{"id":399065,"date":"2019-12-01T18:54:40","date_gmt":"2019-12-01T17:54:40","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=399065"},"modified":"2020-04-02T15:09:16","modified_gmt":"2020-04-02T13:09:16","slug":"hit-the-tone-i-segreti-del-post-punk","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/it\/gear\/hit-the-tone-i-segreti-del-post-punk\/","title":{"rendered":"Hit the Tone! I segreti del post-punk"},"content":{"rendered":"<h3 style=\"text-align: center;\">Story time!<\/h3>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-397925\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/11\/Postpunk-art.png\" alt=\"\" width=\"705\" height=\"437\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Postpunk-art.png 705w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Postpunk-art-300x186.png 300w\" sizes=\"(max-width: 705px) 100vw, 705px\" \/><\/p>\n<p>I fan del genere sanno che l&#8217;esplosione del <strong>punk<\/strong> nel<strong> &#8217;77<\/strong> port\u00f2 a due grandi diramazioni del genere: l&#8217;ondata pi\u00f9 <strong>melodica<\/strong> e commerciale venne definitiva &#8220;<strong>New Wave<\/strong>&#8220;. La vena pi\u00f9 <strong>cruda<\/strong>, <strong>violenta<\/strong> e non <strong>convenzionale<\/strong> venne denominata &#8220;<strong>Post-punk<\/strong>&#8221; &#8211; prendendo l&#8217;essenzialit\u00e0 degli elementi che crearono il genere punk e creando nuovi paradigmi sonori. Una &#8216;rivisitazione&#8217; del <strong>rock&#8217;n&#8217;roll<\/strong> degli <strong>anni &#8217;50<\/strong>, con elementi del <strong>progressive<\/strong> e del <strong>classic<\/strong> <strong>rock<\/strong>, il post punk mirava ad essere una valida alternativa <strong>industrial<\/strong> alla musica mainstream (che gett\u00f2 le basi per quello che poi divenne <strong>l&#8217;indie<\/strong> <strong>rock<\/strong>). La rottura coi generi precedenti era ben chiara: il <strong>basso<\/strong> \u00e8 <strong>l&#8217;epicentro<\/strong> della <strong>melodia<\/strong>, le chitarre sono &#8220;<strong>congelate<\/strong>&#8221; agli <strong>angoli<\/strong> e <strong>l&#8217;avanguardia<\/strong> <strong>culturale<\/strong> non ha nulla a che vedere con i temi &#8220;<strong>semplicistici<\/strong>&#8221; del rock &#8216;n&#8217; roll.<\/p>\n<p>In questo episodio di <strong>Hit<\/strong> <strong>the<\/strong> <strong>Tone<\/strong> cercheremo di ricreare un sound <strong>freddo<\/strong>, <strong>scuro<\/strong>, &#8216;<strong>spigoloso<\/strong>&#8216;, adatto al genere. E ora, fuori dalla comfort zone!<\/p>\n<h3 style=\"text-align: center;\">Prima di tutto, la chitarra:<\/h3>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/11\/Rowland.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-397929\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/11\/Rowland.png\" alt=\"\" width=\"481\" height=\"419\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Rowland.png 481w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Rowland-300x261.png 300w\" sizes=\"(max-width: 481px) 100vw, 481px\" \/><\/a><\/p>\n<p>Per capire che chitarra usare nel genere sar\u00e0 sufficiente osservare cosa usavano i <strong>pionieri<\/strong> del genere. <strong>Rowland<\/strong> <strong>S. Howard<\/strong>, ad esempio, chitarrista dei <strong>The<\/strong> <strong>Birthday<\/strong> <strong>Party<\/strong> e dei <strong>The<\/strong> <strong>Bad<\/strong> <strong>Seeds<\/strong>, utilizzava chitarre <strong>Fender<\/strong>. Nel <strong>post-punk<\/strong> \u00e8 cruciale partire da un buon sound pulito e definito, dato che verr\u00e0 totalmente rivoluzionato e stravolto dall&#8217;utilizzo <strong>MASSIVO<\/strong> dei pedali effetto.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-399065 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"111\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Jazzmaster-111x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397935\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Jazzmaster-111x300.png 111w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Jazzmaster.png 157w\" sizes=\"(max-width: 111px) 100vw, 111px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397935'>\n\t\t\t\tJazzmaster\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"112\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Jaguar-112x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397934\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Jaguar-112x300.png 112w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Jaguar.png 166w\" sizes=\"(max-width: 112px) 100vw, 112px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397934'>\n\t\t\t\tJaguar\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"110\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Tele-110x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397933\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Tele-110x300.png 110w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Tele.png 161w\" sizes=\"(max-width: 110px) 100vw, 110px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397933'>\n\t\t\t\tTelecaster\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"114\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Strat-114x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-397932\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Strat-114x300.png 114w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Strat.png 164w\" sizes=\"(max-width: 114px) 100vw, 114px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-397932'>\n\t\t\t\tStratocaster\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Le chitarre qui sopra sono i modelli pi\u00f9 usati nel post-punk, dato che rispecchiano le caratteristiche previste dal genere. Bisogna anche tenere a mente che, per quanto il post-punk derivi dal punk, non c&#8217;\u00e8 la minima traccia del <strong>garage<\/strong> <strong>rock<\/strong> nel genere &#8211; quindi non si cerca il sound grosso e potente (e magari meno definito). <a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fender%20jazzmaster&amp;amp%3Bsmcs=707f08_2061&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jazzmaster<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fender%20jaguar&amp;amp%3Bsmcs=707f08_2102&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jaguar<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fender%20telecaster&amp;amp%3Bsmcs=707f08_16358&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Telecaster<\/strong><\/a> e <a href=\"https:\/\/www.thomann.de\/it\/modelli_st.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=fender%20stratocaster&amp;amp%3Bls=25&amp;amp%3Bsmuuid=3804df08-df7e-49d3-a2e0-8f714f230e65&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Stratocaster<\/strong><\/a> sono chitarre perfette per ci\u00f2 che vogliamo ottenere.<\/p>\n<p>Uscendo dal seminato Fender troviamo un altro brand <strong>importante<\/strong>: <strong>Rickenbacker<\/strong>, un brand associato alla musica di mezzo secolo fa e ai Beatles ma che si rivela <strong>sorprendentemente<\/strong> <strong>adatto<\/strong> al connubio con il suono saturo ed effettato del post-punk.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-399065 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"127\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Rickenbacker-330-MBL-127x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Rickenbacker-330-MBL-127x300.png 127w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Rickenbacker-330-MBL.png 179w\" sizes=\"(max-width: 127px) 100vw, 127px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Epiphone-Casino-TQ-130x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Epiphone-Casino-TQ-130x300.png 130w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Epiphone-Casino-TQ.png 184w\" sizes=\"(max-width: 130px) 100vw, 130px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"109\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Reverend-Double-Agent-W-NFM-109x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Reverend-Double-Agent-W-NFM-109x300.png 109w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Reverend-Double-Agent-W-NFM.png 162w\" sizes=\"(max-width: 109px) 100vw, 109px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Prendiamo il modello <a href=\"https:\/\/www.thomann.de\/it\/rickenbacker_330_mbl.htm\"><strong>330 MBL<\/strong><\/a>, ad esempio: lo strumento preferito di <strong>Daniel<\/strong> <strong>Kessler<\/strong> degli <strong>Interpol<\/strong>, uno dei gruppi cardine del genere. Chitarre <strong>semi<\/strong>&#8211;<strong>acustiche<\/strong> dotate di ottima versatilit\u00e0 ed equipaggiate con <strong>single<\/strong>&#8211;<strong>coil<\/strong> <strong>high<\/strong>&#8211;<strong>gain<\/strong> o <strong>p-90<\/strong> (come nel caso della <a href=\"https:\/\/www.thomann.de\/it\/epiphone_casino_tq.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Epiphone Casino<\/strong><\/a> la quale, accoppiata alla distorsione giusta, crea una texture <strong>oscura<\/strong> e malinconica). Infine la <a href=\"https:\/\/www.thomann.de\/it\/reverend_double_agent_w_nfm.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Reverend Double Agent W<\/strong><\/a> utilizzata da <strong>Andy<\/strong> <strong>Gill<\/strong> dei <a href=\"https:\/\/www.youtube.com\/watch?v=ElhAysq3O6c\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Gang of Four<\/strong><\/a>: chitarra molto versatile data la presenza di un <strong>humbucker<\/strong> e un <strong>p90<\/strong>.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"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\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">Scegli i pickup con cura<\/h3>\n<p>Una volta scelta la chitarra, \u00e8 il momento di pensare al giusto <strong>set di pick-ups<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-399065 gallery-columns-1 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"274\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Fender-Pure-Vintage-65-Strat-PU-Set-300x274.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-399025\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Fender-Pure-Vintage-65-Strat-PU-Set-300x274.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Fender-Pure-Vintage-65-Strat-PU-Set.png 458w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-399025'>\n\t\t\t\tSingle coil\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>I <a href=\"https:\/\/www.thomann.de\/it\/single_coil_pickups.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=single%20coil%20pickups&amp;smuuid=e1b88501-1535-4faa-9d2a-a2813949e3ac&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>single-coil<\/strong><\/a>, i <strong>primi<\/strong> pickup <strong>creati<\/strong> nella storia, sono caratterizzati da un suono molto brillante, rotondo e medioso. Hanno un problema, per\u00f2: per via del <strong>ronzio<\/strong> emesso, non sono sempre i favoriti di chi suona con distorsioni importanti. Per questo motivo vengono utilizzati principalmente in pulito e con distorsioni leggere, cremose. Per capire di cosa parliamo, \u00e8 sufficiente dare un ascolto a questa canzone dei <a href=\"https:\/\/www.youtube.com\/watch?v=WfLQRFImMwY\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>The Church<\/strong><\/a><\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-399065 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"235\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Gibson-490R-CC-Humbucker-Pickup-300x235.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-399023\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Gibson-490R-CC-Humbucker-Pickup-300x235.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Gibson-490R-CC-Humbucker-Pickup.png 534w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-399023'>\n\t\t\t\tCovered Humbucker\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"224\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Gibson-P-496R-Humbucker-BK-300x224.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-4-399024\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Gibson-P-496R-Humbucker-BK-300x224.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Gibson-P-496R-Humbucker-BK.png 545w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-399024'>\n\t\t\t\tUncovered Humbucker\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Per &#8216;correggere&#8217; il problema del <strong>ronzio<\/strong> sono stati inventati i pick-up di tipo <a href=\"https:\/\/www.thomann.de\/it\/humbucker_pickups.html?sw=humbucker%20pickups&amp;smuuid=6807308c-b06b-48b7-a6d5-d0fab0dd6957\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>humbucker<\/strong><\/a>, che soffrono per\u00f2 di una minor brillantezza. Sono pick-up <strong>pi\u00f9<\/strong> <strong>potenti<\/strong> e con un volume di uscita maggiore. Per ottenere sound come quello dei <a href=\"https:\/\/www.youtube.com\/watch?v=FyYMzEplnfU\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>My Bloody Valentine<\/strong><\/a>\u00a0\u00e8 necessario utilizzarli.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iNSBUeXBlcyBPZiBIdW1idWNrZXIgUGlja3VwcyB8IFNvdW5kIENvbXBhcmlzb24gfMKgVGhvbWFubiIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvTUNCd3MwbVJXWVU\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<hr \/>\n<h3 style=\"text-align: center;\">Ma i pedali sono cos\u00ec importanti?<\/h3>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVGhlIEN1cmUgLSBBIEZvcmVzdCIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIzNzUiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQveGlrLXkweGxwWjA\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Ah s\u00ec, pi\u00f9 di quanto immagini. Basta ascoltare la canzone &#8220;<strong>A<\/strong> <strong>Forest<\/strong>&#8221; dei <strong>The Cure<\/strong> (vedi sopra). Fai attenzione al sound di chitarra &#8211; \u00e8 diverso da un classico sound pulito. L&#8217;essenza del sound post-punk \u00e8, principalmente <strong>compressore<\/strong>, <strong>chorus<\/strong> e <strong>distorsione<\/strong><\/p>\n\n\t\t<style>\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-399065 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"172\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/MXR-Dynacomp-1-172x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/MXR-Dynacomp-1-172x300.png 172w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/MXR-Dynacomp-1.png 251w\" sizes=\"(max-width: 172px) 100vw, 172px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Behringer-CS400-180x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Behringer-CS400-180x300.png 180w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Behringer-CS400.png 247w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"233\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Keeley-Aria-233x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Keeley-Aria-233x300.png 233w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Keeley-Aria.png 329w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Il <strong><a href=\"https:\/\/www.thomann.de\/it\/misc_effetti_chitarra.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=compressor&amp;smuuid=aa20459f-cfa2-45c4-866f-512476bd2f73&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">compressore<\/a><\/strong>\u00a0amplifica il <strong>segnale<\/strong> in maniera <strong>dinamica<\/strong>, <strong>livellando<\/strong> i <strong>picchi<\/strong> e le parti pi\u00f9 soft dello strumento. Il pedale \u00e8 essenziale nel genere dato che gli <strong>arpeggi<\/strong> devono essere ben <strong>audibili<\/strong> nel &#8216;marasma&#8217; sonoro. L&#8217;<a href=\"https:\/\/www.thomann.de\/it\/mxr_dynacomp.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>MXR Dyna Comp<\/strong><\/a> \u00e8 uno dei compressori preferiti di <a href=\"https:\/\/www.youtube.com\/watch?v=g2BqLlVHlWA\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>The Edge<\/strong><\/a> del periodo dark e meno commerciale degli U2. I due potenziometri (<strong>Output<\/strong> e <strong>Sensitivity<\/strong>) sono ci\u00f2 che ci interessa: per un sound pi\u00f9 aggressivo baster\u00e0 tirare su l&#8217;Output (che funziona come un controllo <strong>volume<\/strong> in questo caso), dato che il pedale aggiuster\u00e0 automaticamente il tono, che pu\u00f2 essere modellato col potenziometro Sensitivity. Il <a href=\"https:\/\/www.thomann.de\/it\/behringer_cs400.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Behringer CS-400<\/strong><\/a> \u00e8 un ottimo compressore proposto ad un buon prezzo e dotato di svariati controlli: <strong>Compression<\/strong>, <strong>Tone<\/strong>, <strong>Attack<\/strong> e <strong>Sustain<\/strong>. Dato che la compressione che attua \u00e8 relativamente leggera, ci sar\u00e0 possibile giocare con la &#8216;texture&#8217; del suono e abbinarlo ad un pedale chorus e a un distorsore per sound.. spaziali! Un&#8217;altra ottima alternativa \u00e8 il <a href=\"https:\/\/www.thomann.de\/it\/keeley_aria.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Keeley Aria<\/strong><\/a>, utilizzato da <a href=\"https:\/\/www.youtube.com\/watch?v=UroPqMsr3UU\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Daniel Kessler<\/strong><\/a>. Distorsione molto <strong>morbida<\/strong> stile <strong>overdrive<\/strong>, che permette di non alzare troppo il gain.<\/p>\n<h3 style=\"text-align: center;\">Il re degli anni &#8217;80: il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/chorus_flanger_phaser.html?sw=chorus&amp;smuuid=1e37e2aa-8435-421e-9317-20dae5d9670d\" target=\"_blank\" rel=\"noopener noreferrer\">chorus<\/a><\/h3>\n<p style=\"text-align: left;\">Difficile trovare pi\u00f9 di dieci canzoni rilasciate tra gli anni &#8217;80 e &#8217;90 senza chorus applicato alla chitarra elettrica. L&#8217;effetto particolare di <strong>modulazione<\/strong> (copia il segnale e lo duplica con un leggero <strong>ritardo<\/strong> e <strong>detuning<\/strong>) da un risultato particolarissimo, difficile a spiegare a parole. Curioso? Ascolta <a href=\"https:\/\/www.youtube.com\/watch?v=z-Ztaw9Zc2Y\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>QUI<\/strong><\/a>, <a href=\"https:\/\/www.youtube.com\/watch?v=n3nPiBai66M\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>QUI<\/strong><\/a> o <a href=\"https:\/\/www.youtube.com\/watch?v=ZCOSPtyZAPA\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>QUI<\/strong><\/a>.<\/p>\n<p>&nbsp;<\/p>\n\n\t\t<style>\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-399065 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"256\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-CE-5-256x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-CE-5-256x300.png 256w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-CE-5.png 361w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/tc-electronic-Corona-Chorus-255x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/tc-electronic-Corona-Chorus-255x300.png 255w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/tc-electronic-Corona-Chorus.png 357w\" sizes=\"(max-width: 255px) 100vw, 255px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>I due <a href=\"https:\/\/www.thomann.de\/it\/chorus_flanger_phaser.html?viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>pedali<\/strong><\/a> qui sopra sono piuttosto <strong>economici<\/strong> e molto interessanti: il <a href=\"https:\/\/www.thomann.de\/it\/boss_ce5_chorus_ensemble.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Boss CE-5<\/strong><\/a> e il <a href=\"https:\/\/www.thomann.de\/it\/tc_electronic_corona_chorus.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>tc electronic Corona<\/strong><\/a>. I potenziometri spesso hanno denominazioni diverse, ma l&#8217;utilizzo non cambia: Il <strong>Rate<\/strong> (o <strong>Speed<\/strong>, o <strong>Freq<\/strong>.) permette di scegliere la velocit\u00e0 di oscillazione dell&#8217;effetto detuning. Con il controllo depth variamo la quantit\u00e0 di detuning applicato (<strong>soft<\/strong>: alla <strong>The<\/strong> <strong>Cure<\/strong> &#8211; pi\u00f9 <strong>incisivo<\/strong>, alla <strong>The<\/strong> <strong>Fall<\/strong>). Il <strong>Mix<\/strong> (o <strong>Level<\/strong>, <strong>Chorus<\/strong> o <strong>Blend<\/strong>) regola la proporazione tra il segnale pulito e quello effettato, mentre il controllo <strong>Tone<\/strong> equalizza bassi e alti del segnale effettato. Esagerare col chorus pu\u00f2 portare ad effetti poco piacevoli, quindi consigliamo di tenersi su settaggi moderati soprattutto se si ha intenzione di aggiungere <strong>overdrive<\/strong> o <strong>distorsione<\/strong>.<\/p>\n<h3 style=\"text-align: center;\">Ascoltiamo un altro pezzo:<\/h3>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVGhlIEJpcnRoZGF5IFBhcnR5IC0gSnVua3lhcmQiIHdpZHRoPSI1MDAiIGhlaWdodD0iMzc1IiBzcmM9Imh0dHBzOi8vd3d3LnlvdXR1YmUtbm9jb29raWUuY29tL2VtYmVkLzl4aV80NWJJMDNFP2ZlYXR1cmU9b2VtYmVkIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImFjY2VsZXJvbWV0ZXI7IGF1dG9wbGF5OyBjbGlwYm9hcmQtd3JpdGU7IGVuY3J5cHRlZC1tZWRpYTsgZ3lyb3Njb3BlOyBwaWN0dXJlLWluLXBpY3R1cmU7IHdlYi1zaGFyZSIgcmVmZXJyZXJwb2xpY3k9InN0cmljdC1vcmlnaW4td2hlbi1jcm9zcy1vcmlnaW4iIGFsbG93ZnVsbHNjcmVlbj48L2lmcmFtZT4=\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Ti piace? Beh, non potrai ottenere questo effetto senza\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/pedali_distorsione.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=distortion&amp;smuuid=fece9a62-12aa-4eaa-a253-1b7995d9450c&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\">distorsione<\/a><\/strong>\u00a0!<\/p>\n\n\t\t<style>\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-7' class='gallery galleryid-399065 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"143\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Suhr-Riot-Mini-143x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Suhr-Riot-Mini-143x300.png 143w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Suhr-Riot-Mini.png 214w\" sizes=\"(max-width: 143px) 100vw, 143px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Proco-Rat-2-Distortion-260x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Proco-Rat-2-Distortion-260x300.png 260w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Proco-Rat-2-Distortion.png 371w\" sizes=\"(max-width: 260px) 100vw, 260px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"185\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/MXR-Distortion-Plus-185x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/MXR-Distortion-Plus-185x300.png 185w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/MXR-Distortion-Plus.png 286w\" sizes=\"(max-width: 185px) 100vw, 185px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>I <strong>pedali<\/strong> <strong>distorsori<\/strong> differiscono da quelli <strong>overdrive<\/strong> per il risultato pi\u00f9 <strong>saturo<\/strong> e <strong>diretto<\/strong>, con un risultato leggermente pi\u00f9 <strong>artificiale<\/strong>. Il funzionamento \u00e8 piuttosto semplice sui tre pedali qui sopra (<a style=\"font-weight: bold;\" href=\"https:\/\/www.thomann.de\/it\/suhr_riot_mini.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Suhr Riot Mini<\/a>,\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/proco_rat2.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Proco Rat 2<\/a> <\/strong>e <strong><a href=\"https:\/\/www.thomann.de\/it\/mxr_distortion_plus_bodeneffekt.htm\" target=\"_blank\" rel=\"noopener noreferrer\">MXR Distortion +<\/a>)<\/strong>\u00a0salvo per qualche eccezione: Il ProCo <strong>RAT<\/strong> ha un potenziometro denominato &#8216;<strong>filter<\/strong>&#8216; che, a differenza dei controlli di <strong>tono<\/strong> o &#8216;<strong>Brightness<\/strong>&#8216;, <strong>preserva<\/strong> tutte le <strong>frequenze<\/strong> andando semplicemente a enfatizzare un po&#8217; alcune a seconda della rotazione &#8211; tutte le frequenze, dalle pi\u00f9 <strong>estreme<\/strong> alle <strong>centrali<\/strong>, verranno riprodotte dal pedale. Il pedale di distorsione \u00e8 semplice da usare, ma in combinazione con <strong>compressore<\/strong> e <strong>chorus<\/strong> pu\u00f2 essere difficoltoso ottenere il risultato sperato. La soluzione \u00e8 <strong>sperimentare<\/strong>.<\/p>\n<h3 style=\"text-align: center;\">Pi\u00f9 pedali?<\/h3>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iRnJhbnogRmVyZGluYW5kIC0gVGFrZSBNZSBPdXQgKE9mZmljaWFsIFZpZGVvKSIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvR2hDWEFpTno5Sm8\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>Chi non ricorda questo riff? La componente che lo differenzia da ci\u00f2 di cui abbiamo parlato finora \u00e8 la presenza del <a href=\"https:\/\/www.thomann.de\/it\/reverberi_ed_effetti_hall.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=reverb&amp;smuuid=bb239530-d81b-4098-8be6-e1953639cac9&amp;viewMode=block\"><strong>reverbero<\/strong><\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-8 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-8 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-8' class='gallery galleryid-399065 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"170\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/EarthQuaker-Devices-Ghost-Echo-V3-170x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/EarthQuaker-Devices-Ghost-Echo-V3-170x300.png 170w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/EarthQuaker-Devices-Ghost-Echo-V3.png 246w\" sizes=\"(max-width: 170px) 100vw, 170px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"187\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Holy-Grail-187x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Holy-Grail-187x300.png 187w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Holy-Grail.png 286w\" sizes=\"(max-width: 187px) 100vw, 187px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"182\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-RV-6-182x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-RV-6-182x300.png 182w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-RV-6.png 259w\" sizes=\"(max-width: 182px) 100vw, 182px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Il <strong>pedale<\/strong> <strong>reverbero<\/strong> permette di ricreare la sensazione del trovarsi in un ambiente <strong>particolare<\/strong> (con pi\u00f9 <strong>eco<\/strong>, pi\u00f9 <strong>riverberazione<\/strong> o un ambiente pi\u00f9 chiuso, talvolta). Non \u00e8 un pedale essenziale per il post-punk ma pu\u00f2 sempre tornare utile per determinati pezzi. Tanto l&#8217;<a href=\"https:\/\/www.thomann.de\/it\/earthquaker_devices_ghost_echo_v3_reverb.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>EarthQuaker Devices Ghost Echo V3<\/strong><\/a>\u00a0quanto l&#8217;<a href=\"https:\/\/www.thomann.de\/it\/electro_harmonix_nano_holy_grail.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Electro Harmonix Holy Grail<\/strong><\/a> o il\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/boss_rv_6.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Bo<\/strong><\/a><a href=\"https:\/\/www.thomann.de\/it\/boss_rv_6.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>ss RV-6<\/strong><\/a>\u00a0sono pedali degni di nota. L&#8217;Holy Grail \u00e8 semplice da usare, un potenziometro e tre modalit\u00e0 (<strong>Spring<\/strong> \/ <strong>Hall<\/strong> \/ <strong>Flerb<\/strong> &#8211; la modalit\u00e0 Spring \u00e8 sicuramente la pi\u00f9 interessante per ricreare il reverbero anni <strong>&#8217;50<\/strong>) Gli altri due hanno pi\u00f9 potenziometri e opzioni (tempo di <strong>riverberazione<\/strong>, <strong>mix<\/strong> e <strong>tone<\/strong>). Tieni a mente che i <strong>parametri<\/strong> vanno <strong>regolati<\/strong> anche in base all&#8217;effetto chorus e al pedale di distorsione presenti nella tua catena.<\/p>\n<p>Un altro pedale non fondamentale nel genere ma utile per riprodurre determinate canzoni \u00e8 il <a href=\"https:\/\/www.thomann.de\/it\/delays_ed_eco.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=delay&amp;smuuid=94cfa4e8-60d0-4eb4-8f5d-1191c15d7f08&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Delay<\/strong><\/a> &#8211; uno dei pedali pi\u00f9 noti. Il pedale copia il segnale in entrata e lo riproduce con una determinata latenza, generando un <strong>eco<\/strong> (anche ripetuto). Come per il reverbero, la calibrazione \u00e8 cruciale per ottenere un sound intellegibile e non un ammasso di frequenze indefinite. In presenza di distorsioni o chorus importanti \u00e8 meglio non eccedere con il delay.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-9 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-9 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-9' class='gallery galleryid-399065 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"176\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-DD-8-Digital-Delay-176x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-DD-8-Digital-Delay-176x300.png 176w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-DD-8-Digital-Delay.png 255w\" sizes=\"(max-width: 176px) 100vw, 176px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"254\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Deluxe-Memory-Man-TT1100-300x254.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Deluxe-Memory-Man-TT1100-300x254.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Deluxe-Memory-Man-TT1100.png 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Pedali come il <a href=\"https:\/\/www.thomann.de\/it\/boss_dd_8_digital_delay.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Boss DD-8<\/strong><\/a> sono piuttosto semplici da usare (4 controlli) mentre altri, come l&#8217;<strong><a href=\"https:\/\/www.thomann.de\/it\/electro_harmonix_deluxe_memory_man_tt1100.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Electro Harmonix Deluxe Memory Man TT1100<\/a>, <\/strong>permettono di regolare l&#8217;effetto con pi\u00f9 <strong>precisione<\/strong>\u00a0, selezionando anche le figure <strong>ritmiche<\/strong> che il <strong>delay<\/strong> dovr\u00e0 seguire. <strong>L&#8217;equalizzazione<\/strong> dell&#8217;effetto processato \u00e8 molto importante per rendere segnale dry e wet ben separati.<\/p>\n<p>Infine il <a href=\"https:\/\/www.thomann.de\/it\/chorus_flanger_phaser.html?price-first=0&amp;filter=true&amp;feature-46418=true&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>flanger<\/strong><\/a>, un effetto che duplica il segnale originale e vi applica un po&#8217; di delay che, agendo da filtro combo e andando a generare armonici, restituisce il classico risultato di <strong>suono<\/strong> <strong>metallico<\/strong> che <strong>oscilla<\/strong>. Come suona? Clicca qui sotto.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iTW9kZXJuIEVuZ2xpc2ggLSBNZXNoIGFuZCBMYWNlIiB3aWR0aD0iNTAwIiBoZWlnaHQ9IjI4MSIgc3JjPSJodHRwczovL3d3dy55b3V0dWJlLW5vY29va2llLmNvbS9lbWJlZC94QzI2bTVrSTZtcz9mZWF0dXJlPW9lbWJlZCIgZnJhbWVib3JkZXI9IjAiIGFsbG93PSJhY2NlbGVyb21ldGVyOyBhdXRvcGxheTsgY2xpcGJvYXJkLXdyaXRlOyBlbmNyeXB0ZWQtbWVkaWE7IGd5cm9zY29wZTsgcGljdHVyZS1pbi1waWN0dXJlOyB3ZWItc2hhcmUiIHJlZmVycmVycG9saWN5PSJzdHJpY3Qtb3JpZ2luLXdoZW4tY3Jvc3Mtb3JpZ2luIiBhbGxvd2Z1bGxzY3JlZW4+PC9pZnJhbWU+\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n\n\t\t<style>\n\t\t\t#gallery-10 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-10 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-10' class='gallery galleryid-399065 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"248\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Stereo-Electric-Mistress-248x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Stereo-Electric-Mistress-248x300.png 248w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Electro-Harmonix-Stereo-Electric-Mistress.png 364w\" sizes=\"(max-width: 248px) 100vw, 248px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"209\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-BF-3-209x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-BF-3-209x300.png 209w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Boss-BF-3.png 292w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><strong>Keith<\/strong> <strong>Levene<\/strong>, chitarrista dei <a href=\"https:\/\/www.youtube.com\/watch?v=Nv0efmUKP9s\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>PiL<\/strong><\/a>, utilizza da sempre il flanger in maniera molto creativa. Il suo pedale preferito? Il pi\u00f9 strano e complesso, ovviamente: l&#8217;<strong><a href=\"https:\/\/www.thomann.de\/it\/electro_harmonix_stereo_electric_mistress.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Electro Harmonix Stereo Electric Mistress<\/a><\/strong>. Quest&#8217;ultimo, esattamente come fa anche il fratello <a href=\"https:\/\/www.thomann.de\/it\/boss_bf3.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Boss BF-3<\/strong><\/a>, permette di regolare <strong>l&#8217;intervallo<\/strong> tra il suono principale e il suono <strong>effettato<\/strong> e l&#8217;effetto applicato. Il <strong>flanger<\/strong> \u00e8 un effetto <strong>molto<\/strong> <strong>invasivo<\/strong> e va usato con parsimonia.<\/p>\n<h3 style=\"text-align: center;\">Altro?<\/h3>\n<p>Si, ma saremo brevi. Hai la <strong>chitarra<\/strong>, hai i <strong>pick<\/strong>&#8211;<strong>up<\/strong>, hai i <strong>pedali<\/strong>. Ti manca solo <a href=\"https:\/\/www.thomann.de\/it\/combo_chitarre_a_transistor.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D&amp;sw=spring%20reverb&amp;filter=true&amp;smuuid=a1a91fab-20da-47e6-b800-58ca812843a9&amp;viewMode=block\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>l&#8217;amplificatore<\/strong><\/a>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-11 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-11 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-11 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-11 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-11' class='gallery galleryid-399065 gallery-columns-4 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"234\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Fender-Tone-Master-Twin-Reverb-300x234.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Fender-Tone-Master-Twin-Reverb-300x234.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Fender-Tone-Master-Twin-Reverb.png 522w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Vox-AC30-C2-300x239.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Vox-AC30-C2-300x239.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Vox-AC30-C2.png 531w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"275\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Marshall-MG101GFX-300x275.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Marshall-MG101GFX-300x275.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Marshall-MG101GFX.png 467w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Blackstar-ID-Core-150-300x239.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Blackstar-ID-Core-150-300x239.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/11\/Blackstar-ID-Core-150.png 483w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Nel post-punk chitarra ed effetti contano molto pi\u00f9 dell&#8217;amplificatore, bench\u00e9 la sua importanza non sia del tutto vanificata. Se possibile, un amplificatore con <strong>reverbero<\/strong> incorporato \u00e8 una gran scelta, soprattutto se \u00e8 un <strong>reverbero<\/strong> a <strong>molla<\/strong>. Il <a href=\"https:\/\/www.thomann.de\/it\/fender_tone_master_twin_reverb.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Tone Master Twin Reverb<\/strong><\/a>, il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/vox_ac30_c2_gitarrencombo.htm\"><strong>Vox AC30 C2<\/strong><\/a>, il <a href=\"https:\/\/www.thomann.de\/it\/marshall_mg101gfx.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Marshall MG101GFX<\/strong><\/a> e il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/blackstar_id_core_150.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Blackstar ID Core 150<\/strong><\/a>\u00a0sono tutte <strong>OTTIME<\/strong> scelte. Dipende dal tuo budget e dalla tua preferenza in quanto a timbrica.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iSURMRVMgcGVyZm9ybSBTYW1hcml0YW5zIG9uIExhdGVyLi4uIHdpdGggSm9vbHMgSG9sbGFuZCIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvdVhoOGFlNVJhQTQ\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<h3 style=\"text-align: center;\">Conclusione<\/h3>\n<p>Vuoi immergerti nel post-punk? Dai un ascolto alla musica dei <strong>Gang of Four, Joy Division, The Fall, Wire, Mission of Burma, Bauhaus<\/strong> e dei<strong> The Church. Buon divertimento!<\/strong><\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-2896534085\"><div class=\"advads-adlabel\">ANNUNCIO<\/div><div id=\"advads-2357345528\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_IT_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Oggi parliamo del post punk. <\/p>\n","protected":false},"author":25,"featured_media":399392,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10728,1285,10692],"tags":[1727,10630,10632,10634],"class_list":["post-399065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-didattica","category-gear","category-ispirazione","tag-amplificatori","tag-hardcore-it","tag-postpunk-it","tag-punk-it"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":8,"formatted":"8 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/399065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/comments?post=399065"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/399065\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media\/399392"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media?parent=399065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/categories?post=399065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/tags?post=399065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}