{"id":384470,"date":"2019-08-31T11:15:36","date_gmt":"2019-08-31T09:15:36","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=384470"},"modified":"2020-04-02T19:20:37","modified_gmt":"2020-04-02T17:20:37","slug":"hit-the-tone-basso-funky-anni-70","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/it\/ispirazione\/hit-the-tone-basso-funky-anni-70\/","title":{"rendered":"HIT THE TONE! Basso Funky anni &#8217;70"},"content":{"rendered":"<h3 style=\"text-align: center;\"><b>HIT THE TONE!<br \/>\n&#8220;<\/b><b>Se il tuo basso non suona funky&#8230; \u00e8 perch\u00e9 tu non vuoi che suoni cos\u00ec!&#8221;<\/b><\/h3>\n<figure id=\"attachment_384467\" aria-describedby=\"caption-attachment-384467\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/09\/Bootsy_Collins-04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-384467\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/09\/Bootsy_Collins-04.jpg\" alt=\"\" width=\"400\" height=\"400\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Bootsy_Collins-04.jpg 800w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Bootsy_Collins-04-300x300.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Bootsy_Collins-04-150x150.jpg 150w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Bootsy_Collins-04-768x768.jpg 768w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><figcaption id=\"caption-attachment-384467\" class=\"wp-caption-text\">By MikaV (CC BY-SA)<\/figcaption><\/figure>\n<hr \/>\n<h3 style=\"text-align: center;\">Ma \u00e8 tutta la vita che ci provo&#8230;<\/h3>\n<p>La componente principale per il suono funk \u00e8&#8230; il musicista stesso. Se non fai pratica delle varie tecniche utilizzate (<strong>slap<\/strong>, che produce un suono <strong>percussivo<\/strong>) non suonerai mai come <strong>Bootsy<\/strong> <strong>Collins<\/strong>. Ci sono dei &#8216;trucchi&#8217; per avvicinarsi al sound dei famosissimi bassi Funk anni &#8217;70, ma ricorda che vanno usati in concomitanza con una buona tecnica. Quali sono? Il <strong>basso<\/strong> stesso, i <strong>pedali<\/strong>, la scelta <strong>dell&#8217;amplificatore<\/strong> e l&#8217;utilizzo del tutto.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Ok da dove inizio?<\/h3>\n<p>Non ci sono scorciatoie: per un suono potente, definito e massiccio, ogni centesimo speso migliora la possibilit\u00e0 di avere un buon risultato finale &#8211; spendi i tuoi soldi su un buon basso! Il <a href=\"https:\/\/www.thomann.de\/it\/fender_american_pro_jazz_bass_rw_3ts.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Jazz Bass<\/strong><\/a> \u00e8 un ottimo strumento, uno dei pi\u00f9 <strong>versatili<\/strong> al mondo. Per budget pi\u00f9 ridotti, le <a href=\"https:\/\/www.thomann.de\/it\/fender_sq_cv_60s_jazz_bass_fl_lrl_3ts.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>versioni Squier<\/strong><\/a> sono pi\u00f9 che dignitose offrendo caratteristiche simili alle controparti Fender.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-384470 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"113\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-American-Pro-Jazz-Bass-RW-3TS-113x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-383232\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-American-Pro-Jazz-Bass-RW-3TS-113x300.png 113w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-American-Pro-Jazz-Bass-RW-3TS.png 160w\" sizes=\"(max-width: 113px) 100vw, 113px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-383232'>\n\t\t\t\tFender American Pro Jazz Bass\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"109\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-SQ-CV-60s-Jazz-Bass-FL-LRL-3TS-109x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-383231\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-SQ-CV-60s-Jazz-Bass-FL-LRL-3TS-109x300.png 109w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-SQ-CV-60s-Jazz-Bass-FL-LRL-3TS.png 155w\" sizes=\"(max-width: 109px) 100vw, 109px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-383231'>\n\t\t\t\tFender SQ CV 60s Jazz Bass\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Altri bassi molto adatti al funk sono il\u00a0<a href=\"https:\/\/www.thomann.de\/it\/cort_b4_plus_as_443845.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Cort B4 Plus<\/strong><\/a>\u00a0e lo\u00a0<a href=\"https:\/\/www.thomann.de\/it\/sterling_by_music_man_s_u_b._sting_ray_5_bk.htm\"><strong>Sterling by Music Man S.U.B. Sting Ray<\/strong><\/a>. Il brand di bassi\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?sw=marcus+miller&amp;smcs=211b50_3771\" target=\"_blank\" rel=\"noopener noreferrer\">Marcus Miller<\/a>\u00a0<\/strong>merita una menzione d&#8217;onore, anche perch\u00e9 chi da il <strong>nome<\/strong> alla <strong>linea<\/strong> di bassi ne sa qualcosina sul funk!<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-384470 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"105\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Cort-B4-Plus-AS-Natural-105x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-383238\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Cort-B4-Plus-AS-Natural-105x300.png 105w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Cort-B4-Plus-AS-Natural.png 149w\" sizes=\"(max-width: 105px) 100vw, 105px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-383238'>\n\t\t\t\tCort B4 Plus AS Natural\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"103\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Sterling-by-Music-Man-S.U.B.-Sting-Ray-5-103x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-383237\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Sterling-by-Music-Man-S.U.B.-Sting-Ray-5-103x300.png 103w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Sterling-by-Music-Man-S.U.B.-Sting-Ray-5.png 144w\" sizes=\"(max-width: 103px) 100vw, 103px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-383237'>\n\t\t\t\tSterling by Music Man S.U.B. Sting Ray 5\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"104\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Marcus-Miller-V7-Swamp-Ash-5-104x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-383236\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Marcus-Miller-V7-Swamp-Ash-5-104x300.png 104w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Marcus-Miller-V7-Swamp-Ash-5.png 148w\" sizes=\"(max-width: 104px) 100vw, 104px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-383236'>\n\t\t\t\tMarcus Miller V7 Swamp Ash-5\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>La cosa importante \u00e8 che il basso scelto sia <strong>versatile<\/strong> (d&#8217;altronde il <strong>funk<\/strong> si mischia con migliaia di sottogeneri, vedi il <strong>soul<\/strong>, <strong>blues<\/strong> e il <strong>jazz<\/strong>) e che il manico sia abbastanza rigido e robusto da sopportare i &#8216;colpi&#8217; di corda dello slap, restituendo il suono sperato.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Quindi suono gi\u00e0 come Bootsy, ormai?<\/h3>\n<p>Eh, col cavolo. Stiamo a malapena iniziando \ud83d\ude42 Pazienza, la virt\u00f9 dei forti. Per i suoni slap l&#8217;elemento pi\u00f9 importante, in campo effetti, \u00e8 il <strong>filtro<\/strong> <strong>envelope<\/strong> (<strong>controllabile<\/strong>) &#8211; chiamato affettuosamente &#8216;funk machine&#8217; o &#8216;wah machine&#8217;. Tramite i controlli <strong>attack<\/strong>, <strong>decay<\/strong>, <strong>sustain<\/strong> e <strong>release<\/strong> si va a &#8216;simulare&#8217; l&#8217;effetto <strong>Wah<\/strong>&#8211;<strong>Wah<\/strong> ma senza il controllo fisico con il piede: l&#8217;effetto viene &#8216;<strong>triggerato<\/strong>&#8216; dalla <strong>dinamica<\/strong> o dal <strong>volume<\/strong>, ossia dal tuo playing!<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/mxr_m_82_bass_envelope_filter.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-383523\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/09\/MXR-M-82-Bass-Envelope-Filter.png\" alt=\"\" width=\"292\" height=\"375\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/MXR-M-82-Bass-Envelope-Filter.png 342w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/MXR-M-82-Bass-Envelope-Filter-234x300.png 234w\" sizes=\"(max-width: 292px) 100vw, 292px\" \/><\/a><\/p>\n<p>L&#8217;<a href=\"https:\/\/www.thomann.de\/it\/mxr_m_82_bass_envelope_filter.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>MXR M 82 Bass<\/strong><\/a> \u00e8 un envelope filter <strong>analogico<\/strong> considerato da molti il top nella sua categoria. Grazie alla sua estrema sensibilit\u00e0 al tipo di playing, la sua robustezza e la gran versatilit\u00e0, \u00e8 una scelta pi\u00f9 che azzeccata.<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iTVhSIEJhc3MgRW52ZWxvcGUgRmlsdGVyIiB3aWR0aD0iNTAwIiBoZWlnaHQ9IjI4MSIgc3JjPSJodHRwczovL3d3dy55b3V0dWJlLW5vY29va2llLmNvbS9lbWJlZC9abi0xQUVsd2NfND9mZWF0dXJlPW9lbWJlZCIgZnJhbWVib3JkZXI9IjAiIGFsbG93PSJhY2NlbGVyb21ldGVyOyBhdXRvcGxheTsgY2xpcGJvYXJkLXdyaXRlOyBlbmNyeXB0ZWQtbWVkaWE7IGd5cm9zY29wZTsgcGljdHVyZS1pbi1waWN0dXJlOyB3ZWItc2hhcmUiIHJlZmVycmVycG9saWN5PSJzdHJpY3Qtb3JpZ2luLXdoZW4tY3Jvc3Mtb3JpZ2luIiBhbGxvd2Z1bGxzY3JlZW4+PC9pZnJhbWU+\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p>L&#8217;<strong><a href=\"https:\/\/www.thomann.de\/it\/aguilar_filter_twin.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Aguilar Filter Twin<\/a>\u00a0<\/strong>usa <strong>due<\/strong> <strong>filtri<\/strong> <strong>uguali<\/strong> che oscillano in <strong>direzione<\/strong> <strong>opposta<\/strong> rispetto l&#8217;un l&#8217;altro: uno alza la frequenza, l&#8217;altro la abbassa. Viene cos\u00ec generato il classico <strong>contrasto<\/strong> associato al funk. Il pedale \u00e8 <strong>semplice<\/strong> da utilizzare, ha un suono <strong>trasparente<\/strong> e la <strong>qualit\u00e0<\/strong> <strong>sonora<\/strong> \u00e8 garantita.<\/p>\n<p>Ultimi ma non ultimi, l&#8217;<strong><a href=\"https:\/\/www.thomann.de\/it\/electro_harmonix_nano_bassballs.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Electro Harmonix Nano Bassballs<\/a>\u00a0<\/strong>e\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/mooer_bass_sweeper.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Mooer Bass Sweeper<\/a><\/strong>, alternative valide e versatili.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-384470 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"270\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Aguilar-Filter-Twin-270x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Aguilar-Filter-Twin-270x300.png 270w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Aguilar-Filter-Twin.png 475w\" sizes=\"(max-width: 270px) 100vw, 270px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"188\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Electro-Harmonix-Nano-Bassballs-188x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Electro-Harmonix-Nano-Bassballs-188x300.png 188w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Electro-Harmonix-Nano-Bassballs.png 279w\" sizes=\"(max-width: 188px) 100vw, 188px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"242\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Mooer-Bass-Sweeper-242x300.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Mooer-Bass-Sweeper-242x300.png 242w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Mooer-Bass-Sweeper.png 356w\" sizes=\"(max-width: 242px) 100vw, 242px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>I <a href=\"https:\/\/www.thomann.de\/it\/search_dir.html?sw=boss+bass&amp;smcs=211b50_1634\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>pedali<\/strong> <strong>Boss<\/strong><\/a> meritano una menzione speciale, in particolare modo tre pedali:\u00a0<a href=\"https:\/\/www.thomann.de\/it\/boss_syb5.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>SYB-5<\/strong><\/a>, <a href=\"https:\/\/www.thomann.de\/it\/boss_geb7_bass_eq.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>GEB-7<\/strong><\/a>\u00a0e <a href=\"https:\/\/www.thomann.de\/it\/boss_lmb3.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>LMB-3<\/strong><\/a>. L&#8217;ultimo \u00e8 un <strong>sintetizzatore<\/strong> a tutti gli effetti, capace di donare una texture particolare al suono del tuo basso. Il <strong>GEB-7<\/strong> \u00e8 un <strong>equalizzatore<\/strong> <strong>multi-banda<\/strong> che permette di alterare molto il suono dello <strong>strumento<\/strong> e passare poi da un suono all&#8217;altro (fondamentale nel funk). <strong>L&#8217;LMB<\/strong>&#8211;<strong>3<\/strong>, infine, liveller\u00e0 i <strong>picchi<\/strong> di <strong>volume<\/strong> dando allo strumento il <strong>sound<\/strong> che merita per scatenare il <strong>groove<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-384470 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"264\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-SYB-5--264x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-SYB-5--264x300.jpg 264w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-SYB-5-.jpg 527w\" sizes=\"(max-width: 264px) 100vw, 264px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"186\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-GEB-7-Bass-Equalizer--186x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-GEB-7-Bass-Equalizer--186x300.jpg 186w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-GEB-7-Bass-Equalizer-.jpg 371w\" sizes=\"(max-width: 186px) 100vw, 186px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"265\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-LMB-3--265x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-LMB-3--265x300.jpg 265w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Boss-LMB-3-.jpg 530w\" sizes=\"(max-width: 265px) 100vw, 265px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Okay quindi mi serve solo un basso e un pedale?<\/h3>\n<p>Beh, hai gi\u00e0 due elementi fondamentali: basso e pedali. Ora \u00e8 tempo di trovare un <strong>amplificatore<\/strong> degno per il tuo setup! Orientati verso amplificatori &#8220;<strong>puliti<\/strong>&#8221; &#8211;\u00a0<a href=\"https:\/\/www.thomann.de\/it\/ampeg_svt3pro.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Ampeg SVT-3PRO<\/strong><\/a>\u00a0,\u00a0<a href=\"https:\/\/www.thomann.de\/it\/ampeg_svt_4_pro_basstopteil.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>SVT-4<\/strong><\/a>\u00a0e amplificatori simili (ibridi con valvole pre-amplificatrici). <strong>Ampeg<\/strong> \u00e8 leader nel settore grazie alla sua sapiente combinazione di potenza, performances e versatilit\u00e0. Alternativamente anche il\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/ampeg_v_4b_bass_head.htm\" target=\"_blank\" rel=\"noopener noreferrer\">V-4B<\/a>\u00a0<\/strong>\u00e8un<strong> ottima <\/strong>alternativa<strong>.\u00a0<\/strong><\/p>\n\n\t\t<style>\n\t\t\t#gallery-5 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-5 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-5 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-5' class='gallery galleryid-384470 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"159\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-3PRO--300x159.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-3PRO--300x159.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-3PRO--768x408.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-3PRO-.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"145\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-4PRO--300x145.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-4PRO--300x145.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-4PRO--768x372.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-SVT-4PRO-.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"194\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-V-4B-Bass-Head--300x194.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-V-4B-Bass-Head--300x194.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-V-4B-Bass-Head--768x495.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Ampeg-V-4B-Bass-Head-.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Anche <strong>aguilar<\/strong> offre prodotti eccezionali, come il <a href=\"https:\/\/www.thomann.de\/it\/aguilar_tone_hammer_500.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Tone Hammer 500<\/strong><\/a>, un amplificatore scelto da <strong>George<\/strong> <strong>Porter<\/strong> <strong>Jr<\/strong> e <strong>Paul<\/strong> <strong>Turner<\/strong> (bassista di Jamiroquai). <strong>Bassi<\/strong> profondi, <strong>medi<\/strong> ricchi e dinamici e <strong>alti<\/strong> &#8216;soft&#8217; e rotondi, mai fastidiosi.-<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thomann.de\/gb\/aguilar_tone_hammer_500.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-383560\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/09\/Aguilar-Tone-Hammer-500-.jpg\" alt=\"\" width=\"438\" height=\"220\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Aguilar-Tone-Hammer-500-.jpg 800w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Aguilar-Tone-Hammer-500--300x151.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Aguilar-Tone-Hammer-500--768x386.jpg 768w\" sizes=\"(max-width: 438px) 100vw, 438px\" \/><\/a><\/p>\n<p>Nella suddetta fascia di prezzo (<strong>500\u20ac &#8211; 1000\u20ac<\/strong>) ci sono tantissime alternative di ottima qualit\u00e0. Per menzionarne tre: Markbass Big Bang, un amplificatore pieno zeppo di funzionalit\u00e0 a discapito delle dimensioni (equalizzazione a 4 bande, loop effetti, DI, aux, uscita cuffie, controllo VLE e VFP);\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/tc_electronic_rh_750.htm\" target=\"_blank\" rel=\"noopener noreferrer\">TC Electronic RH750<\/a><\/strong>, una testata piccola ma dotata di 750 W con funzionalit\u00e0 Bass Amp 2.0 e infine la famosa testata\u00a0<a href=\"https:\/\/www.thomann.de\/it\/fender_bassman_500_head.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Fender Bassman 500 Head<\/strong><\/a>, una testata ibrida (2 valvole 12AX7 nella sezione pre) da 500 W e 4 Ohms, nota per il suo gran sound.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-6 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-6 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-6 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-6' class='gallery galleryid-384470 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"183\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Markbass-Big-Bang--300x183.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Markbass-Big-Bang--300x183.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Markbass-Big-Bang--768x468.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Markbass-Big-Bang-.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"92\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/TC-Electronic-RH750--300x92.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/TC-Electronic-RH750--300x92.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/TC-Electronic-RH750--768x234.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/TC-Electronic-RH750-.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"179\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-Bassman-500-Head--300x179.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-Bassman-500-Head--300x179.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-Bassman-500-Head--768x457.jpg 768w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Fender-Bassman-500-Head-.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Infine due opzioni un po&#8217; pi\u00f9 <strong>costose<\/strong> ma molto rispettate nel settore: la prima \u00e8 la testata\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/ebs_hd_360_30st_anniversary_ed.htm\" target=\"_blank\" rel=\"noopener noreferrer\">EBS HD-360 30st Anniversary Ed<\/a><\/strong>, dotata delle caratteristiche del <strong>famoso pre-amplificatore EBS-350<\/strong>, <strong>compressore<\/strong>\/<strong>limiter<\/strong> integrato, <strong>equalizzazione<\/strong> a <strong>quattro<\/strong> <strong>bande<\/strong> e uscita <strong>bilanciata<\/strong> <strong>XLR<\/strong>.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-7 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-7 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-7 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-7' class='gallery galleryid-384470 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"153\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/EBS-HD-360-30st-Anniversary-Ed.-300x153.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/EBS-HD-360-30st-Anniversary-Ed.-300x153.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/EBS-HD-360-30st-Anniversary-Ed..png 734w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"178\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-Blacksmith-300x178.png\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-Blacksmith-300x178.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-Blacksmith.png 633w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Ultima ma non ultima la testata\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/tc_electronic_blacksmith.htm\" target=\"_blank\" rel=\"noopener noreferrer\">tc electronic Blacksmith<\/a><\/strong>, dotata di 1600 watt, <strong>equalizzatore<\/strong> a <strong>quattro<\/strong> <strong>bande<\/strong> <strong>parametrico<\/strong>, simulazione <strong>valvolare<\/strong> e <strong>SpectraComp\u00a0<\/strong>(compressione multi-banda).<\/p>\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"youtube-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iVEMgRWxlY3Ryb25pYyBCbGFja3NtaXRoIC0gVG9uZSBDb250cm9scyIgd2lkdGg9IjUwMCIgaGVpZ2h0PSIyODEiIHNyYz0iaHR0cHM6Ly93d3cueW91dHViZS1ub2Nvb2tpZS5jb20vZW1iZWQvN0lwQ01RbzE1dk0\/ZmVhdHVyZT1vZW1iZWQiIGZyYW1lYm9yZGVyPSIwIiBhbGxvdz0iYWNjZWxlcm9tZXRlcjsgYXV0b3BsYXk7IGNsaXBib2FyZC13cml0ZTsgZW5jcnlwdGVkLW1lZGlhOyBneXJvc2NvcGU7IHBpY3R1cmUtaW4tcGljdHVyZTsgd2ViLXNoYXJlIiByZWZlcnJlcnBvbGljeT0ic3RyaWN0LW9yaWdpbi13aGVuLWNyb3NzLW9yaWdpbiIgYWxsb3dmdWxsc2NyZWVuPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-youtube\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.thomann.de\/blog\/app\/uploads\/borlabs-cookie\/6\/brlbs-cb-youtube-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">Stai visualizzando un contenuto segnaposto da <strong>YouTube<\/strong>. Per accedere al contenuto effettivo, clicca sul pulsante sottostante. Si prega di notare che in questo modo si condividono i dati con provider di terze parti.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">Ulteriori informazioni<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Sblocca questo contenuto<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accettare il servizio richiesto e sbloccare il suo contenuto<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<hr \/>\n<h3 style=\"text-align: center;\">Ok sono pronto. Giusto?!<\/h3>\n<p>Fermati. Ragiona! Cosa te ne fai di una testata se non hai una cassa? Non <strong>molto<\/strong>. Parliamo di casse? Volentieri. La <strong>cassa<\/strong> deve avere volume ma anche contrasto, suono e separazione di frequenze: non te ne fai nulla di un muro di casse che ti tira fuori il piattume cosmico.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-8 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-8 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-8 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-8' class='gallery galleryid-384470 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"243\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Markbass-Standard-104HF-4-Ohm--243x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Markbass-Standard-104HF-4-Ohm--243x300.jpg 243w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Markbass-Standard-104HF-4-Ohm-.jpg 485w\" sizes=\"(max-width: 243px) 100vw, 243px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"264\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Glockenklang-Take-Five-Neo-264x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Glockenklang-Take-Five-Neo-264x300.jpg 264w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/Glockenklang-Take-Five-Neo.jpg 527w\" sizes=\"(max-width: 264px) 100vw, 264px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Tanto la\u00a0<a href=\"https:\/\/www.thomann.de\/it\/markbass_standard_104hf4_ohm.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Markbass Standard 104HF-4 Ohm<\/strong><\/a>, quanto la\u00a0<strong><a href=\"https:\/\/www.thomann.de\/it\/glockenklang_take_five_neo_4x10_8_ohms.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Glockenklang Take Five Neo<\/a>\u00a0<\/strong>, la\u00a0<a href=\"https:\/\/www.thomann.de\/gb\/tc_electronic_rebelstack_210.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>tc<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.thomann.de\/it\/tc_electronic_rebelstack_210.htm\"><strong>electronic RS210<\/strong><\/a>\u00a0o la\u00a0<a href=\"https:\/\/www.thomann.de\/it\/tc_electronic_rs_410.htm\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>tc electronic RS410<\/strong><\/a>\u00a0sono casse scelte e utilizzate da artisti in tutto il globo per un motivo. sound.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-9 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-9 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-9 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-9' class='gallery galleryid-384470 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-RS210-190x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-RS210-190x300.jpg 190w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-RS210.jpg 380w\" sizes=\"(max-width: 190px) 100vw, 190px\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"251\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-RS410-251x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-RS410-251x300.jpg 251w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/tc-electronic-RS410.jpg 501w\" sizes=\"(max-width: 251px) 100vw, 251px\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Domanda delle domande: DI o microfono?<\/h3>\n<p>Domanda millenaria, quasi quanto quella dell&#8217;uovo e della gallina. C&#8217;\u00e8 chi dice che il segnale <strong>DI<\/strong> (Direct Input o Direct Injection), con o meno l&#8217;ausilio di <a href=\"https:\/\/www.thomann.de\/it\/di_boxes.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>DI Boxes<\/strong><\/a>, sia il metodo migliore per tirare fuori il suono <strong>pulito<\/strong> e <strong>puro<\/strong> del basso. La funzione della DI Box \u00e8, infatti, trasformare un segnale <strong>sbilanciato<\/strong> in uno <strong>bilanciato<\/strong>. Chi invece preferisce microfonare la cassa del basso asserisce che il segnale DI \u00e8 sterile e impersonale. Chi ha <strong>ragione<\/strong>? Beh nessuno. O tutti. La risposta \u00e8: sperimenta, prova a <strong>microfonare<\/strong> il tuo <strong>amplificatore<\/strong> e, <strong>contemporaneamente<\/strong>, registra la linea di basso <strong>diretta<\/strong>. Giudica con le tue orecchie.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-10 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-10 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-10 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-10' class='gallery galleryid-384470 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"240\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/BSS-AR133--300x240.jpg\" class=\"attachment-medium size-medium\" alt=\"BSS AR133\" aria-describedby=\"gallery-10-384472\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/BSS-AR133--300x240.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/BSS-AR133-.jpg 749w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-384472'>\n\t\t\t\tBSS AR133\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"270\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/MXR-M80-Bass-DI-Plus--300x270.jpg\" class=\"attachment-medium size-medium\" alt=\"MXR M80 Bass DI Plus\" aria-describedby=\"gallery-10-384473\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/MXR-M80-Bass-DI-Plus--300x270.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/09\/MXR-M80-Bass-DI-Plus-.jpg 667w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-10-384473'>\n\t\t\t\tMXR M80 Bass DI Plus\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Conclusione<\/h3>\n<p>La cosa pi\u00f9 importante \u00e8 la tua tecnica: se non sai fare lo <strong>slap<\/strong>, non comprare nulla: <strong>esercitati<\/strong> fino a farti venire i calli. Una volta ottenuta la giusta <strong>padronanza<\/strong>, puoi espandere il tuo equipaggiamento.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Come ottenere un suono di basso Funky?<\/p>\n","protected":false},"author":25,"featured_media":384502,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[10728,10692],"tags":[9175,1835,1859,9177],"class_list":["post-384470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-didattica","category-ispirazione","tag-amplificatore","tag-basso","tag-basso-funky","tag-pedali"],"category_colors":{"color_key":"learn","css_classes":{"text":"cat-learn","text_light":"cat-learn-light","bg":"cat-bg-learn","bg_light":"cat-bg-learn-light","border":"cat-border-learn","text_on_bg":"cat-text-on-learn"}},"reading_time":{"minutes":5,"formatted":"5 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/384470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/comments?post=384470"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/384470\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media\/384502"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media?parent=384470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/categories?post=384470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/tags?post=384470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}