinden we vast en zeker het perfecte interface voor jou.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"Rodecaster\n <\/div>\n <\/div>\n \n \n
\n \n

Rode<\/p>\n

Rodecaster Duo<\/h3>\n <\/span>\n\n
\n Beoordeling 8.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (39)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 379 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Welke audio-interface: vragen, tips en meer<\/h2>\n\n\n\n

Heb je vragen, tips of suggesties over audio-interfaces, of wil je ons laten weten wat jouw favoriete audio-interface is? Laat dan gerust een reactie achter!<\/p>\n\n\n\n

<\/p>\n

ADVERTENTIE<\/div>
\"\"<\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"

Van thuisopnames tot volledige bandsessies: de juiste audio-interface maakt het verschil. \u25b6\ufe0e Ontdek de belangrijkste eigenschappen die je helpen de perfecte interface voor jouw workflow te kiezen. \u2713<\/p>\n","protected":false},"author":23,"featured_media":10002685,"comment_status":"open","ping_status":"0","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1120],"tags":[],"class_list":["post-10002684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts\/10002684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/comments?post=10002684"}],"version-history":[{"count":1,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts\/10002684\/revisions"}],"predecessor-version":[{"id":10002686,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts\/10002684\/revisions\/10002686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/media\/10002685"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/media?parent=10002684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/categories?post=10002684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/tags?post=10002684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}