{"id":375187,"date":"2019-07-14T12:20:37","date_gmt":"2019-07-14T10:20:37","guid":{"rendered":"https:\/\/www.thomann.de\/blog\/?p=375187"},"modified":"2019-07-10T12:47:19","modified_gmt":"2019-07-10T10:47:19","slug":"flauto-dolce-o-traverso","status":"publish","type":"post","link":"https:\/\/www.thomann.de\/blog\/it\/gear\/flauto-dolce-o-traverso\/","title":{"rendered":"Flauto dolce o traverso?"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Il flauto dolce e quello traverso sono entrambi strumenti a fiato ma, al di la del nome, sono molto diversi. Spesso non si conosce l&#8217;esatta differenza fra questi due strumenti, e questo articolo servir\u00e0 proprio a chiarirvi ogni tipo di dubbio.\u00a0<\/strong><\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Sono confuso&#8230;<\/h3>\n<figure id=\"attachment_374828\" aria-describedby=\"caption-attachment-374828\" style=\"width: 400px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/gb\/mollenhauer_waldorf_edition_headjoint_sopr.htm\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-374828\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr-.jpg\" alt=\"\" width=\"400\" height=\"213\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr-.jpg 800w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr--300x160.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Mollenhauer-Waldorf-Edition-Headjoint-Sopr--768x410.jpg 768w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a><figcaption id=\"caption-attachment-374828\" class=\"wp-caption-text\">Headjoint for soprano recorder<\/figcaption><\/figure>\n<p>Entrambi gli strumenti sono molto <strong>antichi<\/strong> e frutto di <strong>tradizioni<\/strong> <strong>millenarie<\/strong>. Nell&#8217;era <strong>preistorica<\/strong> i flauti venivano realizzati con <strong>ossa<\/strong> cave. Oltre al classico <a href=\"https:\/\/www.thomann.de\/it\/flauti_di_pan.html?ref=intl&amp;shp=eyJjb3VudHJ5IjoiaXQiLCJjdXJyZW5jeSI6IjIiLCJsYW5ndWFnZSI6Iml0In0%3D\" target=\"_blank\" rel=\"noopener\"><strong>flauto di pan<\/strong><\/a>, realizzato con <strong>canne<\/strong> di <strong>bamb\u00f9<\/strong> o <strong>osso<\/strong>, diversi flauti vedono la loro nascita risalire a decine di migliaia di anni fa.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-375187 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"241\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Panpipes-18C-300x241.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann Panpipes 18C\" aria-describedby=\"gallery-1-374817\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Panpipes-18C-300x241.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Panpipes-18C.jpg 747w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-374817'>\n\t\t\t\tPan flute 18C\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"261\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Solist-Panpipes-Alto-G-C2218-300x261.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann Solist Panpipes Alto G&#039;- C&#039;18\" aria-describedby=\"gallery-1-374816\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Solist-Panpipes-Alto-G-C2218-300x261.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Solist-Panpipes-Alto-G-C2218.jpg 689w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-374816'>\n\t\t\t\tAlto G&#8217;- C&#8217;18\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"258\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Solist-Panpipes-Tenor-D-G222225-300x258.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann Solist Panpipes Tenor D&#039;-G25\" aria-describedby=\"gallery-1-374815\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Solist-Panpipes-Tenor-D-G222225-300x258.jpg 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Thomann-Solist-Panpipes-Tenor-D-G222225.jpg 698w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-374815'>\n\t\t\t\tTenor D&#8217;-G25\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Dal 14\u00b0 secolo il flauto dolce <strong>acquis\u00ec<\/strong> il suo nome definitivo, ossia &#8220;<strong>recorder<\/strong>&#8221; dal francese &#8220;<strong>recordeur&#8221;<\/strong>, ossia il menestrello). Lo strumento divenne molto <strong>popolare<\/strong> tra i <strong>giullari<\/strong> di <strong>corte<\/strong> e i <strong>menestrelli<\/strong> che intrattenevano i regnanti con <strong>poemi<\/strong> <strong>recitati<\/strong> a memoria, accompagnati dal suono del flauto.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-375187 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"47\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Yamaha-YRA-27-III-47x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Yamaha YRA-27 III\" aria-describedby=\"gallery-2-374821\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Yamaha-YRA-27-III-47x300.jpg 47w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Yamaha-YRA-27-III.jpg 94w\" sizes=\"(max-width: 47px) 100vw, 47px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-374821'>\n\t\t\t\tYamaha YRA-27 III\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"53\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Mollenhauer-New-Student-1003-53x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Mollenhauer New Student 1003\" aria-describedby=\"gallery-2-374819\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Mollenhauer-New-Student-1003-53x300.jpg 53w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Mollenhauer-New-Student-1003.jpg 106w\" sizes=\"(max-width: 53px) 100vw, 53px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-374819'>\n\t\t\t\tMollenhauer New Student 1003\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"23\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Mollenhauer-1293-Prima-Alto-Recorder-23x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Mollenhauer 1293 Prima Alto Recorder\" aria-describedby=\"gallery-2-374820\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Mollenhauer-1293-Prima-Alto-Recorder-23x300.jpg 23w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2019\/07\/Mollenhauer-1293-Prima-Alto-Recorder.jpg 46w\" sizes=\"(max-width: 23px) 100vw, 23px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-374820'>\n\t\t\t\tMollenhauer 1293 Prima Alto Recorder\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Nei 3 secoli seguenti, il flauto dolce fu sicuramente lo <strong>strumento<\/strong> a <strong>fiato<\/strong> pi\u00f9 popolare per via della somiglianza con la <strong>voce<\/strong> <strong>umana<\/strong> (a livello tonale). Durante il 18\u00b0 secolo fu rimpiazzato da altri strumenti, tornando ad essere popolare durante la <strong>met\u00e0 del 20\u00b0 secolo<\/strong>. Da allora continua ad essere una scelta diffusa tra chi si approccia agli strumenti a fiato. \u00c9 uno degli strumenti pi\u00f9 utilizzati per <strong>l&#8217;educazione<\/strong> <strong>musicale<\/strong> dei <strong>bambini<\/strong>.<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\">Il flauto traverso ritorna in auge<\/h3>\n<p>Durante <strong>l&#8217;epoca<\/strong> <strong>barocca<\/strong> il <strong>flauto<\/strong> <strong>traverso<\/strong>, fino a quel momento caduto nel dimenticatoio, \u00e8 tornato alla ribalta. Furono <strong>coniati<\/strong> anche i <strong>nomi<\/strong> <strong>italiani<\/strong> (flauto dolce = recorder e flauto traverso = transverse flute), data la supremazia dei musicisti italiani durante il periodo. Per via del suono <strong>presente<\/strong> e <strong>armonioso<\/strong> e del <strong>range<\/strong> a <strong>disposizione<\/strong>, il flauto <strong>traverso<\/strong> fu inserito nella <strong>formazione<\/strong> <strong>orchestrale<\/strong>, posto in cui il flauto dolce non aveva ragione d&#8217;esistere (<strong>poco<\/strong> <strong>volume<\/strong>, poca <strong>estensione<\/strong>). I suonatori di flauto traverso iniziarono ad approcciare il <strong>virtuosismo<\/strong> durante l&#8217;esecuzione dei repertori del tempo, portando la fama dello strumento ai massimi livelli.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-375187 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"97\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Thomann-FL-200R-Flute-Open-Holes-97x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Thomann FL-200R Flute Open Holes\" aria-describedby=\"gallery-3-374846\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Thomann-FL-200R-Flute-Open-Holes-97x300.jpg 97w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Thomann-FL-200R-Flute-Open-Holes.jpg 194w\" sizes=\"(max-width: 97px) 100vw, 97px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-374846'>\n\t\t\t\tThomann FL-200R Flute Open Holes\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"97\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Yamaha-YFL-372-Flute-97x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Yamaha YFL-372 Flute\" aria-describedby=\"gallery-3-374845\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-374845'>\n\t\t\t\tYamaha YFL-372 Flute\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"61\" height=\"300\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/Sankyo-CF-301-Flute-RBE--61x300.jpg\" class=\"attachment-medium size-medium\" alt=\"Sankyo CF 301 Flute RBE\" aria-describedby=\"gallery-3-374844\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-374844'>\n\t\t\t\tSankyo CF 301 Flute RBE\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<hr \/>\n<h3 style=\"text-align: center;\">Differenze? Si, ma non solo nel posizionamento delle mani!<\/h3>\n<p>La differenza primaria sta nella posizione delle <strong>mani<\/strong> e <strong>nell&#8217;orientamento<\/strong> dello strumento rispetto alla bocca: il flauto dolce si tiene <strong>verticale<\/strong>, <strong>dritto<\/strong>, <strong>perpendicolare<\/strong> alle labbra e con entrambi le mani, mentre il flauto traverso si tiene di <strong>sbieco<\/strong>, in posizione asimmetrica, dalla bocca verso la spalla destra. Per via dei possibili <strong>danni<\/strong> <strong>posturali<\/strong> a <strong>collo<\/strong>, <strong>spalle<\/strong> e <strong>schiena<\/strong>, il flauto traverso va suonato solamente in presenza da un didatta, durante le prime fasi di <strong>apprendimento<\/strong>.<\/p>\n<p>La <strong>diteggiatura<\/strong> \u00e8 molto diversa per via della presenza delle <strong>chiavi<\/strong>. Il flauto dolce ha dei semplici <strong>fori<\/strong> per le <strong>dita<\/strong>, ricavati dalla <strong>struttura<\/strong> del <strong>flauto<\/strong> stesso. A volte \u00e8 necessario usare <strong>diteggiature<\/strong> <strong>particolari<\/strong> sul <strong>flauto<\/strong> <strong>dolce<\/strong> per ottenere alcune note o passaggi. Il flauto <strong>traverso<\/strong>, in questo senso, \u00e8 stato pensato in maniera pi\u00f9 semplice.<\/p>\n\n\t\t<style>\n\t\t\t#gallery-4 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 100%;\n\t\t\t}\n\t\t\t#gallery-4 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-4 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-4' class='gallery galleryid-375187 gallery-columns-1 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/flute-fingering.png\" class=\"attachment-large size-large\" alt=\"flute fingering\" aria-describedby=\"gallery-4-375099\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/flute-fingering.png 900w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/flute-fingering-300x200.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/flute-fingering-768x512.png 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-375099'>\n\t\t\t\tflute fingering\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/recorder-fingering.png\" class=\"attachment-large size-large\" alt=\"recorder fingering\" aria-describedby=\"gallery-4-375098\" srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/recorder-fingering.png 900w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/recorder-fingering-300x200.png 300w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2222\/07\/recorder-fingering-768x512.png 768w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-4-375098'>\n\t\t\t\trecorder fingering\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Il suono di entrambi gli strumenti si basa su un semplice principio: il <strong>flusso<\/strong> <strong>d&#8217;aria<\/strong> entra nella canna\/tubo e viene &#8216;spezzata&#8217; a seconda di quando e quante volte deve uscire dal tubo principale a seconda di quanti fori sono scoperti. <strong>L&#8217;oscillazione<\/strong> <strong>dell&#8217;aria<\/strong> in combinazione con il <strong>diametro<\/strong> dei <strong>fori<\/strong> e la posizione degli stessi in relazione al punto d&#8217;entrata del flusso d&#8217;aria, ne <strong>determinano<\/strong> la <strong>nota<\/strong>.<\/p>\n<figure id=\"attachment_375166\" aria-describedby=\"caption-attachment-375166\" style=\"width: 596px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/07\/flute.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-375166\" src=\"https:\/\/www.thomann.de\/blog\/wp-content\/uploads\/2222\/07\/flute.gif\" alt=\"\" width=\"596\" height=\"257\" \/><\/a><figcaption id=\"caption-attachment-375166\" class=\"wp-caption-text\">Flute lip positions<\/figcaption><\/figure>\n<hr \/>\n<h3 style=\"text-align: center;\">Conclusione<\/h3>\n<p>Flauto <strong>dolce<\/strong> e <strong>traverso<\/strong> sono cugini di primo grado ma, allo stesso tempo, molto <strong>diversi<\/strong> da loro. Sono entrambi strumenti da prendere seriamente, nonostante il <strong>flauto<\/strong> <strong>dolce<\/strong> venga ritenuto uno strumento di poco conto per via dell&#8217;applicazione principale (l&#8217;insegnamento a scuola).<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Suoni uno di questi due strumenti? Faccelo sapere con un commento!<\/strong><\/p>\n<div class=\"advads-content-injection-before-content advads-entity-placement\" style=\"text-align: center;\" id=\"advads-3557260110\"><div class=\"advads-adlabel\">ANNUNCIO<\/div><div id=\"advads-3079591569\"><a href=\"https:\/\/www.thomann.de\/intl\/index.html?utm_medium=display&#038;utm_source=partnersite&#038;utm_campaign=branding&#038;utm_content=thoshop&#038;utm_term=gemischt\" target=\"_blank\" aria-label=\"2502_Gear_Banner_Gemischt_729x90_IT_v01\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01.jpg\" alt=\"\"  srcset=\"https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01.jpg 728w, https:\/\/www.thomann.de\/blog\/app\/uploads\/sites\/6\/2025\/05\/2502_Gear_Banner_Gemischt_729x90_IT_v01-300x37.jpg 300w\" sizes=\"(max-width: 728px) 100vw, 728px\" width=\"728\" height=\"90\"   \/><\/a><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Quale dei due \u00e8 il pi\u00f9 adatto a te? <\/p>\n","protected":false},"author":25,"featured_media":375566,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tblog_post_audio_url":"","footnotes":""},"categories":[1285],"tags":[8251,8253],"class_list":["post-375187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","tag-flauto","tag-strumento-a-fiato"],"category_colors":{"color_key":"gear","css_classes":{"text":"cat-gear","text_light":"cat-gear-light","bg":"cat-bg-gear","bg_light":"cat-bg-gear-light","border":"cat-border-gear","text_on_bg":"cat-text-on-gear"}},"reading_time":{"minutes":3,"formatted":"3 min"},"_links":{"self":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/375187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/comments?post=375187"}],"version-history":[{"count":0,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/posts\/375187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media\/375566"}],"wp:attachment":[{"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/media?parent=375187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/categories?post=375187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thomann.de\/blog\/it\/wp-json\/wp\/v2\/tags?post=375187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}