{"id":402417,"date":"2019-12-29T15:51:32","date_gmt":"2019-12-29T14:51:32","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=402417"},"modified":"2020-04-02T19:20:16","modified_gmt":"2020-04-02T17:20:16","slug":"hit-the-tone-michael-kiwanuka-2","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/it\/gear\/hit-the-tone-michael-kiwanuka-2\/","title":{"rendered":"Hit the Tone! Michael Kiwanuka"},"content":{"rendered":"<h3 style=\"text-align: center;\">Ti aiutiamo a suonare cool come Michael Kiwanuka<\/h3>\n<h3 style=\"text-align: center;\">S\u00ec, quello che ha rivitalizzato la musica soul.<\/h3>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/12\/Kiwanuka.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-400311\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/12\/Kiwanuka.jpg\" alt=\"\" width=\"410\" height=\"410\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Kiwanuka.jpg 820w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Kiwanuka-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Kiwanuka-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Kiwanuka-768x768.jpg 768w\" sizes=\"(max-width: 410px) 100vw, 410px\" \/><\/a><\/p>\n<p>Esatto. Il ragazzino che \u00e8 saltato alla ribalta come un nuovo <a href=\"https:\/\/open.spotify.com\/artist\/5cHmjJA9Lo0ga8s8QdxEzs\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Terry Callier<\/strong><\/a> (il suo pezzo &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=kJ4s3G7hgR4\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Home Again<\/strong><\/a>&#8221; ne \u00e8 l&#8217;esempio perfetto) e ha inciso il suo secondo album dopo che <strong>Kanye<\/strong> <strong>West<\/strong> l&#8217;ha praticamente implorato di continuare a fare musica. Fu cos\u00ec che nacque <em><strong>Love &amp; Hate<\/strong><\/em> (2016, Polydor). Un disco che ci mostra un <strong>Kiwanuka<\/strong> imponente, che si scrolla di dosso il timore del <strong>debutto<\/strong> e si erge in tutta la sua <strong>magnificenza<\/strong>. Il <strong>londinese<\/strong> sa quel che fa. Ed \u00e8 proprio la gran consapevolezza di se che lo porta a creare il suo disco migliore, il terzo: <em><strong>Kiwanuka<\/strong><\/em> (2019, Polydor), coadiuvato dal talento di <strong>Danger<\/strong> <strong>Mouse<\/strong> e della new-entry Inflo. Soul brillante, moderno e classico allo stesso tempo.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Cosa s&#8217;intende con\u00a0<em>vintage<\/em><\/h3>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iU29saWQgR3JvdW5kIiB3aWR0aD0iNTAwIiBoZWlnaHQ9IjM3NSIgc3JjPSJodHRwczovL3d3dy55b3V0dWJlLW5vY29va2llLmNvbS9lbWJlZC96T193bUV6Zk1SWT9mZWF0dXJlPW9lbWJlZCIgZnJhbWVib3JkZXI9IjAiIGFsbG93PSJhY2NlbGVyb21ldGVyOyBhdXRvcGxheTsgY2xpcGJvYXJkLXdyaXRlOyBlbmNyeXB0ZWQtbWVkaWE7IGd5cm9zY29wZTsgcGljdHVyZS1pbi1waWN0dXJlOyB3ZWItc2hhcmUiIHJlZmVycmVycG9saWN5PSJzdHJpY3Qtb3JpZ2luLXdoZW4tY3Jvc3Mtb3JpZ2luIiBhbGxvd2Z1bGxzY3JlZW4+PC9pZnJhbWU+\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Dai un ascolto alla <strong>canzone<\/strong> qui <strong>sopra<\/strong>, &#8220;<strong>Solid<\/strong> <strong>Ground<\/strong>&#8220;. Sentito? \u00c8 questo ci\u00f2 di cui parliamo. Kiwanuka era solito accompagnarsi solo della <strong>chitarra<\/strong> <strong>acustica<\/strong>. Danger Mouse ha portato elementi nuovi nel suo sound, tra cui un <a href=\"https:\/\/en.wikipedia.org\/wiki\/Prophet-5\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>sintetizzatore Prophet 5<\/strong><\/a> degli <strong>anni &#8217;70<\/strong> &#8211; un sintetizzatore leggendario al punto da godere di un <a href=\"http:\/\/users.telenet.be\/prophet-5\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>sito-tributo ad esso dedicato<\/strong><\/a>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-402392\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/12\/Sphynx-Prophet-5.png\" alt=\"\" width=\"500\" height=\"653\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Sphynx-Prophet-5.png 500w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Sphynx-Prophet-5-230x300.png 230w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Un altro mezzo per arrivare al sound di Kiwanuka \u00e8 sicuramente la <a href=\"https:\/\/www.thomann.de\/it\/modelli_st.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fender%20stratocaster&amp;filter=true&amp;manufacturer%5B0%5D=Fender&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Stratocaster<\/strong><\/a>, la <strong>chitarra<\/strong> <strong>elettrica<\/strong> per eccellenza e uno dei modelli pi\u00f9 iconici, se non il pi\u00f9 famoso, di tutti i tempi.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/fender_am_pro_strat_rw_bk.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-400316\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/12\/Strat-AM-Pro.jpg\" alt=\"\" width=\"128\" height=\"400\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Strat-AM-Pro.jpg 128w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Strat-AM-Pro-96x300.jpg 96w\" sizes=\"(max-width: 128px) 100vw, 128px\" \/><\/a><\/p>\n<p>Danger Mouse \u00e8 <strong>ricordato<\/strong> soprattutto per aver fuso la <strong>musica di Jay-Z<\/strong> coi <strong>campionamenti<\/strong> dei <strong>Beatles<\/strong>. Un mix di <strong>tradizione<\/strong> e <strong>avanguardia<\/strong> che gli hanno permesso di diventare il re indiscusso della fusione tra <strong>vecchio<\/strong> e <strong>nuovo<\/strong>. Gli strumenti pi\u00f9 utilizzati sono principalmente i due raffigurati qui sotto:<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-402417 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"146\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Electribe-Sampler-Red-300x146.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-402214\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Electribe-Sampler-Red-300x146.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Korg-Electribe-Sampler-Red.png 740w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-402214'>\n\t\t\t\tKorg Electribe Sampler\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"188\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Roland-MC-707-300x188.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-402398\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Roland-MC-707-300x188.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Roland-MC-707.png 622w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-402398'>\n\t\t\t\tRoland MC-707\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Tre metodi per ottenere sound &#8216;vintage: strumenti <strong>realizzati<\/strong>, <strong>fisicamente<\/strong>, <strong>decenni<\/strong> <strong>fa<\/strong>; strumenti <strong>disegnati<\/strong> e <strong>pensati tra gli anni &#8217;60 e gli anni &#8217;80<\/strong> (nonostante in produzione ancora oggi) e strumenti <strong>moderni creati e pensati per riprodurre i suoni retr\u00f2<\/strong> attraverso la <strong>campionatura<\/strong> o la sintesi sonora. In quest&#8217;articolo ci focalizzeremo sugli strumenti che, al giorno d&#8217;oggi, si possono reperire facilmente in <strong>negozio<\/strong>. D&#8217;altronde, non molte persone hanno un <a href=\"https:\/\/en.wikipedia.org\/wiki\/Neve_8078\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Neve 8078<\/strong><\/a> in garage.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVmludGFnZSBLaW5nIFRlY2ggU2hvcCAvLyA4MDc4IENvbnNvbGUgUmVzdG9yYXRpb24iIHdpZHRoPSI1MDAiIGhlaWdodD0iMjgxIiBzcmM9Imh0dHBzOi8vd3d3LnlvdXR1YmUtbm9jb29raWUuY29tL2VtYmVkL0ZMVHd1bm9lVjgwP2ZlYXR1cmU9b2VtYmVkIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImFjY2VsZXJvbWV0ZXI7IGF1dG9wbGF5OyBjbGlwYm9hcmQtd3JpdGU7IGVuY3J5cHRlZC1tZWRpYTsgZ3lyb3Njb3BlOyBwaWN0dXJlLWluLXBpY3R1cmU7IHdlYi1zaGFyZSIgcmVmZXJyZXJwb2xpY3k9InN0cmljdC1vcmlnaW4td2hlbi1jcm9zcy1vcmlnaW4iIGFsbG93ZnVsbHNjcmVlbj48L2lmcmFtZT4=\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<hr \/>\n<h3 style=\"text-align: center;\">Come far suonare la tua chitarra.. &#8220;vintage&#8221;<\/h3>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-402417 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"94\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Firebird-94x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Firebird-94x300.jpg 94w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Firebird.jpg 125w\" sizes=\"(max-width: 94px) 100vw, 94px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"99\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Les-Paul-99x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Les-Paul-99x300.jpg 99w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Les-Paul.jpg 132w\" sizes=\"(max-width: 99px) 100vw, 99px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"97\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Tele-97x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Tele-97x300.jpg 97w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Tele.jpg 129w\" sizes=\"(max-width: 97px) 100vw, 97px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"97\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Strat-97x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Strat-97x300.jpg 97w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Strat.jpg 129w\" sizes=\"(max-width: 97px) 100vw, 97px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>C&#8217;\u00e8 una convinzione che dice, grossomodo, che nessun metodo di <strong>post<\/strong>&#8211;<strong>produzione<\/strong> riuscir\u00e0 a modificare il suono di uno strumento moderno e renderlo &#8220;<strong>vintage<\/strong>&#8220;. Ed \u00e8 per questo che lo strumento va scelto come la materia prima per il cibo: di <strong>buona<\/strong> <strong>qualit\u00e0<\/strong>. Che tu abbia gi\u00e0 una chitarra o meno, l&#8217;importante \u00e8 partire da un buon suono pulito e convincente. Una <a href=\"https:\/\/www.thomann.de\/it\/gibson_firebird_tb.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Gibson Firebird<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/search.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=gibson%20lespaul&amp;filter=true&amp;manufacturer%5B0%5D=Gibson&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Gibson Les Paul<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/modelli_t.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fender%20telecaster&amp;filter=true&amp;manufacturer%5B0%5D=Fender&amp;smuuid=54d23ed1-2e5d-4aab-b8bf-7343cb8e0758&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Telecaster<\/strong><\/a>\u00a0o <a href=\"https:\/\/www.thomann.de\/it\/modelli_st.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fender%20stratocaster&amp;filter=true&amp;manufacturer%5B0%5D=Fender&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Stratocaster<\/strong><\/a>\u00a0sono tutte ottime scelte. Giocando coi potenziometri di tono e volume e la miscellazione dei pickup sar\u00e0 possibile ottenere ottimi suoni. Per il sound di <strong>Kiwanuka<\/strong> \u00e8 certamente pi\u00f9 indicata una chitarra con i <strong>single<\/strong> <strong>coil<\/strong>. D&#8217;altronde, egli stesso usa Stratocaster:<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iTWljaGFlbCBLaXdhbnVrYSB8IEZlZWRiYWNrOiBFcGlzb2RlIDUgfCBGZW5kZXIiIHdpZHRoPSI1MDAiIGhlaWdodD0iMjgxIiBzcmM9Imh0dHBzOi8vd3d3LnlvdXR1YmUtbm9jb29raWUuY29tL2VtYmVkLzkwak9UMlZ5MEhvP2ZlYXR1cmU9b2VtYmVkIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImFjY2VsZXJvbWV0ZXI7IGF1dG9wbGF5OyBjbGlwYm9hcmQtd3JpdGU7IGVuY3J5cHRlZC1tZWRpYTsgZ3lyb3Njb3BlOyBwaWN0dXJlLWluLXBpY3R1cmU7IHdlYi1zaGFyZSIgcmVmZXJyZXJwb2xpY3k9InN0cmljdC1vcmlnaW4td2hlbi1jcm9zcy1vcmlnaW4iIGFsbG93ZnVsbHNjcmVlbj48L2lmcmFtZT4=\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Le corde? <strong>Nichel<\/strong> (come le <a href=\"https:\/\/www.thomann.de\/it\/ernie_ball_2221_regular_slinky.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Ernie Ball 2221<\/strong><\/a> o le\u00a0<a href=\"https:\/\/www.thomann.de\/it\/fender_hendrix_voodoo_child_be_nickel.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Hendrix Voodoo Child BE Nickel<\/strong><\/a>) e passa la paura. &#8216;<strong>Invecchiandole<\/strong>&#8216; un po&#8217; sar\u00e0 possibile ottenere un suono meno &#8216;<strong>metallico<\/strong>&#8216;, tipico da corde fresche.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-402417 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"251\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Ernie-Ball-2221-251x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Ernie-Ball-2221-251x300.png 251w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Ernie-Ball-2221.png 342w\" sizes=\"(max-width: 251px) 100vw, 251px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-Hendrix-Voodoo-Child-BE-Nickel-290x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-Hendrix-Voodoo-Child-BE-Nickel-290x300.png 290w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-Hendrix-Voodoo-Child-BE-Nickel.png 409w\" sizes=\"(max-width: 290px) 100vw, 290px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Beh a posto, no?<\/h3>\n<p>No assolutamente. I <strong>pedali<\/strong> sono importanti quanto la chitarra. Non <strong>molti<\/strong>, a dir la verit\u00e0, ma mirati e specifici per ottenere il sound che abbiamo in mente. Il <strong>vintage<\/strong> \u00e8 spesso associato al <a href=\"https:\/\/www.thomann.de\/it\/pedali_distorsione.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fuzz&amp;amp%3Bsmuuid=d4d2fd68-1534-4892-a91b-c6e0eeb59a94&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>fuzz<\/strong><\/a>, ma Kiwanuka preferisce <strong>l&#8217;overdrive<\/strong>, pi\u00f9 caldo e soft. Mischiando la <strong>distorsione<\/strong> <strong>dell&#8217;amplificatore<\/strong> e <strong>l&#8217;overdrive<\/strong> sar\u00e0 possibile ottenere una texture solida e &#8216;cremosa&#8217;.<\/p>\n<h3 style=\"text-align: center;\">OK, ma che pedale prendo?<\/h3>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-402417 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"165\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Boss-BD-2w-Blues-Driver-165x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Boss-BD-2w-Blues-Driver-165x300.png 165w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Boss-BD-2w-Blues-Driver.png 246w\" sizes=\"(max-width: 165px) 100vw, 165px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"139\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Mooer-Blues-Crab-139x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Mooer-Blues-Crab-139x300.png 139w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Mooer-Blues-Crab.png 210w\" sizes=\"(max-width: 139px) 100vw, 139px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"162\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Xotic-SL-Drive-162x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Xotic-SL-Drive-162x300.png 162w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Xotic-SL-Drive.png 246w\" sizes=\"(max-width: 162px) 100vw, 162px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Joyo-R-05-Maximum-Overdrive-300x200.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Joyo-R-05-Maximum-Overdrive-300x200.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Joyo-R-05-Maximum-Overdrive.png 635w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Le opzioni pi\u00f9 gettonate? <a href=\"https:\/\/www.thomann.de\/it\/boss_bd_2w_blues_driver.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Boss BD-2w Blues Driver<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/mooer_blues_crab.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Mooer Blues Crab<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/xotic_sl_drive.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Xotic SL Drive <\/strong><\/a>e <a href=\"https:\/\/www.thomann.de\/it\/joyo_r_05_zip_maximum_overdrive.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Joyo R-05 Maximum Overdrive<\/strong><\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-402417 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"251\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/EHX-Holy-Grail-Max-251x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/EHX-Holy-Grail-Max-251x300.jpg 251w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/EHX-Holy-Grail-Max.jpg 501w\" sizes=\"(max-width: 251px) 100vw, 251px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"186\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/TC-Electronic-Hall-of-Fame-2--186x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-5-401741\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/TC-Electronic-Hall-of-Fame-2--186x300.jpg 186w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/TC-Electronic-Hall-of-Fame-2-.jpg 371w\" sizes=\"(max-width: 186px) 100vw, 186px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-5-401741'>\n\t\t\t\tHyperFocal: 0\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"246\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-Tre-Verb--246x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-Tre-Verb--246x300.jpg 246w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-Tre-Verb-.jpg 492w\" sizes=\"(max-width: 246px) 100vw, 246px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"179\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Behringer-VD400--179x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Behringer-VD400--179x300.jpg 179w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Behringer-VD400-.jpg 357w\" sizes=\"(max-width: 179px) 100vw, 179px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>In aggiunta, \u00e8 necessario abbinare qualche pedale d&#8217;ambiente\/effetto. L&#8217;<a href=\"https:\/\/www.thomann.de\/it\/electro_harmonix_holy_grail_max.htm\"><strong>Electro Harmonix Holy Grail Max<\/strong><\/a>\u00a0e il <a href=\"https:\/\/www.thomann.de\/it\/tc_electronic_hall_of_fame_2.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>tc electronic <\/strong><strong>Hall of Fame 2<\/strong><\/a>\u00a0sono due pedali rinomati e ben rodati per quanto riguarda la parte del <strong>reverbero<\/strong>. I settaggi non devono essere esagerati, a meno che lo scopo non sia quello di infondere un po&#8217; d&#8217;anima surf-rock nel genere. Il <a href=\"https:\/\/www.thomann.de\/it\/fender_tri_verb.htm\"><strong>Fender Tre-Verb<\/strong><\/a> e il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/behringer_vd400.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Behringer VD400<\/strong><\/a>, due ottimi pedali <strong>delay<\/strong> (e <strong>tremolo<\/strong>, come nel caso del Tre-Verb) permetteranno di dare pi\u00f9 spessore e carattere al suono.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Okay, sono pronto<\/h3>\n<p>No! Dimentichi <strong>l&#8217;amplificatore<\/strong> \ud83d\ude09 <a href=\"https:\/\/www.thomann.de\/it\/supro_1605r_reverb.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Supro 1605R Reverb<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/vox_ac30s1.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Vox AC30S1<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/fender_65_deluxe_reverb.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender 65 Deluxe Reverb<\/strong><\/a> and <strong><a href=\"https:\/\/www.thomann.de\/it\/fender_57_custom_deluxe.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Fender 57 Custom Deluxe<\/a>\u00a0&#8211;\u00a0<a href=\"https:\/\/www.thomann.de\/it\/combo_valvolari_per_chitarre.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=vox%20ac30&amp;smuuid=db996745-9264-4d05-a0f4-20de2ae90e84&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">quattro amplificatori a valvole<\/a><\/strong> ideali per suonare musica vintage. Il segreto? Non esagerare col <strong>gain<\/strong> &#8211; il quale peraltro non \u00e8 quasi mai <strong>regolabile<\/strong>; sar\u00e0 necessario trovare un buon sound e far fare alle <strong>valvole<\/strong> (tirando il collo al <strong>master<\/strong>) il resto del lavoro.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-402417 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"284\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Supro-1605R-Reverb-300x284.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Supro-1605R-Reverb-300x284.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Supro-1605R-Reverb.png 478w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Vox-AC30S1-300x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Vox-AC30S1-300x300.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Vox-AC30S1-150x150.png 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Vox-AC30S1.png 442w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"261\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-65-Deluxe-Reverb-300x261.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-65-Deluxe-Reverb-300x261.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-65-Deluxe-Reverb.png 526w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"297\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-57-Custom-Deluxe-297x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-57-Custom-Deluxe-297x300.png 297w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Fender-57-Custom-Deluxe.png 412w\" sizes=\"(max-width: 297px) 100vw, 297px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><strong>Chitarra<\/strong>, pick-up single coil, corde in nichel, overdrive, reverbero, delay e ampli a valvole. Ho tutto. Per\u00f2&#8230; sono anche un <strong>cantante<\/strong>!<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Ti servono anche i microfoni.<\/h3>\n\n\t\t<style>\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-7' class='gallery galleryid-402417 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"139\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Coles-4038-Studio-Ribbon-139x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Coles-4038-Studio-Ribbon-139x300.png 139w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Coles-4038-Studio-Ribbon.png 204w\" sizes=\"(max-width: 139px) 100vw, 139px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"142\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/the-t.bone-RB-500-142x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/the-t.bone-RB-500-142x300.png 142w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/the-t.bone-RB-500.png 207w\" sizes=\"(max-width: 142px) 100vw, 142px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"155\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Sontronics-Delta-2-155x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Sontronics-Delta-2-155x300.png 155w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Sontronics-Delta-2.png 224w\" sizes=\"(max-width: 155px) 100vw, 155px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"143\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Golden-Age-Project-R1-Tube-active-143x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Golden-Age-Project-R1-Tube-active-143x300.png 143w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Golden-Age-Project-R1-Tube-active.png 207w\" sizes=\"(max-width: 143px) 100vw, 143px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Per ottenere un sound vintage la via pi\u00f9 semplice \u00e8 sicuramente il <strong>microfono<\/strong> a <a href=\"https:\/\/www.thomann.de\/it\/microfoni_a_nastro.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>nastro<\/strong><\/a>, costituito da una <strong>striscia<\/strong> di <strong>alluminio<\/strong> <strong>arricciata<\/strong> che si muove attraverso <strong>due<\/strong> <strong>magneti<\/strong>. Col movimento, per via <strong>dell&#8217;induzione<\/strong> <strong>magnetica<\/strong>, viene generato un <strong>segnale<\/strong> <strong>elettrico<\/strong> che riproduce il suono della membrana che si muove. Pi\u00f9 o meno lo stesso principio dei pick-up per <strong>chitarra<\/strong> e <strong>basso<\/strong>. Durante il secolo scorso, i microfoni a <strong>nastro<\/strong> erano i pi\u00f9 diffusi. Vennero rimpiazzati dai <strong>microfoni<\/strong> a <strong>condensatore<\/strong>, dotati di un range di frequenze molto pi\u00f9 ampio (dato che i microfoni a nastro attenuano le frequenze attorno ai <strong>14<\/strong> <strong>kHz<\/strong>, dove risiede &#8220;l&#8217;aria&#8221; della voce.<\/p>\n<p>La rinnovata popolarit\u00e0 dei microfoni a nastro \u00e8 dovuta principalmente al rifiuto della &#8220;<strong>perfezione<\/strong>&#8221; <strong>digitale<\/strong> dei microfoni <strong>moderni<\/strong>. Si cerca quindi di riprodurre qualcosa di imperfetto, che abbia&#8230; <strong>carattere<\/strong>!<\/p>\n<p>Quattro ottimi microfoni a nastro: <a href=\"https:\/\/www.thomann.de\/it\/coles_4038_studio_ribbon.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Coles 4038 Studio Ribbon<\/strong><\/a>, il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/the_tbone_rb500.htm\"><strong>t.bone RB 500<\/strong><\/a>, il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/sontronics_delta_2.htm\"><strong>Sontronics Delta 2<\/strong><\/a> e il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/golden_age_project_r1_tube_active.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Golden Age Project R1 Tube<\/strong><\/a><\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iQ29sZXMgNDAzOCB8IE1pY3JvcGhvbmUgfCBWaW50YWdlIEtpbmciIHdpZHRoPSI1MDAiIGhlaWdodD0iMjgxIiBzcmM9Imh0dHBzOi8vd3d3LnlvdXR1YmUtbm9jb29raWUuY29tL2VtYmVkLzVQaWNkYjR0TXpnP2ZlYXR1cmU9b2VtYmVkIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImFjY2VsZXJvbWV0ZXI7IGF1dG9wbGF5OyBjbGlwYm9hcmQtd3JpdGU7IGVuY3J5cHRlZC1tZWRpYTsgZ3lyb3Njb3BlOyBwaWN0dXJlLWluLXBpY3R1cmU7IHdlYi1zaGFyZSIgcmVmZXJyZXJwb2xpY3k9InN0cmljdC1vcmlnaW4td2hlbi1jcm9zcy1vcmlnaW4iIGFsbG93ZnVsbHNjcmVlbj48L2lmcmFtZT4=\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<hr \/>\n<h3 style=\"text-align: center;\">E per i batteristi?<\/h3>\n<p>Il nostro tanto ambito progetto vintage finir\u00e0 alle ortiche se non facciamo attenzione alla <strong>batteria<\/strong> e allo <strong>stile<\/strong>\u00a0d&#8217;esecuzione. Un kit moderno con un batterista tecnico non sono esattamente buoni presupposti da cui partire. Cercare di riprodurre i kit di una volta \u00e8 il primo passo:<\/p>\n\n\t\t<style>\n\t\t\t#gallery-8 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-8 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-8' class='gallery galleryid-402417 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"289\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Remo-14-Fiberskyn-3-Medium-FA-289x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-8-402385\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Remo-14-Fiberskyn-3-Medium-FA-289x300.png 289w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Remo-14-Fiberskyn-3-Medium-FA.png 416w\" sizes=\"(max-width: 289px) 100vw, 289px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-402385'>\n\t\t\t\tRemo 14&#8243; Fiberskyn 3 Medium (FA)\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Remo-12-Fiberskyn-3-Medium-FA-300x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-8-402384\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Remo-12-Fiberskyn-3-Medium-FA-300x300.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Remo-12-Fiberskyn-3-Medium-FA-150x150.png 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Remo-12-Fiberskyn-3-Medium-FA.png 419w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-8-402384'>\n\t\t\t\tRemo 12&#8243; Fiberskyn 3 Medium (FA)\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Per le <strong>pelli<\/strong>: pelli <strong>d&#8217;animale<\/strong>, e non sintetiche. Restituiscono un suono caldo e leggermente scuro. Per chi \u00e8 <strong>enviroment<\/strong>&#8211;<strong>friendly<\/strong>, consigliamo le pelli in pelle sintetica offerte da <a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?sw=fiberskyn%20remo&amp;smcs=9dc01c_1308&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fiberskyn<\/strong><\/a> e <a href=\"https:\/\/www.thomann.de\/it\/remo.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Remo<\/strong><\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-9 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-9 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-9' class='gallery galleryid-402417 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"228\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Aquarian-20-Super-Kick-II-Clear-300x228.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-9-402386\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Aquarian-20-Super-Kick-II-Clear-300x228.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Aquarian-20-Super-Kick-II-Clear.png 549w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-402386'>\n\t\t\t\tAquarian 20&#8243; Super Kick II Clear\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"182\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Vater-VBVB-BD-Beater-Vintage-Bomber-300x182.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-9-402387\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Vater-VBVB-BD-Beater-Vintage-Bomber-300x182.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Vater-VBVB-BD-Beater-Vintage-Bomber.png 691w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-9-402387'>\n\t\t\t\tVater VBVB BD Beater Vintage Bomber\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Il <a href=\"https:\/\/www.thomann.de\/it\/20_inch_bassdrum_heads.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>foro nella pelle della grancassa (frontale)<\/strong><\/a> inizi\u00f2 ad essere usata negli anni &#8217;70. Le casse non venivano riempite e, di conseguenza, il suono era <strong>pieno<\/strong> e <strong>arioso<\/strong>. L&#8217;unica differenza fra i vari generi musicali veniva data <strong>dall&#8217;esecuzione<\/strong> stessa del batterista e <strong>dall&#8217;accordatura<\/strong> delle pelli. Il <a href=\"https:\/\/www.thomann.de\/it\/vater_vbvb_bd_beater_vintage_bomber.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>battente del pedale della grancassa in feltro o lana sintetica<\/strong><\/a> restituisce un sound <strong>ovattato<\/strong>, molto <strong>vintage<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-10 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-10 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-10' class='gallery galleryid-402417 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"145\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Meinl-16-Byzance-Vintage-Crash-300x145.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-10-402388\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Meinl-16-Byzance-Vintage-Crash-300x145.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Meinl-16-Byzance-Vintage-Crash-768x371.png 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Meinl-16-Byzance-Vintage-Crash.png 914w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-402388'>\n\t\t\t\tMeinl 16&#8243; Byzance Vintage Crash\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"198\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Zildjian-20-Kerope-Ride-300x198.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-10-402389\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Zildjian-20-Kerope-Ride-300x198.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/12\/Zildjian-20-Kerope-Ride.png 639w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-402389'>\n\t\t\t\tZildjian 20&#8243; Kerope Ride\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Per quanto riguarda i <a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=vintage%20cymbal&amp;smcs=1f2285_1213\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>piatti<\/strong><\/a> va ricordato che quelli di <strong>diametro da 20&#8243;<\/strong> non sono sempre esistiti. Per un suono <strong>swing<\/strong> <strong>anni<\/strong> &#8216;<strong>30<\/strong> non sono l&#8217;ideale. I <a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=vintage%20ride&amp;smcs=1f2285_230468\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>ride<\/strong><\/a> sono apparsi durante i primi anni &#8217;40, ed erano molto pi\u00f9 <strong>leggeri<\/strong> e <strong>sottili<\/strong> rispetto a quelli moderni.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Conclusione<\/h3>\n<p>Come abbiamo detto ad inizio articolo, gli <strong>effetti<\/strong> e i <strong>metodi<\/strong> di <strong>incisione<\/strong> hanno il loro ruolo nella ricerca del suono <strong>vintage<\/strong>. La cosa pi\u00f9 importante rimane <strong>l&#8217;intenzione<\/strong> del musicista e il <strong>suono<\/strong> <strong>naturale<\/strong> dello strumento che sta suonando. Non \u00e8 impossibile far suonare una Jackson con gli EMG decente per il jazz, ma non \u00e8 lo strumento pi\u00f9 <strong>indicato<\/strong> e non rende tanto quanto uno strumento pi\u00f9 <strong>consono<\/strong>. Ascolta i tuoi <strong>dischi<\/strong> <strong>preferiti<\/strong> e cerca di <strong>cogliere<\/strong> le <strong>sfumature<\/strong> e le particolarit\u00e0 del genere, per cercare di riprodurli.<\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-3332481769\"><div class=\"advads-adlabel\">ANNUNCIO<\/div><div id=\"advads-2021323348\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_IT_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Oggi parliamo di un artista molto interessante seppur sconosciuto ai pi\u00f9 \ud83d\ude09 <\/p>\n","protected":false},"author":25,"featured_media":403766,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10728,1285,10692],"tags":[],"class_list":["post-402417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-didattica","category-gear","category-ispirazione"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":6,"formatted":"6 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/402417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/comments?post=402417"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/402417\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media\/403766"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media?parent=402417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/categories?post=402417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/tags?post=402417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}