{"id":10001340,"date":"2025-07-25T09:30:00","date_gmt":"2025-07-25T07:30:00","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/nl\/?p=10001340"},"modified":"2025-07-25T14:01:40","modified_gmt":"2025-07-25T12:01:40","slug":"de-amps-gitaren-en-geheimen-achter-yungbluds-unieke-sound","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/nl\/gear\/de-amps-gitaren-en-geheimen-achter-yungbluds-unieke-sound\/","title":{"rendered":"De amps, gitaren en geheimen achter… Yungblud\u2019s unieke sound!"},"content":{"rendered":"\n

Het geluid van Yungblud via zijn versterkers en gitaren: na slechts vier albums heeft de Britse artiest Dominic Richard Harrison zich gevestigd als het boegbeeld van een nieuwe pop\u2011punkgeneratie. Drie #1\u2011albums in het Verenigd Koninkrijk, 28 singles, honderden miljoenen views op YouTube en songteksten die direct inspelen op de alledaagse zorgen van generatie\u2011Y\u2011post\u2011tieners. Muzikaal is Yungblud bijzonder eigentijds: hij beweegt zich vrij tussen genres, leent uit Britse rock, metal, hiphop en cutting\u2011edge pop, met \u00e9\u00e9n constante: hij schrijft geweldige nummers met hooks die zich in je hoofd boren en er nooit meer uitgaan. En natuurlijk wordt dit alles ondersteund door massieve muren van gitaren \u2013 een geluid waar we hier dieper op in gaan met de release van zijn nieuwe album, Idols<\/em>.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Young Blood<\/strong><\/h2>\n\n\n\n

Vanaf het begin maakt Yungblud zijn intenties duidelijk: zijn muziek wordt met gitaar in de hand gespeeld, ongeacht of het instrument tegen 2017 zijn mainstream\u2011aantrekkingskracht had verloren ten opzichte van de jaren \u201990<\/strong>. In de video van zijn debuutsingle \u201cKing Charles\u201d zien we hem optreden in een trio zonder bassist.<\/p>\n\n\n\n

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U bekijkt momenteel inhoud van een plaatshouder van YouTube<\/strong>. Klik op de knop hieronder om de volledige inhoud te bekijken. Houd er rekening mee dat u op deze manier gegevens deelt met providers van derden.<\/p> Meer informatie<\/a> <\/div>

Ontgrendel deze inhoud<\/a> Accepteer de vereiste service en deblokkeer de inhoud<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Zijn gitarist Adam Warrington plugt een zwarte Jazzmaster in een Vox AC30 (hier komen we later op terug), terwijl Yungblud zelf een Sunburst Fender Telecaster<\/strong><\/a> speelt met een rosewood toets. De versterker erachter is paradoxaal genoeg een klassieke basversterker: de Ampeg SVT.<\/p>\n\n\n\n

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Later datzelfde jaar, in \u201cTin Pan Boy\u201d, zien we hem met een Stratocaster met maple toets in een kleur die doet denken aan Seafoam Green.<\/p>\n\n\n

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Naarmate Yungblud succes blijft groeien, verdwijnt de gitaar geleidelijk uit zijn muziekvideo\u2019s. Je moet de live\u2011versie van \u201c11 Minutes\u201d opzoeken om hem te zien spelen op een indrukwekkende Gibson SG 61 Cherry Red met Maestro vibrato, en voor \u201cWeird!\u201d in 2020 brengt hij de Telecaster uit zijn beginperiode weer terug.<\/p>\n\n\n\n

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Datzelfde jaar roept de video van \u201cStrawberry Lipstick\u201d visueel het \u201cKing Charles\u201d\u2011aesthetic op met twee torenhoge Marshall triple stacks (1959 Plexi\u2019s), en vooral zijn super\u2011sexy Cardinal Red Gibson Firebird VII.<\/p>\n\n\n\n

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The secrets of Yungblud\u2019s sound \u2013 amps and guitars<\/figcaption><\/figure>\n\n\n\n

Amps\/gitaren, het geluid van Yungblud \u2013 de rust tussen de stormen<\/strong><\/h2>\n\n\n\n

Punk als hij is, heeft akoestische gitaar een speciale plek in Yungblud\u2019s artistieke benadering. Het biedt zowel een directer kanaal voor emotie als een manier om de kwaliteit van zijn songwriting te laten spreken zonder epische productie. Al in 2018 bracht hij een tweede EP uit getiteld Yungblud (Unplugged)<\/a><\/strong><\/em>, met akoestische versies van de nummers van zijn gelijknamige debuut\u2011EP.<\/p>\n\n\n\n

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In zijn unplugged\u2011werk lijkt Yungblud zich te richten op Gibson, zoals te zien in een live akoestische versie van \u201cLoner\u201d waar hij een J\u201145 speelt. In de video voor \u201cDon\u2019t Feel Like Feeling Sad Today (Sad Version)\u201d ragt hij op een LG\u20112 met capo op de achtste fret, zittend op de rand van zijn bed. Kleine complicatie bij identificatie: de video is in zwart\u2011wit! Je zult \u2018m opnieuw moeten bekijken in de akoestische segmenten van Avril Lavigne\u2019s \u201cI\u2019m A Mess\u201d om de LG\u20112 in kleur te zien, met Cherry Sunburst afwerking.<\/p>\n\n\n\n

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Voor de live\u2011versie van hetzelfde nummer blijft Yungblud bij Gibson, en speelt hij een Hummingbird die versterkt wordt via een L.R. Baggs M1\u2011soundhole\u2011pickup.<\/p>\n\n\n\n

De man in de schaduw<\/strong><\/h2>\n\n\n\n

In diezelfde live\u2011video verschijnt een tweede gitarist in de schaduw van Yungblud, eveneens spelend op een Hummingbird. Adam Warrington is songwriter, producer, bassist en bovenal gitarist op alle tours van Yungblud vanaf het allereerste begin. De Schotse muzikant is een enorm waardevolle sonische bondgenoot die, in tegenstelling tot Yungblud zelf, zeer open is over zijn gear.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Als het om gitaren gaat, wordt hij vaak gespot met een zwarte Fender Classic Player Jazzmaster<\/a>. In \u201cKing Charles\u201d heeft hij een tortoise slagplaat, die later vervangen wordt door een witte \u2013 maar het is nog steeds dezelfde gitaar.<\/p>\n\n\n

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Over het algemeen heeft hij een uitgesproken voorkeur voor zwarte gitaren, waaronder een Gibson SG Standard<\/a>, een ES-335<\/a> en een Gretsch Duo Jet<\/a>.

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Hij bezit ook een sunburst Les Paul Standard<\/a> die te zien is in de video van \u201cStrawberry Lipstick\u201d \u2013 een gitaar waarvan de kop al twee keer gebroken is.<\/p>\n\n\n

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\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,959 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Qua versterkers combineert hij twee Britse klassiekers om een massief geluid te cre\u00ebren: een Hiwatt Custom 20 head en een Marshall Bluesbreaker 1962 combo. In de studio maakt hij ook gebruik van een Orange Tiny Terror<\/a>.<\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"1962\n <\/div>\n <\/div>\n \n \n
\n \n

Marshall<\/p>\n

1962 Bluesbreaker<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (5)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 1,799 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Rocker\n <\/div>\n <\/div>\n \n \n
\n \n

Orange<\/p>\n

Rocker 15 Terror<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (54)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 699 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

En over pedalen valt ook genoeg te zeggen. Hij gebruikt verschillende Boss multi-effecten (ES-8, RV-500<\/a>, DD-500<\/a> en MD-500<\/a>),<\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"RV-500\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

RV-500 Reverb<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (32)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 429 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"DD-500\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

DD-500 Digital Delay<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (69)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 387 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"MD-500\n <\/div>\n <\/div>\n \n \n
\n \n

Boss<\/p>\n

MD-500 Modulation<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (27)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 428 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

en twee JHS fuzzpedalen (de Mufuletta en Crayon) en natuurlijk de onmisbare DigiTech Whammy<\/a>. Met dit sonische arsenaal kan hij een breed spectrum aan texturen cre\u00ebren, terwijl Yungblud zich richt op de agressieve ritmepartijen.<\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"Muffuletta\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

JHS Pedals<\/p>\n

Muffuletta<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (8)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 259 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Crayon\"\n\n <\/div>\n <\/div>\n \n \n
\n \n

JHS Pedals<\/p>\n

Crayon<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (12)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 207 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Whammy\n <\/div>\n <\/div>\n \n \n
\n \n

Digitech<\/p>\n

Whammy 5<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (533)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 199 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

Signed Furax<\/strong><\/h2>\n\n\n\n

Yungblud behoort tot de artiesten die de liefde voor gitaren opnieuw hebben aangewakkerd bij jongere generaties, dus het was slechts een kwestie van tijd voordat hij zijn eigen signature-model kreeg. In 2024 kondigde Epiphone de release aan van de Yungblud SG Junior<\/a>.<\/p>\n\n\n

\n \n \n \n
\n \n
\n
\n \"YUNGBLUD\n <\/div>\n <\/div>\n \n \n
\n \n

Epiphone<\/p>\n

YUNGBLUD SG Junior CW<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (10)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 545 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n\n\n\n

Deze gitaar eert de glorieuze eenvoud van de vintage SG Junior en is geprijsd zodat ook fans met een kleiner budget hem kunnen aanschaffen. De gitaar is te zien in de video van \u201cI\u2019m A Mess\u201d met Avril Lavigne, tijdens de elektrische secties.<\/p>\n\n\n\n

\n
<\/div>
<\/div>

U bekijkt momenteel inhoud van een plaatshouder van YouTube<\/strong>. Klik op de knop hieronder om de volledige inhoud te bekijken. Houd er rekening mee dat u op deze manier gegevens deelt met providers van derden.<\/p> Meer informatie<\/a> <\/div>

Ontgrendel deze inhoud<\/a> Accepteer de vereiste service en deblokkeer de inhoud<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n\n\n\n

Maar Yungblud kijkt alweer vooruit \u2013 hij heeft laten weten dat hij voor zijn volgende signature-model een hollow body van Epiphone wil. Tijdens de opnames van Idols<\/em> gebruikte hij veelvuldig zijn zwarte Gibson ES-330 uit 1964. Adam Warrington gebruikte op zijn beurt een Epiphone Casino \u2013 twee modellen die opvallend veel gemeen hebben qua bouw: volledig hol, voorzien van P90-elementen.<\/p>\n\n\n\n

\n
\n \n \n \n
\n \n
\n
\n \"ES-330\n <\/div>\n <\/div>\n \n \n
\n \n

Gibson<\/p>\n

ES-330 Tobacco Sunburst<\/h3>\n <\/span>\n\n
\n Beoordeling 10.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (2)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 3,049 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n\n\n\n
\n \n \n \n
\n \n
\n
\n \"Casino\n <\/div>\n <\/div>\n \n \n
\n \n

Epiphone<\/p>\n

Casino Vintage Sunburst<\/h3>\n <\/span>\n\n
\n Beoordeling 9.00 van de\n 10<\/span>\n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n \n
\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n
\n <\/svg>\n <\/div>\n <\/div>\n\n
\n (21)\n <\/div>\n <\/div>\n<\/div>\n\n
\n \n 598 \u20ac <\/span>\n <\/div>\n\n <\/div>\n
\n \n \n Bekijk product\n <\/span>\n <\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n <\/div>\n<\/div>\n<\/div>\n\n\n\n

Yungblud\u2019s Sound \u2013 Amps and Guitars<\/h2>\n\n\n

De amps\/gitaren, ofwel de geheimen van het unieke geluid van\u2026 Yungblud!<\/p>\n\n\n

We hebben zijn laatste verrassing nog niet gezien \u2013 en de kans is groot dat men in Nashville al werkt aan de volgende Yungblud.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

Changes<\/strong><\/h3>\n\n\n\n

Edit: Yungblud bracht een krachtige cover van \u201cChanges\u201d oorspronkelijk van Black Sabbath, tijdens het \u201cBack to the Beginning\u201d benefietconcert, dat volledig in het teken stond van Ozzy Osbourne. Een emotioneel en intens moment dat nu, na Ozzy\u2019s recente overlijden, des te harder binnenkomt. Een passend eerbetoon van de ene generatie aan de andere \u2013 aan een legende die duidelijk iets van zichzelf herkende in Yungblud. \ud83d\udda4<\/p>\n\n\n\n

\n
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U bekijkt momenteel inhoud van een plaatshouder van YouTube<\/strong>. Klik op de knop hieronder om de volledige inhoud te bekijken. Houd er rekening mee dat u op deze manier gegevens deelt met providers van derden.<\/p> Meer informatie<\/a> <\/div>

Ontgrendel deze inhoud<\/a> Accepteer de vereiste service en deblokkeer de inhoud<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"

Ontdek hoe Yungblud zijn kenmerkende sound vormt \u25b6\ufe0e Met krachtige gitaren en legendarische versterkers die zijn genre-overstijgende discografie ondersteunen \u2713 <\/p>\n","protected":false},"author":23,"featured_media":10001341,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1120],"tags":[],"class_list":["post-10001340","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts\/10001340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/comments?post=10001340"}],"version-history":[{"count":4,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts\/10001340\/revisions"}],"predecessor-version":[{"id":10001358,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/posts\/10001340\/revisions\/10001358"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/media\/10001341"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/media?parent=10001340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/categories?post=10001340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/nl\/wp-json\/wp\/v2\/tags?post=10001340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}